robbins andrea (51 risultati)

Condizione: New.

Hardcover. Condizione: Near Fine. Andrea Robbins(designer) (illustratore). First Edition (?). Color Illustrations; 8.20 X 4 X 1 inches; Unpaginated pages; SIGNED BY RACHEL LONGHURST, KRYSTIN LONGHURST AND ANDREA ROBBINS, PLUS INCRIPTION BY ONE OF THEM. Hard cover has a black spine with yellow lettering. Coves is glazed boards. pages are clean and tight, appears as if unused. pages not numbered, 38 pages. many color photos of Corey and friend. an endearing love story to a beloved yellow lab. ; Signed by All Authors.

Hardcover with dustjacket, 156 pages; very good condition; light edgewear to top edge of dj; small chip to dj at bottom of spine; light fingerprint marks to rear cover of dj; internally fine; no internal marks. Foreign shipping may be extra.

Softcover in printed slipcase, 60 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Single issue magazine. Condizione: Very Good. First Edition. Deerfield, MA 1987. First Edition Magazine. Collects poems [variously] in English, French and Spanish. Pictorial wrappers [about 6" x 9"], saddle-stapled, 32 pages illustrated. A very good copy with light edge wear and light dust soiling to the covers. See Photos whb12E.

Paperback. Condizione: New. This volume is the first to examine the portrait photographs of this esteemed husband-and-wife team. The artists' portraits--like their radical landscapes and city-scenes--are powerfully evocative, boldly subverting our expectations of the discipline of portraiture: Rather than capturing the visual essence of a sitter, they reveal identity to be multifarious, transitive and culturally and historically bound. They capture their subjects in ways that transform, enhance and accentuate social and cultural meaning, doing so with the full complicity and respect of the people they photograph. Robbins and Becher spend weeks living with each community they document. They immerse themselves in the stories of its citizens and history, interviewing residents, participating in their customs, photographing them at work, play and home. Most important, they allow their subjects to represent themselves--not only as they would like to been seen, but in ways that illuminate their complex humanity.

hardcover. Condizione: New.

Softcover, 32 pages; very good condition; clean and crisp, no internal marks.

Hardcover. First edition, first printing. Fine/As New hardcover in a Fine/As New dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A somewhat surreal photo-documentary that examines the contradictions of place and cultural identity, for example, when Germans tie on Native American headdresses and Midwesterners parade in Bavarian costumes. "The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales." Photographs by Andrea Robbins and Max Becher; essays by Maurice Berger and Lucy R. Lippard. 156 pages; 130 full-page color plates + 8 text illustrations; 12 x 10.25 inches. Chronology, exhibition history, bibliography. Due to size and weight, international and expedited shipping will be more than quoted.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Robbins, Andrea; Becher, Max (illustratore). 1st. (USA) 1st printing. No markings, Fine in Very Good dust jacket with 1" closed tear to front flap fold. Photo boards, 158pp, full-page colour photos of locales that speak to notions of place in the contect of identity, race and colonialism. A heavy book. (3.8 JM HOJ 300/b4 Size: 4to - over 9¾" - 12".

First edition. Softcover. Includes numerous color images from Andrea Robbins, Max Becher, Lida Suchy Miso Suchy, Sara Hart, and Kathy Vargas. Also features a brief essay on Bruce Gilden by Jeffrey Hoone. A clean very near fine copy in stapled wrappers.

Condizione: New. In.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 1st edition. Hardbound in Lucite printed dust jacket.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. 156pp, illustrated , bound in illustrated boards with dustwrapper; Oblong large quarto; 156 pages.

Hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: New. HARDCOVER, BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

hardcover. Condizione: Good. No dust jacket, white cover with silver lettering on spine has light soiling and wear. Text unmarked, good solid binding. Ships Next Business Day.

Soft cover. Condizione: Near Fine. First Edition. Near fine in original wrappers with a small partial crease on the front panel.

First edition. Softcover. Exhibition catalog for a show that ran August 31 through October 25, 1998. Features text by Gary Hesse and Jolene Rickard. Includes numerous color images. A clean near fine copy in wrappers.

First edition. Softcover. Early issues of this important photography magazine are uncommon. This issue features images by Andreas Gursky, Candida Hofer, Hiroshi Sugimoto and others. A clean very near fine copy in photo illustrated wrappers.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

First Edition ~1st Printing Hardcover near fine in near fine jacket; minor spine lean, gentle softening to board edges else a tight unmarked copy in unclipped dust jacket.

Softcover, 88 pages, in English and Dutch; very good condition; light rubbing to covers; no internal marks.

Soft cover. Condizione: Very Good. Andrea Robbins (illustratore). 2nd Edition. Stiff orange wraps, lettered in black. Former owner's surname inked at top corner of front cover, mild shelf/handling wear. Binding firm and square, with several stress creases; handwritten title/author inked on spine panel. xvii,611 pp. Minor internal notations in pencil. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Includes dust jacket. New and unread however some shelf wear to edges of cover and corners. Slight creasing to edges of dust jacket. Shipped from the UK within 2 business days of order being placed.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.