Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Good condition ex-library book with usual library markings and stickers.
Condizione: Good. Used book that is in clean, average condition without any missing pages.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Soft cover. Condizione: Very Good. No Jacket. Minor edge wear to the wraps. Otherwise a clean, unmarked copy.
Condizione: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.29.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Condizione: Good. Used book that is in clean, average condition without any missing pages.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Da: Goodwill of Silicon Valley, SAN JOSE, CA, U.S.A.
Condizione: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.
Condizione: Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.
Condizione: Very Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.
EUR 15,06
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
EUR 11,53
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Getty Conservation Institute, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Lingua: Inglese
Editore: Getty Conservation Institute, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Editore: Hallwalls Contemporary Arts Center, Buffalo, NY, 1992
ISBN 10: 0936739010 ISBN 13: 9780936739014
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. 1st. ### PRICE TEMPORARILY REDUCED ### 20 pages, illustrations; 29 x 12 cm. Exhibition held November 7 to December 12, 1992. Firm binding, clean text. Previous owner's blind stamp, otherwise unmarked. *** Exhibition of works by Elizabeth Berdann, and twelve others. LGBTQ+ content. Size: 8vo.
Da: savehere619, San Diego, CA, U.S.A.
Condizione: good.
Hardcover without dustjacket as issued , 330 pages, very good condition, light scratches and edgewear to covers; no internal marks. Foreign shipping may be extra.
Hardcover with dustjacket, 160 pages; very good condition; light rubbing to dj and small tear to d at top of spine; pages wavy at right edge; no internal marks. Foreign shipping may be extra.
Da: AwardWinningBooks, Spring Branch, TX, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition.
Editore: Whitney Museum of American Art, New York, 1991
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Paperback. Condizione: Fine. 1st. ### PRICE TEMPORARILY REDUCED ### 20 pages, illustrations; 17 x 26 cm. Catalogue of an exhibition held at the Whitney Museum of American Art, Downtown at Federal Reserve Plaza, June 19 to August 30, 1991. Firm binding, clean inside copy. Size: Oblong Size: Oblong.
Lingua: Inglese
Editore: Getty Research Institute and the J. Paul Getty Museum, Los Angeles, 2011
ISBN 10: 1606060724 ISBN 13: 9781606060728
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. 1st. Pictorial boards, xxi, 330 pages, illustrations (some colour); 30 cm. Published on the occasion of Pacific Standard Time: Art in L.A. 1945-1980, an initiative of the Getty with arts institutions across Southern California, and accompanies the Getty Research Institute's exhibition held at the J. Paul Getty Museum, Los Angeles, from 1 October 2011 through 5 February 2012 and at the Martin-Gropius-Bau, Berlin, from 15 March through 10 June 2012. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements." - Publisher. *** CONTENTS: Introduction: shifting the standard: reappraising art in Los Angeles, by Rebecca Peabody et al.; 1. Floating structures: building the modern in postwar Los Angeles, by Andrew Perchuk and Catherine Taft; Case study houses, by Lyra Kilston; The Morder Institute of Art, by Catherine Taft; Collaborative couples, by Catherine Taft; The Post-Surrealists, by Catherine Taft; Zen in the studio, by Catherine Taft; The Anti-Square Merry-Go-round Show; action and politics in Los Angeles, by Serge Guilbaut; 2. Papa's got a brand new bag: crafting an art scene, by Lucy Bradnock and Rani Singh; In the shadow of the spotlight, by Rani Singh; Name games, by Lucy Bradnock; Tap City Circus, by Nancy Perloff; Brittin by Baza, by Ken D. Allen; Instant theatre, by Lucy Bradnock; Clickin' with Clax, by Rani Singh; Roxy's, by Alex Potts; 3. For people who know the difference: defining the pop art sixties, by Ken D. Allan, Lucy Bradnock, and Lisa Turvey; Tooth, by Annette Leddy; Duchamp in Pasadena, by Ken D. Allan; Gemini G.E.L., by Lucy Bradnock; The Artists' Protest Committee, by Ken D. Allan; The Golden State Mutual Art Collection, by Lucy Bradnock; Riko Mizuno, by John Tain; "Los Angeles Meant boys": David Hockney, Bob Mizer, and the lure of physique photography, by Richard Meyer; 4. Duration piece: rethinking sculpture in Los Angeles, by Donna Conwell and Glenn Phillips; Jack Brogan: fabricator, by Margaret Honda; Protesting art and technology, by Donna Conwell; First National Symposium on Habitability, by Donna Conwell; Process painting, by Glenn Phillips; L.A. air, by Donna Conwell; Postmodernism between art and film: Jack Goldstein's Portrait of Pere Tanguy, by Michael Lobel; 5. Here, here or there: on the whereabouts of art in the seventies, by Jane McFadden; Performing among us: ritual and witness, by Irene Tsatsos; Hermann Nitsch visits Los Angeles, by Jane McFadden; The Estrada Courts murals, by Dianna Marisol Santillano; Video at the Long Beach Museum of Art, by Catherine Taft; Close radio, by Jane McFadden; Making the scene: fashioning an artistic identity. Size: 4to. Collectible.
Lingua: Inglese
Editore: Getty Conservation Institute and the Getty Research Institute, Los Angeles, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. 1st. Pictorial boards, vii, 143 pages, colour illustrations; 27 cm. Published on the occasion of Pacific Standard Time: LA/LA, an initiative of the Getty with arts institutions across Southern California, and accompanies the exhibition Making Art Concrete: Works from Argentina and Brazil in the Coleccion Patricia Phelps de Cisneros, held at the J. Paul Getty Museum from 16 September 2017 through 11 February 2018. Near fine. Firm binding, clean inside copy. Superficial ripple to the text block. Richly illustrated with colour plates. *** "In the years after World War II, artists in Argentina and Brazil experimented with geometric abstraction and engaged in lively debates about the role of the artwork in society. Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in painting-proposing that these objects become part of everyday, concrete reality. Combining art historicaland scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Coleccio n Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein.'Making Art Concrete' presents works by Lygia Clark, Willys de Castro, Judith Lauand, Rau l Lozza, Tomas Maldonado, Helio Oiticica, and Rhod Rothfuss, among others with new spectacular photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists' technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists' propositions, making a compelling addition to the field of postwar Latin American art.00Exhibition: The J. Paul Getty Museum, Los Angeles, USA." - Publisher. Size: 4to. Collectible.
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 20,68
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Fine.
EUR 13,01
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
Editore: Cambridge: MIT List Visual Arts Center, MIT Press, 1995, 1995
Da: Steven Wolfe Books, Newton Centre, MA, U.S.A.
, Perchuk, Andrew, ed. The masculine masquerade. Masculinity and representation. Cambridge: MIT List Visual Arts Center, MIT Press, 1995, 159pp., very good dust-jacket, small tear, very good tall black cloth. Edited by Andrew Perchuk and Helaine Posner. 9780262161541 ISBN 0262161540.