Pierotti julie (75 risultati)

Hard Cover. Condizione: vg+. Condizione sovraccoperta: vg. 131 pages; color illustrations; contents clean & tight; shelf wear to edges of dj. Hardcover (dj).

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 128 pages.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear. Inside pages are clean. ; 91 pages.

Hardcover. Condizione: Near Fine. Tight, clean. DJ shows minor scratches. Copiously illustrated.

Hardcover. Condizione: Very good. Hardcover. 91pp. Very good hardback in a very good dustjacket.

Condizione: New.

Hardback or Cased Book. Condizione: New. Caf� Society: Art and Sociability in Belle �poque Paris. Book.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Published in conjunction with exhibition at the Cedarhurst Center for the Arts, Mt. Vernon, IL, Oct 31- Dec 31, 2008 and other itineries. Hard cover, 93 pp., 6 pp essays with 5 small color illus., 57 color plates.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. ExCat. Dixon Gallery and Gardens, Memphis, TN, Apt 27- July 15, 2012. With essays by Kevin Sharp and M. Melissa Wolfe and an interview by Andrew J. Walker. Brings together 68 examples of American Scene and modernist painting from the 1920's, 1930's and 1940's, including Burchfield, Hartley, Marsh, Sheeler and others. Hard cover, dj., 131 pp., illustrates in color and describes 68 works, provides biographical sketches of each artist/.…

Hardcover. Electric red cloth cover, color illus. dust jacket, 131 pp., many color illus. Issued in conjunction with several 2012-2014 exhibitions featuring works from this stunning collection. "Brings together sixty-eight examples of American Scene and modernist painting from the 1920s, 1930s, and 1940s, works that exposed and sometimes celebrated the shared concerns of American painters from every region of the country." (dj) With essays: Tom Joad, Depression-Era American Painting, and the Search for Community / Kevin Sharp -- (Non)sense and Sensibility: Surrealism in 1930s America / M. Melissa Wofle -- "An Internal Expression": The American Abstract Artists and the "Opposing Forces of Modern Life" / Julie Novarese Pierotti. Vivid, vibrant, impressive. VG. Light corners bumping, otherwise clean and unmarked.…

Hardcover. Square quarto. Hardcover. Goldenrod cloth, color illus. dust jacket, 91 pp., many color illus. Issued in conjunction with a series of 2008-2010 exhibition from this stunning collection. "Brings together fifty-seven major works of art that examine American identity in the first half of the twentieth century." (dj) With essay by Kevin Sharp: "Edward Alden Jewell, Joseph Vorst, and the end of American scene painting." Vivid and impressive. VG+. Hardly any shelfwear. 91 pages : color illustrations ; 27 cm.…

Hardcover. Condizione: new. Hardcover. A wonderful volume which captures the central role of Parisian cafes as a source of inspiration in the development of modern art. Presenting over fifty-five works by a broad cross-section of major and lesser-known names in French and expatriate American art, the volume looks at the changing role of cafes as gathering places for a new type of urban bourgeois clientele, that increasingly dominated life in central Paris in the late nineteenth century. The redeveloped city centre saw a massive explosion in cafes, brasseries, and restaurants, as well as a host of music and performing establishments, that became social gathering spots for a wide range of artists, writers, intellectuals, political activists, and hangers-on, as well as a growing number of often exploited cabaret performers. These cafes included Cafe Guerbois in Avenue de Clichy, frequented by Manet and Degas; Cafe-concert des Ambassadeurs in the Jardins des Champs Elysees, a favourite haunt of Jean Beraud, and Le Lapin Agile the informal cabaret in Montmartre, closely associated with the struggling modernist artist Picasso. These establishments ranging from formal restaurants and brasseries, to cabarets, small cafes, and table d'hotes attracted French and international artists, drawn to places where different social classes of men and women could freely mingle, and providing the kind of hedonistic sensory experience that became the subjects of these artists' work. AUTHORS: Julie Pierotti is Martha R. Robinson Curator, Dixon Gallery and Gardens, Memphis, TN. Jeffrey H. Jackson is professor of History at Rhodes College, Memphis and author of Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis (2020) and Paris Under Water: How the City of Light Survived the Great Flood of 1910 (2010). W. Scott Haine is historian of Food Sociability at Canada College, San Mateo, California, and author of Culture and Customs of France (2006) and The World of the Paris Cafe: Sociability Among the French Working Class, 1789-1914 (1996). Dorthe Vangsgaard Nielsen is senior curator at Ordrupgaard, Charlottenlund, Denmark. Taylor J. Acosta is chief curator and Willis A. Strauss Curator of European Art at Joslyn Art Museum and the editor of European Paintings and Sculpture from Joslyn Art Museum (2021). SELLING POINTS: . Dynamic book about Parisian life at this time and its impact on the spread of ideas at a key turning point in the history of Western art. . Will appeal to a broad range of readers . Nothing has been published that comes close to covering this subject. . Reveals gender politics, conspicuous consumption, and the unique cafe environment, as expressed through paintings, prints, and writings of artists, writers and intellectuals. 111 colour illustrations A wonderful volume which captures the central role of Parisian cafes as a source of inspiration in the development of modern art Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. First edition. Text is clean and unmarked, binding tight, DJ unclipped and in excellent condition, no indications of previous ownership.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: New in shrinkwrap. Electric red cloth cover, color illus. dust jacket, 131 pp., many color illus. Issued in conjunction with several 2012-2014 exhibitions featuring works from this stunning collection. "Brings together sixty-eight examples of American Scene and modernist painting from the 1920s, 1930s, and 1940s, works that exposed and sometimes celebrated the shared concerns of American painters from every region of the country." (dj) With essays: Tom Joad, Depression-Era American Painting, and the Search for Community / Kevin Sharp -- (Non)sense and Sensibility: Surrealism in 1930s America / M. Melissa Wofle -- "An Internal Expression": The American Abstract Artists and the "Opposing Forces of Modern Life" / Julie Novarese Pierotti. Vivid, vibrant, impressive.…

Hardcover. Condizione: New in shrinkwrap. Goldenrod cloth, color illus. dust jacket, 91 pp., many color illus. Issued in conjunction with a series of 2008-2010 exhibition from this stunning collection. "Brings together fifty-seven major works of art that examine American identity in the first half of the twentieth century." (dj) With essay by Kevin Sharp: "Edward Alden Jewell, Joseph Vorst, and the end of American scene painting." Vivid and impressive.…

hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condizione: New (in plastic wrap). Color illustrated boards with yellow and white text. 208 pp. Color illustrations. "Paris in the late nineteenth century witnessed an explosion in cafés, brasseries, and restaurants, as well as a host of musical and performance spaces, that became social gathering spots for a wide range of artists, writers, intellectuals, political activists, performers, and hangers-on. These cafés included Café Guerbois on Avenue de Clichy, frequented by Manet and Degas, the Café des Ambassadeurs on the Champs-Élysées, a favorite haunt of Jean Béraud, and Le Lapin Agile, the informal cabaret in Montmartre closely associated with the struggling modernist artist Pablo Picasso. Presenting more than sixty-five works by a broad cross-section of major names in French, Scandinavian, and expatriate American art, this beautifully illustrated volume looks at the changing role of cafés as gathering places for a new type of urban bourgeois clientele.".…

Cloth binding 26x24 cm, book in good condition, dust jacket slightly worn, 91 pages. Gewicht in Gramm: 800.

Hardback. Condizione: New. Presenting over 55 works by a broad cross-section of major and lesser-known names in French and expatriate American art, the volume looks at the changing role of cafes as gathering places for a new type of urban bourgeois clienteleParis in the late 19th century witnessed an explosion in cafes, brasseries, and restaurants, as well as a host of musical and performance spaces, that became social gathering spots for a wide range of artists, writers, intellectuals, political activists, performers and hangers-on. These cafes included Cafe Guerbois in Avenue de Clichy, frequented by Manet and Degas; Cafe-concert des Ambassadeurs in the Jardins des Champs Elysees, a favourite haunt of Jean Beraud; and Le Lapin Agile the informal cabaret in Montmartre, closely associated with the struggling modernist artist Picasso.…

Hardback. Condizione: New. Presenting over 55 works by a broad cross-section of major and lesser-known names in French and expatriate American art, the volume looks at the changing role of cafes as gathering places for a new type of urban bourgeois clienteleParis in the late 19th century witnessed an explosion in cafes, brasseries, and restaurants, as well as a host of musical and performance spaces, that became social gathering spots for a wide range of artists, writers, intellectuals, political activists, performers and hangers-on. These cafes included Cafe Guerbois in Avenue de Clichy, frequented by Manet and Degas; Cafe-concert des Ambassadeurs in the Jardins des Champs Elysees, a favourite haunt of Jean Beraud; and Le Lapin Agile the informal cabaret in Montmartre, closely associated with the struggling modernist artist Picasso.…

Hardback. Condizione: New. All Aboard is a ground-breaking book. Presented thematically the authors cover the environmental impact of the railroad both on the flora and fauna, and on the social landscape; the role of the railroad on the western expansion of the USA, and the lasting and hugely detrimental impact of this on Native American populations. A wide array of comparative images includes archival and historic views, other related artworks and ephemera, as well as a railroad map.In the early years of the nineteenth century artists including Thomas Cole and George Inness, of the Hudson River School, feared the impact of the railroad on the natural landscape; later artists were inspired by the newly opened-up landscapes of the West, including Albert Bierstadt and Theodore Kaufmann; others like Edward Hopper, Jacob Lawrence, Reginald Marsh, George Bellows, and John Sloan, were fascinated by movement of freight and people across the railroad network. Ben Shahn, Tomas Hart Benton, and Joe Jones's portrayals of railroad workers become emblems of the very backbone of America on which the country's social and industrial expansion was built.Such industrial expansion is captured in the dramatic views of Pittsburgh and mid-west industry in paintings by Otto Kuhler, George Luks, and Charles Sheeler. And finally, there are a raft of artists for whom the railroad was both at the heart of a great new machine age, celebrated in paintings by Georgia O'Keeffe, John Marin, Joseph Stella, and Charles Goeller, but also the creator of a more lonely and alienated urban industrial world, most strongly captured in Edward Hopper's railroad landscapes.…

Condizione: new.