Editore: Art and Auction, New York, 2005
Da: A&D Books, South Orange, NJ, U.S.A.
Prima edizione
Magazine. The November 2005 issue of Art and Auction Magazine with: features on David Salle, Katrin Bellinger and Old Masters drawings, and modernist homes; a portfolio of contemporary drawings by Raymond Pettibone, Roberto Cuoghi, Daniel Zeller, Lucy Skaer, Danica Phelps, Paul Noble, Adam Helm, and Robyn O'Neil; a special section on Art Basil Miami; a series of articles on niche collecting such as vintage couture, wines, cars, cameras, and firearms; articles on Martin Kippenberger, counterproofs, Russian art, the Chinese art market, and much more. The cover features a detail from a work by Roy Lichtenstein. Perfect-bound magazine; 232 pages; color and b&w illustrations throughout; 10 x 13 inches. Condition: Fine with a touch of handling/shelving. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.
Editore: Privately Printed, 1982
Da: Copperfield's Used and Rare Books, Petaluma, CA, U.S.A.
Staplebound. Condizione: Coll - U6 - Very Good. Very Good 88-page staple-bound zine, bright covers. Privately printed. Minor fraying to corners, slight scuffing to paper cover, otherwise Near Fine. This was the only edition published of this zine, in a run of 500 copies. Adult content. Art by Jaimie Alder, Ace Backwords, Tom Brinkmann, Eric Dann, Clark Dissmeyer, Ed Dorn, Bruce Duncan, Brad Foster, Wayne Gibson, Grass Green, Mike Hill, Dave Miller, Karen Murtagh, Marc Myers, Raymond Pettibone, Michael Roden, Jim Ryan, Charles Schneider, Jim Siergey, Valentino. Cover art by M. Roden, logo and design by T. Brinkmann, back cover art by J. Alder.
Data di pubblicazione: 2014
Da: NOISE MATTERs Books, New York, NY, U.S.A.
Prima edizione Copia autografata
Rare Edition #12/100 hand-signed & for numbered by Pope & Pettibone Offset-printed zine, staple-bound, 25 illustrated pages Inside Outside Baseball, occupies an unlikely but entirely logical intersection: the countercultural graphic urgency of Raymond Pettibon meeting the painterly, myth-saturated vision of Andrew Pope, with America's oldest team sport as their shared field of operations. The collaboration between the two artists was organized in direct support of Printed Matter, Inc., the nonprofit founded in New York in 1976 by a group including Sol LeWitt, Lucy Lippard, and Edit DeAk, dedicated to the dissemination and understanding of artists' books and publications. Printed Matter's commitment to the multiple, the edition, the zine, the pamphlet, as a democratic and artistically serious form makes it the ideal institutional home for a project like this one. Pettibon, who rose to iconographic prominence through his hand-drawn covers and flyers for the hardcore punk label SST Records in the early 1980s most indelibly for Black Flag has long marshalled baseball as one of his central recurring mythologies. In his work, the diamond is never merely a playing field: it is a theater of American desire, failure, nostalgia, and violent grace. His looping, literary captions drawn from sources as varied as Henry James, William Blake, and pulp fiction twist beneath ink-rendered figures of pitchers and batters in postures that feel simultaneously heroic and grotesque. Pope's engagement with the subject operates on a different but harmonically resonant frequency: his imagery reaches toward the archetype, the stadium as sacred space, the game as civic religion, the body of the athlete rendered with a gestural painterly force that recalls both Philip Guston's figurative return and the raw energy of underground comix. The result is a zine that earns its title on multiple levels. "Inside baseball" as an idiom describes arcane insider knowledge , the kind that only true devotees possess. "Outside Baseball" suggests everything the official record omits: the vernacular, the marginal, the hand-made counter-narrative. The publication is both simultaneously a work of deep cultural fluency that nevertheless retains all the physical candor of the photocopied zine tradition from which both artists have, in different ways, drawn sustenance.
No Binding. Condizione: Near Fine. LARGE EXHIB CARD/8BY10/OFILI PAINTING ON FRONT/JUNE 2005/ an early exhib by Zwirner of circa 20 artists.v/2/0/94.