Pontius paulus 1603 (42 risultati)

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.…

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.…

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.…

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.…

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.…

Original Kupferstich-Portrait von ca. 1640. -- Blattformat: ca.29x19,5 cm. Platte: ca. 16 x 11 cm. -- gut erhalten. || Original copper engraved portrait from c. 1640. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 10. …

Blatt-Maße: ca. 41,5 x 26 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.…

Blatt-Maße: ca. 38 x 24 cm. Portrait: ca. 24 x 17 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20. …

Blatt-Maße: ca. 38 x 24 cm. Portrait: ca. 23 x 17 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20. …

Blatt-Maße: ca. 41,5 x 26 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.…

No Binding. Condizione: Poor. Portrait of Balthazar Gerbier. Born 13 February 1592 in Middelburg, The Netherlands. Died 1663. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), 1634. Mediocre condition. Lacking the margins and part of the left and lower parts of the image. Several small holes affecting the image. Verso: blank, with traces of former mounting and an old collection stamp. Dimensions: 223 x 157 mm. Balthazar Gerbier was Writer, Diplomat, Artist, Miniaturist, Courtier, Painterr, Art advisor, and Architectural designer. Print.…

Condizione: Good. Etching and engraving on old laid paper. Later impression.24 x 16.5cm. platemark. 41 x 25cm. sheet size. This Latin title translates to "The most illustrious man, Casperius Gevartius, jurist, chief town clerk of Antwerp, imperial counselor, and imperial historiographer.The Sitter: Gevaerts (1593-1666) was a prominent Flemish philologist, lawyer, poet, and historian who served as the secretary (town clerk) of Antwerp for decades.The Series: This print belongs to Van Dyck's celebrated Iconography (Icones Principum Virorum) project?a massive collection of engraved portraits of famous statesmen, scholars, and artists of the era. …

Condizione: Good. Engraving on laid paper with fleur-d-lys watermark (Mauquoy-Hendrickx 170?). 23.6 x 17.3 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.…

Condizione: Good. Engraving on laid paper with indecipherable watermark. 24.5 x 17.3 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.…

Condizione: Good. Engraving on laid paper with fleur-de-lys watermark (Mauquoy-Hendrickx 170?). 26 x 17.6 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.…

Condizione: Good. Engraving on laid paper with fleur-de-lys watermark (Mauquoy-Hendrickx 170?). 24.7 x 17 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.…

Condizione: Good. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 23.6 x 16.3 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. A short tear at bottom sheet edge (below his right hand)."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.…

Condizione: Good. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 24.4 x 15.4 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.…

Condizione: Good. Engraving on laid paper with fleur-de-lys watermark (Mauquoy-Hendrickx 167?). 23.2 x 16.9 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. "Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.…

Condizione: Good. Engraving on laid paper with partial watermark. 24.3 x 17.3cm. sheet size.Reference: Marie Mauquoy-Hendrickx.L'Iconographie d'Antoine van Dyck = [Van Dyck's Complete Original Engravings]. Catalogue raisonné; no. 66 state IV of VII.

Portrait of Balthazar Gerbier (1592-1663); half-length, directed to the left, head slightly turned to face the viewer, wearing a flat white collar, holding a letter in his right hand; a curtain in left background. The sitter was a miniature painter and architect; born Middeburg in Zeeland; he moved to London 1615 as miniaturist; between 1620-8 he was keeper of Buckingham's picture collection.Set title: Image de divers hommes.Inscribed below: BALTHASAR GERBIER; followed by four lines of French description: Il a facit merueille . Anvers / l' an 1592.Signed: Ant. van Dyck pinxit. / Ioan. Meÿssens excudit.[NL] Portret van de schilder Balthasar Gerbier. In de marge de naam van de geportretteerde en een vierregelig onderschrift met biografische gegevens in het Frans. Antieke prent door Paulus Pontius. Engraving on laid paper, cut close to plate mark and remargined; total: 196 x 142 mm; state I or II/2, in good condition; mounted on fine paper passepartout. New Hollstein 322.…

No Binding. Condizione: Fair. Portrait of Henri II d'Orleans, Duke of Longueville. Born 6 April 1595. Died 11 May 1663 in Rouen, France. Etching and Engraving by Paulus Pontius (1603-1658), after Anselmus Van Hulle (1601-1665), 1648. Reasonable condition. Paper slightly soiled, with some minor creasing. Some browning in the upper margin. A small portion of the right lower corner restored with old paper (not affecting the image). Verso: blank. Dimensions: 307 x 195 mm. Henri II d'Orleans, Duke of Longueville was Aristocrat, Governor, Duke, Prince, Military leader, Peer of France, Member of the House of Valois, Duke of Longueville, Governor of Picardy, Governer of Normandy, French Representative to the Treaty of Westphalia Negotiations, and Prince of Neuchatel. Print.…

No Binding. Condizione: Good. Portrait of Johan de Knuyt. Born 6 March 1587 in Middelburg, The Netherlands. Died 17 December 1654 in Middelburg, The Netherlands. Etching and Engraving by Paulus Pontius (1603-1658), after Anselmus Van Hulle (1601-1665), c. 1650. Good condition. Paper with ample margins. Slightly browned along edges. A small, faint stain in the upper left corner of the margin. Some minor creasing. Verso: blank, with traces of former mounting. Dimensions: 301 x 197 mm. Johan de Knuyt was Statesman, Mayor, Diplomat, Dignitary at the Peace of Munster, Mayor of Middelburg, Plenipotentiary at the Peace of Munster, and Advisor to Frederick Henry Prince of Orange. c. 1650. Print.…

No Binding. Condizione: Fair. Portrait of Adriaen van Stalbemt. Born 12 June 1580 in Antwerp, Belgium. Died 21 September 1662 in Antwerp, Belgium. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), c. 1720. Reasonable condition. Paper with ample margins, but a bit browned and a bit soiled. Some staining in the margins. Some creasing. Verso: blank, with an unidentified collection stamp. Note: possibly a later impression, c. 1720. Dimensions: 221 x 167 mm. Adriaen van Stalbemt was Painter, Printmaker, and Artist. c. 1720. Print.…

No Binding. Condizione: Fair. Portrait of Aubertus Miraeus. Born 30 November 1573 in Brussels, Belgium. Died 19 October 1640 in Antwerp, Belgium. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), c. 1645. Reasonable condition. Paper slightly soiled, and a bit browned. Short margins; the lower margin trimmed to the plate mark. Verso: blank, with an unidentified collection stamp and some traces of former mounting. Note: dimensions reflect the plate mark. Dimensions: 245 x 174 mm. Aubertus Miraeus was Writer, Historian, Ecclesiastical historian, Canon of Antwerp cathedral, Dean of the cathedral of Antwerp, and Vicar general of the diocese of Antwerp. c. 1645. Print.…

No Binding. Condizione: Fair. Portrait of Theodoor Rombouts. Born 2 July 1597 in Antwerp, Belgium. Died 14 September 1637 in Antwerp, Belgium. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), c. 1645. Reasonable condition. Paper slightly soiled, and a bit browned in the left margin. Verso: blank, with an unidentified collection stamp. Note: dimensions reflect the plate mark. Dimensions: 238 x 155 mm. Theodoor Rombouts was Painter, Artist, and Member of the Antwerp Caravaggisti. c. 1645. Print.…

No Binding. Condizione: Good. Portrait of Jacques Dubroucq. Born 1505 in Mons, Belgium. Died 30 September 1584 in Mons, Belgium. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), c. 1645. Good condition. Margins almost trimmed to the border. Paper slightly soiled. Verso: blank, with traces of former mounting. Dimensions: 208 x 169 mm. Jacques Dubroucq was Architect, Sculptor, Belgian Architect, and Belgian Sculptor. c. 1645. Print.…

No Binding. Condizione: Fair. Portrait of Hendrick van Balen the Elder. Born c. 1573 in Antwerp, Belgium. Died 17 July 1623 in Antwerp, Belgium. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), c. 1720. Reasonable condition. Paper with ample margins, but a bit browned and slightly soiled. Some minor, unobtrusive faint to very faint staining. Verso: blank, with an unidentified collection stamp. Note: possibly a later impression, c. 1720. Dimensions: 215 x 155 mm. Hendrick van Balen the Elder was Painter, Artist, Stained glass designer, and Teacher of Anthony van Dyck. c. 1720. Print.…

No Binding. Condizione: Fair. Portrait of Nicolaas II Rockox. Born 14 December 1560 in Antwerp, Belgium. Died 12 December 1640 in Antwerp, Belgium. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), c. 1640. Reasonable condition. Ample margins. With a faint horizontal fold in the center. Paper slightly soiled and slightly browned. Some minor creasing. Some small tears in the margins. Verso: blank, with traces of former mounting. Dimensions: 257 x 176 mm. Nicolaas II Rockox was Mayor, Mayor of Antwerp, and Close personal friend and important patron of Peter Paul Rubens. c. 1640. Print.…

No Binding. Condizione: Fair. Portrait of Simon de Vos. Born 20 October 1603 in Antwerp, Belgium. Died 15 October 1676 in Antwerp, Belgium. Etching and Engraving by Paulus Pontius (1603-1658), after Anthony van Dyck (1599-1641), c. 1645. Reasonable condition. Rather small margins. Paper a bit soiled, with some staining along edges. Mounted onto a 19th century album leaf. Note: dimensions reflect the plate mark. Dimensions: 239 x 155 mm. Simon de Vos was Art collector, Painter, Draughtsman, and Artist. c. 1645. Print.…