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paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

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paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

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Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Iranian graphic design looks back on a brief history. The first poster designers completed independent artistic training and created painterly-illustrative works in the 1960s. The simultaneous opening to the West under Shah Mohammad Reza Pahlavi promoted global cultural exchange. With the proclamation of the Islamic Republic in 1979 and the First Gulf War (1980-1988), however, this was rapidly interrupted. At the end of the 1980s, a new generation of designers took up the graphic heritage of the pre-war period. At the turn of the millennium, the Iranian poster finally conquered international festivals and caused a great stir in the Western community. The volume Contemporary Iran brings together Iranian cultural posters from 1960 to the present. Despite the many different creative approaches, they always demonstrate the search for a fusion of history and contemporaneity, Iran's own tradition and Western inspiration, art and everyday culture. An often unorthodox interpretation of Persian cultural heritage is combined with the confident use of computer-generated graphics. Thus, some posters confirm common Western notions of Islamic aesthetics, while others radically undermine them and irritate and surprise us.…

Condizione: New.

Paperback. Condizione: New. Peace appeals, reminders of human rights, calls to protect nature - posters have proven an effective medium in accompanying social and political struggles worldwide since the 1920s. Through the poster, these universal and timeless topics are able to reach a broad public and encourage critical debate. While some posters are meant to shed light and are aimed at reflection, others appeal more strongly to the emotions of their audience. Some dismantle past and present autocrats cynically, ironically or humorously - while others construct idols that exemplify a different world. Dystopian images function as a provocation and warning, while utopian messages keep the belief in change alive. Symbols such as the raised fist or the dove of peace demonstrate their global and lasting power in ever new interpretations. Proven visual formulas and argumentation strategies are taken up in posters of the latest civil protest movements and are supplemented by new rhetoric. The designers, acting individually or collectively, are united by commitment and an emancipatory attitude as well as the conviction that resistance requires its own aesthetic in order to function. The publication brings together works from around one hundred years that demonstrate the tradition of the poster as a medium of protest and assert its validity and necessity in the present day.…

Paperback. Condizione: New. 1.

Soft cover. Condizione: Good. Soft Cover, 8vo., 190 pp. Ex-Lib, with usual faults, mild shelfwear, otherwise a clean, tight copy. Text in German and English.

Condizione: New.

Paperback. Condizione: New. Iranian graphic design looks back on a brief history. The first poster designers completed independent artistic training and created painterly-illustrative works in the 1960s. The simultaneous opening to the West under Shah Mohammad Reza Pahlavi promoted global cultural exchange. With the proclamation of the Islamic Republic in 1979 and the First Gulf War (1980-1988), however, this was rapidly interrupted. At the end of the 1980s, a new generation of designers took up the graphic heritage of the pre-war period. At the turn of the millennium, the Iranian poster finally conquered international festivals and caused a great stir in the Western community. The volume Contemporary Iran brings together Iranian cultural posters from 1960 to the present. Despite the many different creative approaches, they always demonstrate the search for a fusion of history and contemporaneity, Iran's own tradition and Western inspiration, art and everyday culture. An often unorthodox interpretation of Persian cultural heritage is combined with the confident use of computer-generated graphics. Thus, some posters confirm common Western notions of Islamic aesthetics, while others radically undermine them and irritate and surprise us.…

Hardcover. Condizione: UsedGood. Hardcover; surplus library copy with the usual stampings; reference number taped to spine; light fading, light shelf wear to exterior; otherwise in go od condition with clean text, firm binding.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. Peace appeals, reminders of human rights, calls to protect nature - posters have proven an effective medium in accompanying social and political struggles worldwide since the 1920s. Through the poster, these universal and timeless topics are able to reach a broad public and encourage critical debate. While some posters are meant to shed light and are aimed at reflection, others appeal more strongly to the emotions of their audience. Some dismantle past and present autocrats cynically, ironically or humorously - while others construct idols that exemplify a different world. Dystopian images function as a provocation and warning, while utopian messages keep the belief in change alive. Symbols such as the raised fist or the dove of peace demonstrate their global and lasting power in ever new interpretations. Proven visual formulas and argumentation strategies are taken up in posters of the latest civil protest movements and are supplemented by new rhetoric. The designers, acting individually or collectively, are united by commitment and an emancipatory attitude as well as the conviction that resistance requires its own aesthetic in order to function. The publication brings together works from around one hundred years that demonstrate the tradition of the poster as a medium of protest and assert its validity and necessity in the present day.…

Paperback. Condizione: new. Paperback. A century of posters protesting political and social evils and offering alternatives to tyranny This issue of Lars Mueller Publishers and the Museum fuer Gestaltung's Poster Collection series, presented in a new design, offers works from the last 100 years that demonstrate the tradition of the poster as a medium for protest and assert its validity and necessity in the present day. Peace appeals, reminders of human rights, calls to protect nature-since the 1920s, posters have proved an effective medium accompanying social and political struggles worldwide. While some posters are meant to shed light and are aimed at reflection, others appeal more strongly to the emotions of their audience. Dystopian images function as a provocation and warning, while utopian messages keep the belief in change alive. The designers of these posters, acting individually or collectively, are united by commitment and an emancipatory attitude as well as the conviction that resistance requires its own aesthetic to be effective. Artists and collectives include: Atelier Populaire, Asamblea de Artistas Revolucionarios de Oaxaca, ASARO, Anna Berkenbusch, Chaz Maviyane-Davies, David Tartakover, James Victore, Luba Lukova, Marlena Buczek Smith, Plazm, San Francisco Poster Brigade, Tomi Ungerer. AUTHORS: Bettina Richter is the editor of the Poster Collection series from the Museum fuer Gestaltung Zuerich. Silas Munro is the author of Strikethrough: Typographic Messages of Protest at Letterform Archive (2023). He is founding faculty and chair emeritus for the MFA Program in Graphic Design at Vermont College of Fine Arts. SELLING POINTS: . Since the early revolutionary movements of the 20th century, mass-produced posters have both documented and publicized sociopolitical struggles across the globe. . Volume 37 of Lars Mueller's ongoing Poster Collection series dedicated to posters of resistance from the 1920s to the 2020s. Bonus: includes a text by Silas Munro, editor of Letterform Archive's popular book on typographic resistance, Strikethrough. . Protests have been taking place weekly throughout the US this year-successful visualizations of resistance could not be more timely. 128 illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. How poster design has served as an essential tool for Swiss political campaigns. The Swiss population is called upon to participate actively in political decision-making processes through regular campaigns. These campaigns are often concerned with issues that stir up heated emotions and lead to ideological battles. Campaign posters, which have influenced opinion-making since the beginning of the 20th century, bear testimony to direct democracy. This special form of political propaganda prominently associated with Switzerland is a sensitive indicator of socio-political moods and reflects both national mentalities and global tendencies. Ja! Nein! Yes! No! Swiss Posters for Democracy reveals the visual argumentation strategies and rhetorical approaches that have shaped the Swiss campaign poster from 1918 to the present. Cliched exaggerations, undifferentiated simplifications, a repertoire of drastic motifs and abridged slogans correspond to the laws of the medium, which is oriented towards a manipulative appeal to the masses. Appeals to a sense of unity focus primarily on emotionalisation rather than rational enlightenment. Subtly condensed messages or graphically innovative language are hardly to be found in campaign posters. And yet many renowned designers created works that have inscribed themselves in the collective visual memory of the Swiss population and have become icons of Swiss poster design. AUTHORS: Bettina Richter is an art historian, lecturer and author. Since 2006 she is curator of the Poster Collection of the Museum fur Gestaltung Zurich. Jakob Tanner is Professor Emeritus of Modern History at the University of Zurich and author of several books on the history of Switzerland in a European context. SELLING POINTS: . Switzerland's direct democracy promotes a rich culture of political posters . A cross-section of the campaign posters of a century reveals visual argumentation strategies and striking rhetoric 150 illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. How a new generation of graphic designers has created fresh visual paradigms for Iranian culture. In the last two decades, Iranian poster design has achieved widespread admiration and distinction for its innovative explorations of type and typography, which have been notably accelerated by the implementation of new digital technologies. As Iran's early graphic designers emphasized illustration, so today's designers accentuate typography, giving rise to a new national visual language. An understanding of the new Iranian design paradigm also requires some familiarity with traditional Iranian art and culture. The posters presented in this latest installment of Lars Mueller Publishers' Poster Collection series have expanded the boundaries of Iranian poster design and showcased the energy, passion and enthusiasm of a new generation of designers. AUTHORS: Bettina Richter is curator of the Poster Collection of the Museum fuer Gestaltung Zuerich. Majid Abbasi is the design director of Studio Abbasi based in Tehran and Toronto. Maryam Razi is a graphic designer and member of the ArtSci Collective at UCLA. SELLING POINTS: . Paperback collection of Iranian cultural posters from 1960 to the present accompanying a show in Zurich at the Museum fuer Gestaltung Zuerich in the summer of 2023. . Exhibition in Zurich, Switzerland, at the Museum fuer Gestaltung Zuerich, JulyOctober 2023. 147 illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Paperback. Condizione: New.