raphael 1916 (16 risultati)

Paperback edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains particularly well-preserved overall. Physical description; 120 pages ; 20 cm. Subjects; Ethics Popular works. Philosophy popular works. Rights, Moral Philosophy. Responsibility, Moral Philosophy. Ethics, Implications Of Animal Behaviour. 3 Kg.

Condizione: As New. Unread book in perfect condition.

Paperback edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains particularly well-preserved overall. Physical description; 120 pages ; 20 cm. Subjects; Ethics Popular works. Philosophy popular works. Rights, Moral Philosophy. Responsibility, Moral Philosophy. Ethics, Implications Of Animal Behaviour. 1 Kg.

Softcover. 2nd printing. 112 p.; 20 cm. (Midland books ; MB41) Contents: Preface -- I. The paradox of tragedy: 1. Why does tragedy please? 2. Tragedy and religion -- II. Philosophical drama: 1. The philosopher as dramatist--Plato and the Greek drama; 2. The dramatist as philosopher -- Index of authors cited. VG, sewn, in orig. black on lemon wrapper.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Okart. 104 S. Mit Index. (Einband m. leichten Gebrauchsspuren, 3 Seiten m. Bleistiftanstr., sonst nahezu sehr gut). (= Political Thinkers. General Editor: Geraint Parry, n° 6).

Leatherbound. Condizione: NEW. Leatherbound edition. Condition: New. Language: zxx Volume: 1 Leather Binding on Spine and Corners with Golden leaf printing on spine. Reprinted from 1906 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. THERE MIGHT BE DELAY THAN THE ESTIMATED DELIVERY DATE DUE TO COVID-19. Pages: 82 Pages: 82 Volume: 1.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. FIRST EDITION. Original cloth. Inscribed: 'D. D. Raphael/with best wishes/A. Harari'. 'To D. D.' (printed on p. iii). The tortured academic career of Harari, who died of a brain tumor in 1972, is perhaps best understood in the context of the much more famous legal philosopher H. L. A. [Herbert Lionel Adolphus] Hart (1907-1992), the longtime focus of Harari's intense rage described in detail in Nicola Lacey, A Life of H. L. A. Hart: The Nightmare and the Noble Dream (Oxford, 2005). In the mid-1960s, Hart 'had been one of the examiners of an Israeli student, Abraham Harari's, doctoral thesis. Harari's work was on the place of negligence in the law of torts (the law of civil wrongs leading to compensation). It included some criticisms of Herbert's and Tony Honoré's arguments in Causation and the Law. It was referred back for substantial revision and resubmission. When finally resubmitted, the thesis was not awarded the doctoral degree. Harari, who had in any event been reluctant to modify a thesis to which he was strongly committed, felt that the decision was unjust. He blamed it on Herbert, and attributed it to Herbert's intolerance of criticism and of views different from his own. . . . [Harari] secured a post at the University of Tasmania, and in 1962 he published a book arising from his doctoral thesis: The Place of Negligence in the Law of Torts. He then moved to a post at Dundee. But the sense of injustice continued to rankle, and Harari worked out his resentment in several ways. He wrote Herbert a series of increasingly accusing and hostile letters. These letters have not survived, but they must have been extreme: Herbert confided to Brian Simpson that he feared Harari might try to kill him. Harari also began to write an essay, 'H. L. A. Hart and his Concept of Law (1961): An Open Letter to a Teacher of Jurisprudence'. The 'Open Letter' evolved in a number of stages: the original part was 15 pages long, but by the time Harari had finished it in 1972 it had reached 96 pages. It is made up of a coruscating and minute critique not only of Herbert's book but also of Herbert himself, interspersed with illustrative poems, biblical quotations, references to a wide range of philosophical sources from Aristotle to Wittgenstein via Hobbes, Hume, Mill, and Russell, asides to fellow teachers of jurisprudence, and quotations from reviews critical of The Concept of Law. . . . It would not have taken any special insight on the reader's part to recognize that there was a personal dimension to the attack: Are my strictures harsh, dear colleague? Do you detect something 'personal' in these lines? Would you rebuke me for the use of immoderate terms? You are perceptive. Would that you were just a little more perceptive! It is possible to criticise or attack a man's work without by implication criticising or attacking the man? Surely it is better to be conscious of and honest about what one is doing . . . Nor would it have taken a psychiatrist to realize that there was something obsessive about Harari's critique. By page 6 of his letter, he was still labouring over page 2 of The Concept of Law; by page 11, he had reached page 3. Herbert, however, was seldom a person to take adversity lightly, and he agonized miserably over how to respond to Harari's missives. . . . In the end, he followed friends' advice not to get further involved. What upset him was not so much any real concern about damage to his intellectual reputation as to the personal nature of the attack. Harari's story is a tragic one: not only because he devoted his considerable intellectual gifts to such bitter and unconstructive ends, but also because he turned out to be suffering from a brain tumour. He died shortly after the completion of the Open Letter. The Letter was never published, but remains in the possession of several recipients and has been deposited in a small number of university libraries' (Lacey, pp. 274-7). Signed by Author(s).

Soft cover. Condizione: Fine. No Jacket. 1st Edition. 63 x 49 cm, (Four sheet atlas with three colored maps) Light gray stiff paper printed folder (fine) With long title containing one pristine colored map. [oval seal containing: NORTHERN TRANSCONTINENTAL SURVEY | OPES NATURAE QUAERIMUS] | NORTHERN TRANSCONTINENTAL SURVEY, | RAPHAEL PUMPELLY, DIRECTOR. / UNDER THE AUTHORITY OF THE / OREGON & TRANSCONTINENTAL CO. OREGON RAILWAY & NAVIGATION CO. | NORTHERN PACIFIC R. R. CO. OREGON & CALIFORNIA R. R. CO. | OREGON IMPROVEMENT CO. | Agriculture Department, | E. W. Hilgard in Charge | Map | Bulletin No. 1 | E. W. Hilgard | Yakima Region W. T. (Two Sheets) | Colville Region W. T. | E. W. Hilgard | JULIUS BIEN & CO. | NEW-YORK. | 1883. One page of text on soils and three contour maps over printed in several colors showing soil types.

Condizione: Good. Color lithograph. 41 x 31 cm (support mount). artist's name and date in lower right of image 'R. Collin '96', with the blindstamp of L'Estampe Moderne (Lugt 2790), printed by L'Imprimerie Champenois, edited by Charles Masson and H. Piazza, with the original tissue paper guard. Very Good, support mount lightly toned along sheet edges and a short tear at top edge of mount.

original Etching, / Radierung, 22 x 16,5 cm, 38 x 28,5 cm, 28,5 x 38 cm, aufgewalztes Chinapapier de 500 Grafik.

1 lettre autographe signée 1 p. In-8 14 janvier 1910 Encre noire sur papier de deuil. Bon « Madame, vous pouvez venir à mon atelier dimanche après 10 heures j'espère pouvoir vous donner le renseignement que vous désirez []». Il signe et précise son adresse "6 impasse Ronsin". L'atelier de Louis-Joseph Raphaël Collin dit Raphaël Collin se trouvait dans l'impasse Ronsin, où travaillaient de nombreux artistes célèbres de l'époque: Steinheil, Brancusi, Max Ernst, Lalanne, Tinguely etc. Peintre et illustrateur français.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.