Robert jean klein (24 risultati)

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Condizione: Very Good. Collection de science fiction en francais. Tres bon etat, broche. Contenant aussi des rubriques en livres de cinema et notes de lectures./. Rault, Jean-Claude (illustratore).

191 S. + 10 sw Abb. auf Tafeln, Tables des Matieres, Bibliographie. 8°, Broschur. Text: Französisch. Tadelloses Ex.

Broché. In-8 (16.5x25 cm), broché, Revue métaphysique et de morale, janvier-mars 1956, n°1,111 pages, ouvrage collectif ; dos jauni, coiffes à peine frottées, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Revue de Métaphysique et de Morale.

Couverture souple. Condizione: Bon. Tradition et liberté entretiens, In 12, 249 pages, Bib 29.

Red Cloth. Condizione: Very Good +. No Dust Jacket. First Edition. Red Cloth. First Edition. Very Good+, No Dust Jacket. "Compiled Under The Direction Of The Committee On Scientific Method In The Social Sciences Of The Social Science Research Council." 822 Pages, Slightly Age-Toned At Edges. Five Words Underlined In Red Pencil On Pg.Ix Of The Table Of Contents.No Other Underlining Or Marking. Previous Owner's Name In Very Light Pencil On Front Endpaper. Covers Clean And Unmarked. Top Of Spine Frayed. Bottom Of Spine Shelfworn. A Solid, Tight Book.…

SOFTCOVER. Condizione: Fine. 1st Edition. 4to in photo illustrated stiff glossy card covers, unpaginated, approx. 44pp on glossy art paper, photos in colour and b/w. Text variously in English and French. PLUS loosely inserted large colour printed business card for the photographer . [CONDITION: A well preserved FINE very clean and tight unmarked copy, still close to new ] . To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. design by Thomas Gravemaker, text by patrick Lamarque and Daniele Sallenave, 1254 gr, 35,5 x 27 cm.

soft cover. Condizione: fine. first edition. RENE MICHA - Les Romans d'Irish Murdoch - BERNARD JOURDAN Jean Follain - JEAN WAHL . Non ut Poesis Pictura - ROBERT KLEIN La Renaissance italienne - MATHILDE NIEL . Confession de Rudolf Hoess - HERVE ROUSSEAU . Indo-Européens et Germains - JEAN PIEL « Les Paysans dans la Société - française - NOTES par NANTET, P. GARNIER, À. HUS, A. JACON. - - - Critique est une revue littéraire, philosophique et artistique mensuelle créée en 1946 par Georges Bataille, puis dirigée pendant cinquante ans par son ami Jean Piel. Paraissant à l'origine aux éditions du Chêne, elle est éditée depuis 1950 par Les Éditions de Minuit. Georges Bataille veut créer dès la fin de l'année 1945 une nouvelle revue qui rendrait compte selon lui de « l'essentiel de la pensée humaine prise dans les meilleurs livres. L'une des plus anciennes revues, Le Journal des savants qui date du xviie siècle suivait cette formule. » Le projet n'aboutit que l'année suivante et en juin 1946 paraît le premier numéro qui comporte notamment un article sur Henry Miller dont Bataille prendra plus tard la défense après son inculpation pour obscénité. Critique porte en sous-titre : Revue générale des publications françaises et étrangères ; et sous la direction de Bataille, avec Pierre Prévost comme rédacteur en chef, le comité de rédaction comprend à l'origine Maurice Blanchot, Albert Ollivier, Éric Weil, Jules Monnerot et Pierre Josserand . Le second comité, considérablement élargi, comptera une trentaine de membres, parmi lesquels on peut citer Marcel Arland, Raymond Aron, Louis de Broglie, René Char, René Huyghe, Alexandre Koyré, Mario Praz, Paul Rivet, Jean Wahl. Après Pierre Prévost, c'est Éric Weil qui sera le rédacteur en chef, remplacé ensuite par Jean Piel. Contrairement à de précédentes revues qu'il anima, comme Documents ou Acéphale, s'agissant de Critique, Georges Bataille n'en fit pas « l'organe » d'une communauté, sans compter que la revue perdure, contrairement aux entreprises brèves et chaotiques initiées par Bataille. De fait, la plus grande disparité préside à la rédaction de la revue, même si beaucoup de contributeurs, mais pas tous, sont des amis de Bataille. Au sommaire des quatre premiers numéros parus entre juin et septembre 1946 figurent les noms de Jean Maquet, Jacques Lemarchand, Alexandre Koyré, Éric Weil, Jean Chauveau, Georges Ambrosino, Georges Balandier, Théodore Fraenkel, Albert Ollivier, Maurice Blanchot, Aimé Patri, Jean Piel, Alexandre Kojève, etc.…

166 pp.; 23.5 x 28 cm.; glue bound; black-and-white & color; edition size 500; unsigned and unnumbered; offset-printed "This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. The book, then, can be seen as a sort of memoir. Always placing the artists and their works within a social milieu, while also aware of how art travels across time, he reminds us that both lead multiple lives, as an exhibition can reanimate a work from the past, and occasion the discovery of forgotten and marginalized figures among those who are very well-known. This retrospective catalog is also in many ways an ideal exhibition -- or collection -- 27 years in the making." -- publisher''s statement. Artists include: Vito Acconci, Richard Aldrich, John M Armleder, Barry X Ball, Lisa Beck, Alan Belcher, Ben Berlow, Walead Beshty, Huma Bhabha, Doug Biggert, Marcel Broodthaers, Henri Cartier Bresson, Graham Caldwell, Vija Celmins, Art Chantry, Larry Clark, Verne Dawson, Jules de Balincourt, Jessica Diamond, Trisha Donnelly, Moira Dryer, Gardar Eide Einarsson, William Gedney, Robert Gober, Daan van Golden, Wayne Gonzales, Felix Gonzalez-Torres, Peter Halley, Richard Hawkins, Adam Helms, Eva Hesse, Peter Hujar, Jacob Kassay, On Kawara, Yves Klein, Louise Lawler, Mark Leckey, Sherrie Levine, Judy Linn, Lee Lozano, Chris Martin, Allan McCollum, McDermott & McGough, Adam McEwen, Ryan McGinley, John Miller, Olivier Mosset, Dave Muller, Chuck Nanney, Bruce Nauman, Cady Noland, Amy O''Neill, Steven Parrino, Laurie Parsons, Raymond Pettibon, Jean Prouvé, David Ratcliff, Alex Rose, Sally Ross, Allen Ruppersberg, Sam Samore, Tom Sandberg, Joan Semmel, Stephen Shore, Harry Smith, Jack Smith, Robert Smithson, Mark Stahl, Haim Steinbach, Rudolf Stingel, Lily van der Stokker, Aaron Suggs, Philip Taaffe, Paul Thek, Wolfgang Tillmans, Betty Tompkins, Josh Tonsfeldt, John Tremblay, Alan Uglow, Kelley Walker, Jeff Wall, Joan Wallace, Wallace & Donohue, Dan Walsh, Andy Warhol, and Christopher Wool. Fine. Covers and contents clean and unmarked.…

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

23 x 30, 1279 pp., très nombreuses illustrations, la plupart en couleurs, reliure d'édition, pleine toile + jaquette, très bon état. préface de Jean Favier.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. 1st Edition. 267 Pp. Light Grey Cloth, Gilt. 13 3/8" X 10". First Edition. Fine In Near Fine Dj But Several 1/8" Deep Bumps Within 1" Long Area Along Center Bottom Edge Of Both Front And Rear Covers Of The Book, No Trace On Dj So Apparently A Manufacturing Defect Before Dj Was Put On The Book. Dj With Slight Wear Along Top Edges And Slight Fading To Spine Panel. Oversize, No International Shipment.…

8vo. 95 S., 1 Bl. Mit einigen Abb. Illustr. OKtn. 0,800 gr.

24 x 30, 1279 pp., très nombreuses illustrations et cartes en couleurs, reliure d'édition pleine toile + jaquette, très bon état.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 680 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Librairie Plon. Broché. Bon exemplaire.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.…

[3] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held September 28 - October 22, 1960. Artists include Ronald Alley, Stephen Antonakos, Ronald Bladen, Lee Bontecou, George Brecht, Alberto Burri, John Chamberlain, David Chapin, Chryssa, Bruce Conner, Joseph Cornell, Roy De Forest, Andre de Dienes, Sari Dienes, Jim Dine, Enrico Donati, Rosalyn Drexler, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, Charles Ginnever, Mathias Goeritz, Robert Indiana, Jasper Johns, Allan Kaprow, Yves Klein, Irving Kriesberg, Anthony Magar, Robert Mallary, Louise Nevelson, Claes Oldenburg, Alfonso Ossorio, Lil Picard, Leo Rabkin, Robert Rauschenberg, George Rickey, Lucas Samaras, Salvatore Scarpitta, Jesus Rafael Soto, Richard Stankiewicz, Takis Vassilakis, Jean Tinguely, Stan Vanderbeek, Robert Watts, Robert Whitman, Wilfrid Zogbaum, and Berke, Bermudez, Bouras, Deschais, Doyle, Giles, Goodyear, Harris, Hendricks, Higgins, Kemeny, Kimball, Langlais, Latham, Levinson, Little, Long, Michaels, Millares, Terry, Wilson. Includes prices for works offered. Good. Folded in four with an additional vertical crease. Wear along fold lines and yellowing of pages. 8 mm. tear to top edge of first and second pages with chipping to third page. Fingerprint and ink smudging soiling to first page and bumping to top left corner with edgewear. Contents clean and unmarked.…

Softcover. Condizione: Gut bis sehr gut. Limitierte Ausgabe. B : 4to. (Quartformat), 70 unpaginierte Seiten, durchgehend illustriert - In 1973, the American artist Paul Thek (1933 1988) realized, along with his friends, the Artist s Coop, the environment Ark, Pyramid, Easter A Visiting Group Show at the Museum of Art Lucerne. The exhibition was the fourth in a series of what are today seen as the most significant atmospheric large-scale projects of the 1970s using individualized religious symbols. These installations, now lost, are also among the central works of the legendary artist. The goal of Paul Thek, in Process is to memorialize Thek s spatial work of that time and to locate it within a larger historical context. As exhibition, documentation and inscenation the series of exhibitions also investigate the status of ephemeral materials in exhibitions, the boundaries of the artwork, institutional history, reception, and today s practice of re-inscenation integrating ideas of an archaeological research and a transparent, revealing art mediation. As a result, the project follows Paul Thek s travels across Europe and is and will be shown in different forms at the Lehmbruck Museum in Duisburg, at the Museum of Art Lucerne and at the Moderna Museet Stockholm. - In comparison with the stages of the exhibition in Duisburg and Stockholm, in Lucerne Thek s idea of collaborative working practice plays a particularly important part. In 1973 the artist officially abandoned individual authorship for the first time and made the collective working method the subject of the exhibition itself. Consequently, in Paul Thek, in Process (Lucerne), some of the artists who worked in the Artist s Coop will be introduced, such as Franz Deckwitz, Edwin Klein, Cindy Lubar, Peter Hujar, Ann Wilson and Robert Wilson.…

Madrid,Museo Nacional Centro de Arte Reina Sofía, 2010. 20x26, 254pgs. Rústica con solapas. Ilustrado con fotografías color y b/n. Perfecto estado, como nuevo. ARTE SIGLO XX.

Condizione: very good. Introduction by Catel Blotkamp. London : Institute of Contemporary Arts, 1974. White cardcoard covers with white lettering. 66 pp. With loose inlay (4 pp). Ills. 23x23 cm. Very good, firm copy. - The exhibition "Basically White" took place from 15 March to 28 April 1974 at the Institute of Contemporary Arts (ICA) in London and was organised in collaboration with the Lucy Milton Gallery. The exhibition focused on minimalist and conceptual art, with an emphasis on the use of white as a dominant colour or conceptual starting point. The catalogue Basically White was compiled by Carel Blotkamp and contains contributions and illustrations of art works of the following artists : Jean Arp, Joost Baljeu, Antonio Calderara, Sergio de Camargo, Enrico Castellani, Colin Crumplin, Ad Dekkers, Lucio Fontana, Raimund Girke, Gerhard von Graevenitz, Ewerdt Hilgemann, Oskar Holweck, Malcolm Hughes, Yves Klein, Peter Lowe, Piero Manzoni, Mary Martin & Ben Nicholson, Dorothea Rockburne, Robert Ryman, Jan Schoonhoven, Henryk Stazewski, Günther Uecker and herman de vries. At the time this exhibition was not only a popular sensation but played a key intellectual role in shaping the discourse of minimal and conceptual abstraction in Britain, situating systemic and constructivist British artists within a broader European network of postwar avant-gardes. Condition : very good copy. Keywords : ART, minimal art vries, herman de (1931-) Schoonhoven, Jan J. (1914-1994) Klein, Yves (1928-1962) Manzoni, Piero (1933-1963) Dekkers, Ad (1938-1974) Fontana, Lucio (1899-1968) Hilgemann, Ewerdt (1938-) Holweck, Oskar (1924-2007) constructivism.…

S.l., Editions du Galion, 1948. In-4, non paginé, en feuilles, couverture rempliée, emboîtage de toile, étui. Bon exemplaire. Tiré à 195 exemplaires numérotés, ici sur velin de Rives. Textes traduits par R. Barroux et finement illustrés en couleurs par P. Klein. Envoi autographe et courte lettre manuscrite de P. Klein. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.…

S.l., Editions du Galion, 1948. 33 x 25 cm, en feuilles, sous étui sous emboîtage d'éditeur. Bel exemplaire. Un des 20 exemplaires numérotés sur vergé de Hollande avec un croquis original. De plus le notre comporte un envoi autographe signé de Paul G. Klein. Textes traduits par R. Barroux et illustrés en couleurs par P. Klein. Livres.…