Robert rossen director (15 risultati)
They Came to Cordura (Original British front-of-house card from the 1959 film)
Gary Cooper, Rita Hayworth, Van Heflin, Tab Hunter (starring); Robert Rossen (director, screenwriter); Glendon Swarthout (novel); Robert Coburn and Homer Van Pelt (still photographers); Ivan Moffat (screenwriter)
Editore: National Screen Service / Columbia Pictures, Culver City, CA, 1959
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage full-color British front-of-house card from the UK release of the 1959 US film. Based on Glendon Swarthout's 1958 novel, about the 1916 US "war" against Pancho Villa, and the group of men who unceremoniously are awarded medals. Together they must return to the battlefront, along with a prisoner (Hayworth) who helped them… before. 8 x 10 inches. Faint creasing and rubbing overall, else Near Fine.
The Strange Love of Martha Ivers (Original photograph from the 1946 film)
Van Heflin, Barbara Stanwyck, Lizbeth Scott, Kirk Douglas (starring); Lewis Milestone (director); Don English (photographer); Robert Rossen (screenwriter)
Editore: Hal Wallis Productions, Hollywood, 1946
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage borderless satin-finish publicity photograph from the 1946 film noir, showing Van Heflin. A drifter returns to his childhood home, stirring up buried secrets and forgotten passions in the process. Nominated for the Palme d'Or. 8 x 10 inches. Fine. Grant US. Selby US Canon. Silver and Ward US. Spicer US.
Body and Soul (Original photograph from the 1947 film)
Robert Rossen (director); Abraham Polonsky (screenwriter); John Garfield, Lilli Palmer, Hazel Brooks, Anne Revere, William Conrad (starring)
Editore: N.p., N.p., 1947
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage reference photograph from the 1947 film noir. An amateur prizefighter's desire for fortune and fame leads him to join a corrupt boxing syndicate, led by an unethical promoter. Widely considered one of the finest boxing films ever made, with a strong screenplay by noted screenwriter Abraham Polonsky (who would later face…blacklisting in Hollywood as a result of the HUAC trials). 10 x 8 inches. Near Fine. Grant US. Olive Films 452. Selby US. Silver and Ward Classic Noir. Spicer US.
The Hustler (Original photograph of Jackie Gleason from the 1961 film)
Jackie Gleason (starring); Robert Rossen (director, screenwriter); Walter Tevis (novel); Paul Newman, Piper Laurie, George C. Scott (starring); Sidney Carroll (screenwriter)
Editore: Twentieth Century-Fox, Los Angeles, 1961
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage borderless photograph of Jackie Gleason from the 1961 film. Based on the 1959 novel by Walter Tevis, about a small-time pool hustler who challenges a champion for a shot at the big time. Jackie Gleason famously did all of his own billiards shots, while pool legend Willie Mosconi served as a technical advisor and stand in… for the other actors. Nominated for nine Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actor, Best Actress, and twice for Best Supporting Actor. Shot on location in New York, including the use of several actual pool halls. 7 x 9 inches. About Near Fine with some shallow light creasing to the corners. National Film Registry. Ebert II. Rosenbaum 1000. Spicer US.
Billy Budd (Original screenplay for the 1962 film)
Herman Melville (novella); Peter Ustinov (director, screenwriter, starring); Robert Rossen, DeWitt Bodeen (screenwriters); Terence Stamp, Robert Ryan, Melvyn Douglas (starring); Louis O. Coxe, Robert H. Chapman (play)
Editore: N.p., N.p., 1957
- Brossura
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloFinal script for the 1962 film. Early draft, preceding the film's release by five years, credited to screenwriter Robert Rossen. Rossen was ultimately uncredited in the film, but was involved in this early stage of the script's development. Based on Louis O. Coxe and Robert H. Chapman's 1949 play, which was based in turn on Herm…an Melville's 1924 novella. A seaman's innocence and natural beauty wins him the affection of the entire crew except the abusive master-at-arms, who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp, who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow titled wrappers, noted as FINAL SCREENPLAY and dated October 15, 1957, with credit for screenwriter Robert Rossen. 122 leaves, with last page of text numbered 122. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with three gold brads.
Altre immaginiBilly Budd (Original screenplay for the 1962 film)
Herman Melville (novella); Peter Ustinov (director, screenwriter, starring); Robert Rossen, DeWitt Bodeen (screenwriters); Terence Stamp, Robert Ryan, Melvyn Douglas (starring); Louis O. Coxe, Robert H. Chapman (play)
Editore: N.p., N.p., 1961
- Brossura
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloFirst Draft script for the 1962 film. Based on Louis O. Coxe and Robert H. Chapman's 1949 play, which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and optimism win him the affection of the entire crew except the abusive master-at-arms, who eventually wrongly accuses the seaman of conspiracy to mutiny…. The feature film debut of Terence Stamp, who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow wrappers with a die-cut title window in the British style. Title page present, dated March 21, 1961, noted as FIRST DRAFT, with credit for screenwriter Peter Ustinov. 127 leaves, with last page of text numbered 123. Mimeograph duplication, rectos only, with pink and blue revision pages throughout, dated variously between May 5 and August 22, 1961. Title page lightly toned, else pages Near Fine, wrapper about Near Fine, bound internally with three silver brads.
Altre immaginiLilith (Original photograph from the 1964 film)
Robert Rossen (director, screenwriter); J.R. Salamanca (novel); Warren Beatty, Jean Seberg, Peter Fonda, Kim Hunter, Gene Hackman (starring)
Editore: Columbia Pictures, Culver City, CA, 1964
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage photograph of actors Peter Fonda, Jean Seberg and Warren Beatty from the 1964 film. With manuscript annotations in pencil on the verso. Based on J. R. Salamanca's 1961 novel of the same name. Vincent (Warren Beatty) a recent Korean War veteran is in training at a mental institution as an occupational therapist where he b…ecomes obsessed with Lilith Arthur (Jean Seberg), a schizophrenic patient whose seductive behavior stirs the order of the mental institution and destabilizes Vincent's own sense of reality. Set in Rockville, Maryland. Shot on location in Virginia, Long Island, and Maryland. 9.75 x 7.5 inches. Near Fine. Grant US.
The Cool World (Original photograph from the 1963 film)
Shirley Clarke (director, screenwriter); Warren Miller (novel); Robert Rossen (play); Hampton Clanton, Yolanda Rodriguez, Antonio Fargas, Carl Lee (starring)
Editore: Wiseman Film Productions, Denver, CO, 1963
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage reference photograph from the seminal 1963 film. Based on the 1960 play by Warren Miller and Robert Rossen, in turn based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the limitations of cinema verite, an…d while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Near Fine, with light toning to the border. National Film Registry.
The Cool World (Original photograph from the 1963 film)
Shirley Clarke (director, screenwriter); Warren Miller (novel); Robert Rossen (play); Hampton Clanton, Yolanda Rodriguez, Antonio Fargas, Carl Lee (starring)
Editore: N.p., N.p., 1963
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage reference photograph from the seminal 1963 film. Partial label on the verso. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on the li…mitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 5 x 8 inches, trimmed irregularly, with wide margins, photograph measuring 3.75 x 4.75 inches. Near Fine. National Film Registry.
Body and Soul (Original photograph from the set of the 1947 film)
Robert Rossen (director); Abraham Polonsky (screenwriter); John Garfield, Lilli Palmer, Hazel Brooks, Anne Revere (starring)
Editore: United Artists, Beverly Hills, CA, 1947
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloVintage linen backed keybook photograph of cinematographer James Wong Howe, actress Lilli Palmer, and members of the crew on the set of the 1947 film noir. Manuscript annotations on the verso. Considered by many to be amongst the best boxing films of all time as well as one of the great 1940s noirs. "Body and Soul" tells the sto…ry of a man who became a successful boxer to support himself and his mother after his father is killed, but who realizes that he has slowly lost his integrity somewhere along the way. Winner of an Academy Award and nominated for two others. Shot on location in New York City. 10 x 8 inches. Near Fine. Grant US. Selby Canon US. Silver Classic Noir. Spicer US.
Altre immaginiThe Cool World (Two original photographs from the 1963 film)
Shirley Clarke (director, screenwriter); Warren Miller (novel); Robert Rossen (play); Hampton Clanton, Yolanda Rodriguez, Antonio Fargas, Carl Lee (starring)
Editore: Cinema V., N.p., 1963
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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Aggiungi al carrelloTwo vintage reference photographs from the 1963 film, both showing actor Hampton Clanton. Printed mimeo snipes and date stamps on the versos. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The… Connection" (1961). Both films were statements on the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 8 x 10 inches. Very Good plus. National Film Registry.
Altre immaginiThe Roaring Twenties [20s] (Four original photographs from the 1939 film)
James Cagney, Humphrey Bogart, Priscilla Lane, Gladys George (starring); Raoul Walsh (director); Jerry Wald, Robert Rossen, Richard Macaulay (screenwriters)
Editore: Vitagraph, Los Angeles, 1939
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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EUR 399,89
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Aggiungi al carrelloThree vintage studio still photographs and one reference photograph from the 1939 film. All four with Cinemagence stamps on the versos. A classic in the gangster genre, following the experiences of three men through the tumultuous 1920s, starting in the final days of World War I. The third and last film to co-star Humphrey Bogar…t and James Cagney, following "Angels with Dirty Faces" (1938) and "The Oklahoma Kid" (1939). 10 x 8 inches. Near Fine. Criterion Collection 1208. Godard, Histoire(s) du cinema. Scorsese, A Personal Journey Through American Movies. Spicer US Antecedent.
Altre immaginiThe Sea Wolf (Collection of 28 original keybook photographs from the 1941 film)
Michael Curtiz (director); Jack London (novel); Robert Rossen (screenwriter); Edward G. Robinson, Ida Lupino, John Garfield, Alexander Knox (starring)
Editore: Warner Brothers, Burbank, CA, 1941
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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EUR 488,76
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Aggiungi al carrelloCollection of 28 vintage double weight keybook photographs from the 1941 film. With mimeo snipes to the verso identifying actors in each photograph. Likely unique. Based on Jack London's 1904 novel, following three fugitives who are rescued from the ocean, and subsequently imprisoned by, a cruel mariner who refuses to let them o…ff the ship. 11 x 8 inches. Very Good, with light toning and fading overall, some with faint foxing to the verso and light edgewear.
Altre immaginiThe Cool World (Eight original photographs from the 1963 film)
Shirley Clarke (director, screenwriter); Warren Miller (novel); Robert Rossen (play); Hampton Clanton, Yolanda Rodriguez, Antonio Fargas, Carl Lee (starring)
Editore: Cinema V., N.p., 1963
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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EUR 555,41
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Aggiungi al carrelloEight vintage studio still photographs from the 1963 film. Provenance labels on the versos. Based on the 1960 play by Warren Miller and Robert Rossen, which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke, following "The Connection" (1961). Both films were statements on… the limitations of cinema verite, and while appearing improvisational, were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman, who would go on to become a legendary documentary filmmaker, and was scored by noted jazz composer and pianist Mal Waldron, with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine. National Film Registry.
Altre immaginiEditore: Simon and Schuster, New York, 1961
- Prima edizione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
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EUR 1332,98
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Aggiungi al carrellodj. First Edition. First Edition. Robert Rossen's annotated copy of the novel, with his name in manuscript ink on a label affixed on the front board. Rossen would go on to adapt to the novel to the screen and direct in 1964. The film, a psychological drama that was very much an antecedent for the New Hollywood era, starred an ar…ray of actors that would go on to great heights: Warren Beatty, Jean Seberg, Peter Fonda, and Kim Hunter. Rossen's paper clips, all along the top page edges, are still in place, and the book's profuse annotations are mainly in the form of text that is bracketed in manuscript pencil at the margins, indicating Rossen's decision process for pulling the content he would need to write the screenplay. Rossen's career began as a playwright in New York, and like Odets, Rossen had a tremendous passion for literature, the theatre, and radical politics. His intuitive understanding of the working class informed his first three screenplays after moving to Hollywood, all for director Raoul Walsh: "The Roaring Twenties" (1939), "They Drive By Night" (1940), and "High Sierra" (1941). During this period he also wrote the screenplays for a number of seminal films noir, including "Out of the Fog" (1941), "Blues in the Night" (1941), "The Strange Love of Martha Ivers" (1941), and many others. Rossen's work in what became known as classic film noir culminated in three of his most powerful endeavors, which he would also direct: "Johnny O'Clock" (1947), "Desert Fury" (1947), and "Body and Soul" (1947). He ended the 1940s with "All the King's Men" (1949), a powerful adaptation of Robert Penn Warren's Pulitzer Prize-winning novel. In 1961, Rossen would adapt and direct the film that was the pinnacle of his career, "The Hustler" (1961), a brave and unsettling study of a complex man whose psychological makeup cannot accommodate the burdens of his own talents as a professional pool player. Good to Very Good lacking the dust jacket. Well read, with many leaves dog-eared, hinges loose and split, backstrip worn.
