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Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condizione: New. ARTE EN MEXICO: AUTORES, TEMAS, PROBLEMAS. EL.

Paperback. Condizione: Very Good. First Edition. Very good paperback copy. Getty Research Institute, 2012; First Printing with full number line. Spine is uncreased, binding tight and sturdy; text, photos, illustrations also very good. Ships from Dinkytown in Minneapolis, Minnesota.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New. Brand New.

Paperback. Condizione: NEW. 1st. 224 pages, illustrations; 26 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. This volume evolved from "Vivisimo Muerto: Debates on Surrealism in Latin America," a symposium held at the Getty Research Institute in Los Angeles, 25/26 June 2010. *** "This collection of essays--the first major account of surrealism in Latin America that covers both literary and visual production--explores the role the movement played in the construction and recuperation of cultural identities and the ways artists and writers contested, embraced, and adapted surrealist ideas and practices. Surrealism in Latin America provides new Latin American-centric scholarship, not only about surrealism's impact on the region but also about the region's impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of 'primitivism,' and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II. In so doing, it expands our understanding of important, fascinating figures who are less well known than their counterparts active in Europe and New York. Deriving from a conference held at the Getty Research Institute, the book is rich in new materials drawn from the GRI's diverse Mexican and South American surrealist collections, which include the archives of Vicente Huidobro, Enrique Gomez-Correa, Cesar Moro, Enrique Lihn, and Emilio Westphalen. This panoramic survey goes a step beyond other recent studies to consider surrealism's ongoing legacies, proposing that the surrealist movement in Latin America, like the vivisimo muerto (the living dead)--cannot be relegated to the past." - Publisher. *** CONTENTS: Introduction, by Dawn Ades, Rita Eder, and Graciela Speranza; Surrealist love letters: the art and poetry of Cesar Moro. "We who have neither church nor country": Cesar Moro and surrealism, by Dawn Ades; Semiotics of the body and the passions in Cesar Moro's love letters and poems, by Yolanda Westphalen; Making the stone speak: Cesar Moro and the object, by Kent Dickson; Surrealist encounters in the new world: pre-Columbian and Northwest Coast art. Benjamin Pe ret and Paul Westheim: surrealism and other genealogies in the land of the Aztecs, by Rita Eder; Anthropology in the journals Dyn and El hijo pro digo: a comparative analysis of surrealist inspiration, by Daniel Garza Usabiaga; Wolfgang Paalen: the totem as sphinx, by Andreas Neufert; Revisiting the surrealism revolution: ideology and action. Andre Breton's anthology of freedom: the contagious power of revolt, by Maria Clara Bernal; "My goddesses and my monsters": Maria Martins and surrealism in the 1940s, by Terri Geis; The surrealism effect: legacies and reception in art, literature, and politics. A note concerning causality: Julio Cortazar and surrealism, by Gavin Parkinson; The photographic legacy of surrealism in late-twentieth-century Chilean poetry, by Matias Ayala; Wanderers: surrealism and contemporary Latin American art and fiction, by Graciela Speranza. Size: 4to. Collectible.

Soft Cover. Condizione: Like New. Volume 63, No. 3, August 2004. 275 + pp. Vol. 63, Number 3, August 2004 issue only! ISSN: 0021-9118. Clean, fresh, sharp, tight, essentially flawless copy save very mild shelf wear.

Condizione: Very Good. Softcover. Like new in publisher's shrink-wrap. 224 pages, b&w illustrations. Provides new Latin American-centric scholarship, not only about surrealism's impact on the region but also about the region's impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of 'primitivism,' and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II. Record # 352393.

Paperback. Condizione: New. 1st ed. 40p., photos, bibl., index, wrps. Art Catalogue. The exhibition "Defying Stability. Artistic Proceses in Mexico, 1952-1967" seeks to form a corpus made up of different levels of agency: mobilizing documentary sources, a dynamic museographic exercise, and the process of analyzing, revalorization, and establishing relationships between the artistic productions of different signs that appeared within the designated chronological limits.

Wrappers. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 372 pages 525 illustrations 200 in color. Paperback exhibition catalogue. Texts in English. The spine is lightly sunned, with some light shelfwear to the edges and corners of the covers with associated light rubbing to the covers. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Published on the occasion of the exhibition from the Detroit Institute of Arts, Detroit MI February 10-April 27, 1986, Philadelphia Museum of Art, Philadelphia PA June 2-August 10, 1986, Museo del Palacio de Bellas Artes, Mexico D.F. September 29, 1986-January 4, 1987 and the Staatliche Kunsthalle Berlin, West Berlin for the Summer of 1987.

Hardcover. Condizione: Very Good with no dust jacket. Sound binding and hinges. Text pages clean, off-white, with minor dampstaining at lower margin (does not extend into text). Paper over boards is edge rubbed, lightly shelf worn. ; Contents: Leder and Parham, articles on Sophocles's Philoctetes. Ober and Arndt, articles on John Done, Devotions upon emergent occasions. Bennett and McCann, tiles on George Eliot, "Janet's repentance." Gurney and Schwarzbach, articles on Charles Dickes, Bleak House. Charon and Lscinski, articles on Henry James, The Wings of the Dove. Wolff and Stone, Articles on Anton Chekhov, "Ward Number Six." Connelly and Banks, articles on Leo Tolstoy, The Death of Ivan Ilych. Post and Hadas, articles on Charlotte Perkins Gilman, "The Yellow Wallpaper."; 9.25" tall; 193 pages.

Condizione: Good. 4to. 232 pp., illus. New in shrinkwrap.

Paperback. Condizione: New. This collection of essays--the first major account of surrealism in Latin America that covers both literary and visual production--explores the role the movement played in the construction and recuperation of cultural identities and the ways artists and writers contested, embraced, and adapted surrealist ideas and practices. Surrealism in Latin America provides new Latin American-centric scholarship, not only about surrealism's impact on the region but also about the region's impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of "primitivism," and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II. In so doing, it expands our understanding of important, fascinating figures who are less well known than their counterparts active in Europe and New York.Deriving from a conference held at the Getty Research Institute, the book is rich in new materials drawn from the GRI's diverse Mexican and South American surrealist collections, which include the archives of Vicente Huidobro, Enrique Gomez-Correa, Cesar Moro, Enrique Lihn, and Emilio Westphalen. This panoramic survey goes a step beyond other recent studies to consider surrealism's ongoing legacies, proposing that the surrealist movement in Latin America, like the vivisimo muerto (the living dead)--cannot be relegated to the past.

Condizione: New.

Condizione: new.

Condizione: New. 2012. Illustrated. Paperback. . . . . .

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Good. Satisfaction 100% guaranteed.

Condizione: New. pp. 232 58 Illus.

Hardcover. Condizione: Very Good. No Jacket. First Edition. CLEAN very good 1994 first edition hardcover. Spanish text.

Broschiert. Condizione: Gut. ca. 104 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 360.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. This collection of essaysthe first major account of surrealism in Latin America that covers both literary and visual productionexplores the role the movement played in the construction and recuperation of cultural identities and the ways artists and writers contested, embraced, and adapted surrealist ideas and practices. Surrealism in Latin America provides new Latin Americancentric scholarship, not only about surrealisms impact on the region but also about the regions impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of primitivism, and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II. In so doing, it expands our understanding of important, fascinating figures who are less well known than their counterparts active in Europe and New York.Deriving from a conference held at the Getty Research Institute, the book is rich in new materials drawn from the GRIs diverse Mexican and South American surrealist collections, which include the archives of Vicente Huidobro, Enrique Gomez-Correa, Cesar Moro, Enrique Lihn, and Emilio Westphalen. This panoramic survey goes a step beyond other recent studies to consider surrealisms ongoing legacies, proposing that the surrealist movement in Latin America, like the vivisimo muerto (the living dead)cannot be relegated to the past. This volume evolved from "Vivisimo Muerto: Debates on Surrealism in Latin America," a symposium held at the Getty Research Institute in Los Angeles, 25/26 June 2010. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. 2012. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. 1st edition. 232 pages. 10.00x0.60x7.00 inches. In Stock.

Condizione: Good. 4to. 232 pp. Soft Covers, Very Good+. Plates. First Edition.

Softcover exhibition catalog, 383 pages, very good condition, no internal marks, clean and crisp, b/w and color reproductions.

Condizione: New. pp. 232.

Encuadernación de tapa blanda. Condizione: Buen estado. 1997. Catálogo de la exposición celebrada en la Fundación La Caixa (Madrid) en Febrero - Abril) y en la Fundación Caixa de Barcelona en Mayo - Julio de 1997. 233 pp. Excelentes reproducciones en color de las obras expuestas. Idiomas: Catalá, castellano e inglés. ejemplares disponibles: 2. LIB 11i.