preston heller (9 risultati)

Paperback. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Soft Cover. Condizione: Very Good+. First Edition. Scarce publication by the Art & Language radical conceptual art group with the editorial assistance and participation of Mel Ramsden, Joseph Kosuth, Terry Atkinson, Donald Judd, Robert Smithson and others, this copy shows the usual age-toning to the fragile newsprint-level paper, but the contents unmarked & in excellent condition, there are no creases to cover or spine, mild edge/page wear only with a neat name/date/address inside front cover/to endpaper, a clean tight nice copy of a scarce publication by the Art & Language collective; 8vo; 163pp illus + ads.

Soft Cover. Condizione: Very Good. First Edition /First Printing. soft cover., faint traces of a very old water-stain to cover. no internal artifact, no mildew. some darkening to paper, as usual. corner of last two sheets folded over.no other flaws. no writing, markings, labels. sturong binding.; 144pp., several b/w illustrations. apprx. 14 articles and essays with a few other texts, by various contributors. Size: 4to - over 9¾" - 12" tall. Periodical.

Paperback. Condizione: Near Fine. 1st. 146 pages; 26 cm. As issued, browning. The inaugural issue of this conceptual art journal. Excellent condition. Editor Charlesworth, was later identified with the Pictures generation. Rare. Size: 4to. Serial.

Soft cover. Condizione: Very Good. 1st Edition. 8° - 144pp - B/w reproductions. First issue, First year of "The Fox" is a publication of Art & Language Foundation (It is the purpose of our journal to try to establish some kind of community practice. Text in English. Original wrappers. In Very good condition.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.

92 pp.; 23 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Handbook of language and definitions by Art & Language. Edited by Ian Burn, Michael Corris, Preston Heller, Andrew Menard, Mel Ramsden, and Terry Smith. Good. 6.8 cm. of yellow soiling to left side edge of recto. Yellowing of covers. Edge wear including tearing: 2 mm. tear to bottom edge of recto; multiple 1-3 mm. tears to top edge of recto; and 4 cm. of tearing and loss to top edge of verso. Contents clean and unmarked.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condizione: new. Paperback. While on a hunting trip Kerry Fitzgerald's father is seriously injured and she thinks life can't get any worse -- but she is wrong. Over the course of one year she gets kicked out of college, abandons her infant son with her parents, moves to California to sell drugs, gets busted and is sentenced to fifteen years in prison. To make things worse her parents don't respond to her letters, her boyfriend, and father of their son, disappears without a trace and she starts thinking she is losing her grip on reality. When she meets fellow prisoner Carol Endicott, a sixties radical, the two women become friends. But despite the comfort Kerry finds in their growing friendship, her depression seems to have no bottom. In an effort to help, Carol shares a secret with her, a truth that will change her life. "You are not who you think you are. You are not Kerry Fitzgerald." And so begins Kerry's journey of spiritual awakening, a process not of self-improvement, but of self-annihilation. A journey from suffering and separation to freedom and love, a pilgrimage inward that will call into question every belief she has ever held dear and challenge her to ask the most important question of her life, "Who am I?" This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.