Lingua: Inglese
Editore: Columbia University Press, New York, 2019
ISBN 10: 0231192762 ISBN 13: 9780231192767
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
Prima edizione
Hardcover. xxv, 297p., prefce, reader's guide, prologue, network diagrams, narrators, notes, index, b&w photos and 15 color plates, very good first edition in boards and unclipped dj. The Columbia Oral History Series edited by Mary Marshal Clark, Amy Starecheski, Kimberly Springer & Peter Bearman.
Lingua: Inglese
Editore: Columbia University Press, New York, 2019
ISBN 10: 0231192762 ISBN 13: 9780231192767
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. xxv, 297 pages, [16] pages of plates, illustrations (chiefly colour); 25 cm. The Columbia Oral History Series. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Robert Rauschenberg (1925-2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century. Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century's great artists through a series of interviews with key figures in his life--family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators' reminiscences in conversation, with a focus on the relationship between Rauschenberg's intense social life and his art. The book opens with a prologue by Rauschenberg's sister and then shifts to New York City's 1950s and '60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg's eventual move to Florida's Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others' art. The narrators share their views on Rauschenberg's work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in the own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg's inner circle." - Publisher. *** CONTENTS: Small world; Collaborations; 381 lafayette street; Captiva; Travelogue; Rauschenberg overseas culture interchange [ROCI]; Curating and installations; An expanding American art market; No one wanted it to end. Size: 8vo. Collectible.
Da: Strand Book Store, ABAA, New York, NY, U.S.A.
Paperback. Condizione: New.
Lingua: Inglese
Editore: Columbia University Press, New York, 2019
ISBN 10: 0231192762 ISBN 13: 9780231192767
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 298 pages with 20 illustrations in color. Edited by Sara Sinclair with Mary Marshall Clark and Peter Bearman. Book.