rika iezumi hiro (7 risultati)

First Edition. Hardcover. First Edition. Published in conjunction with an exhibition which ran from March 6 through June 3, 2007, at the Getty Research Institute in Los Angeles. About Fine, with no dust jacket as issued.

Hardcover without dustjacket as issued, 144 pages, very good condition, light edgewear to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Fine. First Edition. "Collaborative, ephemeral, self-reflective, multidisciplinary - the work generated by the rapid series of experimental artistic movements that energized the public sphere in postwar Japan was anything but private, static, or expected, despite the enduring engagement of Japanese artists with Western modernism. For two decades, a small but progressive group of visual artists, musicians, dancers, theater performers, and writers variously confronted the fraught legacy of World War II in Japan, which included occupation by a foreign power, growing economic inequality, and the clash between repressive social mores and an increasingly industrialized, urban, and consumer-oriented culture. Art, Anti-Art, Non-Art offers an introduction to this highly charged and innovative era in Japanese artistic practice." Quarto: xiv, 140 p. with a frontispiece, 39 plates, and 29 figures. Original boards; issued without a dust jacket. A fine copy.

Hardcover. Condizione: Good. Ex-library book with stickers and/or stamps throughout.

Hard cover. Condizione: Very good. Sewn binding. Paper over boards. Contains: Illustrations. Audience: General/trade.

Hardcover. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Hardcover. Condizione: As New. 1st Edition. First Edition, 2007. 140 pages. Book measures 8.5 x 10.75 inches. Hardcover in boards, no dust jacket as issued. Illustrated with b&w and color plates throughout. As New copy still sealed in publishers original shrink wrap. Collaborative, ephemeral, self-reflective, multidisciplinary the work generated by the rapid series of experimental artistic movements that energized the public sphere in postwar Japan was anything but private, static, or expected, despite the enduring engagement of Japanese artists with Western modernism. For two decades, a small but progressive group of visual artists, musicians, dancers, theater performers, and writers variously confronted the fraught legacy of World War II in Japan, which included occupation by a foreign power, growing economic inequality, and the clash between repressive social mores and an increasingly industrialized, urban, and consumer-oriented culture. Art, Anti-Art, Non-Art offers an introduction to this highly charged and innovative era in Japanese artistic practice. Published in conjunction with an exhibition at the Getty Research Institute from March 6 to June 3, 2007, this catalogue features objects, books, periodicals, photographs, and other ephemera created by artists associated with Experimental Workshop, Gutai, High Red Centre, Neo Dada, Provoke, Tokyo Fluxus, and VIVO, among others.