prevost jeanne (28 risultati)

Condizione: Very Good. Hansen, Amelia (illustratore). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Linda Crockett (illustratore). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: good. Hansen, Amelia (illustratore). Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.

Condizione: Acceptable. Hansen, Amelia (illustratore). Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Hansen, Amelia (illustratore). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Hansen, Amelia (illustratore). Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover. Condizione: Good. No Jacket. Hansen, Amelia (illustratore). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Hansen, Amelia (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Linda Crockett (illustratore). First. Used book that is in clean, average condition without any missing pages.

Condizione: good. Hansen, Amelia (illustratore). Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

hardcover. Condizione: Very Good. Hansen, Amelia (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: New. Hansen, Amelia (illustratore).

Unknown. Condizione: Very Good. No Jacket. Linda Crockett (illustratore). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Hansen, Amelia (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Very Good. Hansen, Amelia (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: As New. Hansen, Amelia (illustratore). Unread copy in mint condition.

Condizione: New. Hansen, Amelia (illustratore). Brand New.

Condizione: As New. Hansen, Amelia (illustratore). Unread copy in mint condition.

Condizione: New. Hansen, Amelia (illustratore). Brand New.

Hardback. Condizione: New. Hansen, Amelia (illustratore).

Hardcover. Condizione: Brand New. Hansen, Amelia (illustratore). 24 pages. 10.00x9.00x0.25 inches. In Stock.

Hardcover. Condizione: Brand New. Hansen, Amelia (illustratore). 24 pages. 9.50x9.00x0.50 inches. In Stock.

Hardcover. Condizione: New. Hansen, Amelia (illustratore). In shrink wrap. Looks like an interesting title!

Hardback. Condizione: New. Hansen, Amelia (illustratore).

hardcover. Condizione: New. Hansen, Amelia (illustratore). In shrink wrap. Looks like an interesting title!

Couverture souple. Condizione: Bon. IN-8 broché, 146 pages. Sommaire : Georges Chennevière: Dernier Poème, Pages 145-145 --- Jean Schlumberger: Testament, Pages 146-161 --- Roger Vitrac: Raymond Roussel, Pages 162-176 --- André Gide: Sur le Logone (II), Pages 177-204 --- François Berthault: L'homme dans l'aube et dans la nuit, Pages 205-211 --- Franz Kafka: La Métamorphose (II), Pages 212-231 --- Alain: Propos, Pages 232-233 --- Albert Thibaudet: Sur la poésie, Pages 234-241 --- Jean Prévost: Spectacles, Pages 242-246 --- Robert Tournaud: Jaune Bleu Blanc, par Valery Larbaud (Éditions de la N. R. F.), Pages 247-250 --- André Malraux: Où le coeur se partage, par Marcel Arland (Éditions de la N. R. F.), Pages 250-252 --- Pierre Drieu la Rochelle: Russie 1927, par Alfred Fabre-Luce (Bernard Grasset), Pages 252-255 --- Albert Thibaudet: Louis XI, par Pierre Champion (Champion), Pages 255-256 --- Mario Meunier: uvres, de Théocrite (Éditions de la Pléiade), Pages 257-259 --- Gabriel Bounoure: Opéra, de Jean Cocteau (Stock), Pages 259-263 --- Georges Dupeyron: Le Chant du Bienheureux, par Jacques Chardonne (Stock), Pages 264-266 --- Marcel Arland: Piège du démon, par Guy Mazeline (Éditions de la N. R. F.), Pages 266-268 --- Marcel Arland: Thomas Hardy, Pages 268-269 --- Boris de Schloezer: Journal de Raskolnikoff, par Dostoïevsky (Les Cahiers libres), Pages 269-270 --- Marie-Jeanne Durry: Zeno, par Italo Svevo (Éditions de la N. R. F.), Pages 270-272 --- Maurice Betz: Les Fenêtres, par Rainer Maria Rilke (Librairie de France), Pages 272-273 --- André Lhote: Portraits d'aujourd'hui, Pages 273-277 --- Darius Milhaud: Sous le Rempart d'Athènes, de Germaine Tailleferre (musique de scène), Pages 277-277 --- André Gide: Faits-divers, Pages 278-280 --- Ramon Fernandez: Pourquoi Rome a parlé (Éditions Spes), Pages 280-281 --- Ramon Fernandez: L'Évangile Éternel, par Jean Guéhenno (Grasset), Pages 281-282 --- Jean Prévost: Itinéraire de Paris à Buenos-Ayres, par J. J. Brousson (Crès), Pages 282-282 --- Daniel-Rops: Le Quai des Brumes, par Pierre Mac Orlan (N. R. F.), Pages 282-282 --- Marcel Arland: Escale, par Pierre Humbourg (N. R. F.), Pages 282-283 --- Marcel Arland: Psyché, par Pierre Loüys, Pages 283-283 --- Georges Dupeyron: Le dîner chez Olga, par René Laporte (Grasset), Pages 283-283 --- Marcel Arland: Frères, par René Jouglet (Grasset), Pages 284-284 --- Marcel Arland: Vie en commun, par Léon Duesberg (Sélection), Pages 284-284 --- Benjamin Crémieux: Carte d'Europe, par Daniel-Rops (Perrin), Pages 284-284 --- Marcel Arland: Lettre recommandée, par Eyvind Johnson (Kra), Pages 284-285 --- Jean Cassou: Sonates de printemps et d'été, par Ramon del Valle-Inclan (Éditions de France), Pages 285-285 --- Benjamin Crémieux: Vision de l'Anahuac, par Alfonso Reyes (N. R. F.), Pages 285-285 --- Jean Schlumberger: La Porte, par Natsume Soseki (Rieder), Pages 286-286 --- Jean Guérin: Du malaise mondial, Pages 286-287 --- Jean Guérin: Premier Livret, Pages 287-287 --- Jean Guérin: Restauration de la Raison, Pages 287-288 --- Jean Guérin: [Mémento], Pages 288-288.

272 pp. In-8 - br., ex-libris de bibliothèque, trace d'étiquette au dos. Studies on Voltaire and the eighteenth century. Edited par Theodore Besterman. Vol. 78.

Half-Leather. Condizione: Very Good. No Jacket. Original wrappers bound in, along with separate title page for the bound volume. Edges rubbed, hinges just beginning to weaken, 1 inch closed marginal tear on a couple pages, a few pages trimmed close at margins by binder, full-volume contents page and supplement section of issue 21 toned (different paper stock than other pages). 1901 Half-Leather. Leather spine and corners, gilt titles and decorations, marbled boards and endpapers. Color plates, black-and-white, monochrome, and colorized photographs, photogravure illustrations throughout text, including many images of contemporary fashions. A collection of twenty-two issues of this 24-page French magazine, representing the entire first year run. Femina was a French bi-monthly women's magazine, created in 1901 by Pierre Lafitte and it continued publication in various forms until 1964. The publication gave its name to the Prix Femina. The title of the publication is taken from the Latin word femina for "woman". It was subtitled "La revue ideale de la femme et de la jeune fille" ("The ideal magazine for women and girls") and targeted the female bourgeoisie. efore the First World War its editorial coverage was broader than other magazines aimed at women. It presented a balanced mix of reportage on fashion, the arts and current events, with generous coverage of leisure activities, especially sports (the cover of April 1, 1902, shows the photograph of two women playing ping pong and another magazine published by Lafitte, La Vie au vent, catered to women sports enthusiasts), and professional advice on interior decoration. Advertising from luxury retailers and manufacturers covered at least five pages of each issue. Leading journalists contributed articles, including women writers with a serious commitment to women's issues, among them being poet Jane Catulle-Mendes, and established novelists Gabrielle Reval, Jeanne Lapauze and Marcelle Tinayre. Amongst its male writers were allies of feminism: Marcel Prevost, Jules Claretie (director of the Comedie Francaise which staged several progressive plays about women), Maurice Donnay (who wrote the 1913 feminist play L'eclaireuses), Paul Margueritte (who supported divorce and the decriminalization of adultery), and literary critic Emile Faguet, sympathetic to women writers. It profiled celebrated women, including those working in the professions; as an example of its contents and inclusion of female celebrities of the day, the May 1, 1903 issue entitled "Women Artists at the Salon of 1903", devoted three illustrated pages to Louise Abbema, Louise Catherine Breslau, Camille Claudel, Maximilian Guyon, Louise Clement-Carpeaux (cover), Laure Coutan-Montorgueil, and Juana Romani. Femina projected a strong visual appeal. Current fashion in clothing and interiors was illustrated with photographs made, in the case of garments, in the studio or at social events (such as those taken at the races by the Seeberger Brothers)[5] and hand-drawn illustrations, including instructions on fitting garments; on the correct way to remove gloves, for example. Photographic portraits played a role in engaging readers with elite society figures and unpeopled pictures of their prestige home interiors appealed to aspirational readers' curiosity. After a few years, the cover of the magazine, which was in most cases a photograph, was alternated with a bi-chrome comic illustration. In 1906, the cover of the November 1 number displayed a drawing of a woman breastfeeding her child, signed by Paul Cesar Helleu.