Condizione: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.
Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Prima edizione
Condizione: As New. First edition copy. . Very Good dust jacket. (American sculpture, exhibition catalogs).
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
hardcover. Condizione: Very Good. Very minor wear on dust jacket. No marks in text.
Condizione: New.
Condizione: New. Shrink wrapped! A brand new, unused and unread copy in perfect condition.
Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Condizione: As New. Unread book in perfect condition.
Condizione: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.
Condizione: New.
Da: Ed's Editions LLC, ABAA, West Columbia, SC, U.S.A.
hardcover. Condizione: Good. Clean, has good binding, no marks or notations, light wear to the dust jacket. LF.
Condizione: As New. Unread book in perfect condition.
Condizione: As New. Unread book in perfect condition.
Condizione: As New. Unread book in perfect condition.
hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Lingua: Inglese
Editore: Glenstone Foundation / DelMonico Books, Potomac, Maryland, 2016
ISBN 10: 3791355546 ISBN 13: 9783791355542
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. white, blindstamped cloth boards. 108 pp., color and BW illus. white dustjacket. Photo may differ from copy. Presents selected work of American Minimalist Fred Sandback (1943-2003). With essays by Emily Wei Rales, Harry Cooper, and Briony Fer, in addition to the many illustrations. VG/VG- (light scuffs, smudges to white cloth boards. corners may be rubbed. dustjacket scuffed & scratched; may have rubbed/worn patches to lower edges; tear to upper spine edge).
Oversized Hardcover. Condizione: Good.
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Condizione: New.
Hardcover. Condizione: new. Hardcover. Metamorphosis of material: the sculptures of Cy TwonblyThough perhaps best known for his paintings, Cy Twombly (19282011) developed a singular body of sculpture over the course of his 60-year career. These sculptures are made from quotidian materials such as wood, metal and found objects, to which he applied a delicate and unifying layer of white paint. The resulting group of works appear not so much as a progression as a series as they do, individually, as a metamorphosis of material. This book marks the long-term exhibition of five Twombly sculptures at Glenstone Museum. The catalogue includes an original essay by scholar Kate Nesin and never-before-published archival images of the sculptures in the artist's studios in Italy courtesy of the Nicola Del Roscio Archives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Hardback. Condizione: New. Metamorphosis of material: the sculptures of Cy TwonblyThough perhaps best known for his paintings, Cy Twombly (1928-2011) developed a singular body of sculpture over the course of his 60-year career. These sculptures are made from quotidian materials such as wood, metal and found objects, to which he applied a delicate and unifying layer of white paint. The resulting group of works appear not so much as a progression as a series as they do, individually, as a metamorphosis of material. This book marks the long-term exhibition of five Twombly sculptures at Glenstone Museum. The catalogue includes an original essay by scholar Kate Nesin and never-before-published archival images of the sculptures in the artist's studios in Italy courtesy of the Nicola Del Roscio Archives.
hardcover. Condizione: Very Good. 2018 Glenstone Museum Pub. Fine/Like New and unread. Grey cloth hardcover is like new.
Hardcover. Condizione: new. Hardcover. This book marks the long-term installation of Robert Gobers (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the works original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: New.
EUR 31,97
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. The third installment commemorating Charles Ray's rotating exhibitions at Glenstone The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray's practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.