robert nelson jacobs (13 risultati)

First Edition. Screenplay based on the novel . No illustrations. Softcovers, one small stain across the edge of the text block (not affecting the text) otherwise VG.

Paperback. Condizione: As New. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDFine. First edition.

Ex-library copy. Reprint (first published 1964). xii, 191 pages. Hardcover: H 21.75cm x L 14.25cm. Lacks dust jacket. Blue cloth rubbed with light spotting, library shelf sticker affixed near spine heel. Foxing and toning to edges; library stamp on bottom edge. Library stamp upon title page; pencil notation on copyright page; top corner of pages 189-190 creased from past fold-down; library pocket on rear free endpaper. No other library markings readily apparent upon a quick perusal. Three ink check marks on Table of Contents page; foxing at top corners of pages 187-191. Interior pages are otherwise clean. Binding is firm. Features the following: Foreword by R.C. Simonini, Jr.; THE WRITER AS PARIAH IN THE OLD SOUTH by Willard Thorp; POE IN RICHMOND; THE DOUBLE IMAGE by Robert D. Jacobs; THE IMAGE OF AN ARMY; THE CIVIL WAR IN SOUTHERN FICTION, by Lewis D. Rubin, Jr; MARY JOHNSTON AND THE HISTORIC IMAGINATION by Lawrence G. Nelson; ELLEN GLASGOW AND THE SOUTHERN LITERARY TRADITION by C. Hugh Holman; JAMES BRANCH CABELL AND SOUTHERN ROMANTICISM by Dorothy B. Schlegel; FAULKNER AND THE SOUTH by James B. Meriwether; THE YOUNGEST GENERATION OF SOUTHERN FICTION WRITERS by Richard K. Meeker.

Condizione: Good.

24 cm, kart. (paperback). First Edition. 166 S., In englischer Sprache. Einband mit leichten Gebrauchsspuren, sonst guter Zustand. In English language. Cover shows slight traces of usage. Fine copy. Sprache: Englisch Gewicht in Gramm: 400.

Hardcover. Condizione: Brand New. 640 pages. German language. 11.14x8.62x1.30 inches. In Stock.

paperback. Condizione: Good. 2024 June.

Paperback. Condizione: Near Fine. Original screenplay bound with two - siller colored brads and card-stock titled cover. No date or publisher - yet, the type of script sent to Academy Awards voters.

Wrappers / Brads. Condizione: Fine. Reprint. Reprint of the script for consideration of Academy members. As new.

Softcover. Condizione: Fine. First Edition. SIGNED by screenwriter Robert Nelson Jacobs on the title page. Fine in pictorial printed wrappers. A trade-size paperback original.; Signed by Author(s).

Script Format, reprint. Condizione: As New. / I HAVE MORE TITLES, LET ME KNOW IF YOU NEED ANY OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

Paperback. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!