Editore: ASC Holding Corp., Hollywood CA, 1998
Da: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.
Rivista / Giornale
Magazine. Condizione: Near Fine. (Vol. 79, No. 9). [light handling wear only]. (color & B&W photographs, ads, graphics) Feature stories in this issue: Cinematographer Conrad Hall (interviewed by fellow lenser Caleb Deschanel) discusses the filming of WITHOUT LIMITS, the film about legendary track star Steve Prefontaine; a production article about LOVE IS THE DEVIL, a biopic of the notorious British artist Francis Bacon; an article about the creation of a stylish Ralph Lauren ad campaign; a piece about the collaboration of a professional couple, cinematographer Rolf Kestermann and his director/wife Paula Walker; an article about the latest digital postproduction systems; a profile of a Santa Monica-based commercial company, Fuel; and, most interestingly (to me anyway), an excellent article by historical editor George Turner about the production of Orson Welles's TOUCH OF EVIL, including information about the 1998 re-edit of the film, performed by editor Walter Murch and others to incorporate recently-discovered outtakes in an attempt to create something closer to Welles's original version.