robert venturi vincent scully (18 risultati)

Paperback. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Second Edition. Nice, clean copy. Some wear to cover and edges. ; B&W Photographs; 8vo; 136 pages.

Paperback. Condizione: Very Good. 2nd. ***please read*** no marks on text - cover has some light wear - name insidemy shelf location - cover bn9-top*.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Wrappers. Condizione: Very Good. First Thus. (1966). 8vo. First simultaneous wrappered edition. Rubbing and wear to wraps. VG in wrappers.

Condizione: As New. Unread book in perfect condition.

Couverture souple. Condizione: Bon état. In-8 cartonnage éditeur. 22,5 cm sur 15,5. 135 pages. Nombreuses illustrations en noir et blanc. Intérieur frais. Bon état d'occasion.

Softcover. Condizione: Sehr gut. 1. Auflage. Bis auf kleine Knicke in der oberen Ecke des vorderen Deckels fast wie neu. Kein Leseknick! Buchschnitte und Ecken sind perfekt. Innen ohne Namenseintrag, ohne Widmung, keine Anstreichungen. Aufwendige Beschreibung der Planung des Hauses mit vielen Fotos und Planungsskizzen, teilweise farbig. Vorwort von Aldo Rossi mit Essays von Vincent Scully und Robert Venturi. 224 Seiten im Quer-Format 22 x 28 cm. Alle Fotos dieses Angebots sind eigenhändig vom Anbieter. Auf Wunsch sende ich gern weitere Fotos. Kein Versand nach Frankreich und Österreich. Grenzüberschreitende Lieferung kann abweichende Versandkosten verursachen.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition. Fine in gray cloth-covered boards and near fine dust jacket with light rubbing and publisher's price clip and replacement price sticker.

Wrappers. Condizione: Very Good. (1966.) (New Haven.) 4to. Noticeable bumping and creasing, with light chipping, to spine ends and corners of wrappers, and top left corner of rear wrapper chipped away entirely. Moderate rubbing to joints, with some scuffing and rubbing to boards. Light scuffing and dampstaining to top edge of textblock. VG in wrappers.

Hardcover. First edition. 21.5 x 28.5 cm. Oblong quarto. 224pp. Red cloth in dust jacket. Small stain to foredge. Some soiling to the jacket. Previous owner's name on front free endpaper. Very Good in Very Good dust jacket.

perfect. Condizione: Gut. 224 Seiten; Wiese - 1. Auf. 1992 : Vincent Scully - tb. Gr. Lang DT-DL55-8ZAI Sprache: Deutsch Gewicht in Gramm: 1.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 1st edition, inaugural publication of The Museum of Modern Art Papers on Architecture in 1966. The signature of James Jarrett, professor of architectural theory and Yale and CUNY, on f.f.e.p., likely his own copy. NF boards. Soiling and light chipping to dj, with small open tear to spine tail. Underline in a light hand to limited pages.

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi and Vincent Scully on the title page. Fine in a near fine dust jacket. Introduction by Vincent Scully. Rare and desirable signed by both Venturi and Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi who has added a drawing of his mother's house on the dedication page. Fine in a near fine dust jacket. Introduction by Vincent Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Presentation copy, inscribed by the author on the front free endpaper, "To Al, Friendship and respect Bob Venturi." FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Signed and dated by Robert Venturi on the title page. FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.