roberta mock (83 risultati)

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Condizione: Very Good. 1748197508. 5/25/2025 6:25:08 PM.

Condizione: Good. 1st Edition. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condizione: Very Good. 1st Edition. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condizione: Very Good. First Paperback Edition. Size: 8vo - over 7¾" - 9¾". Book.

Paperback. Condizione: Very Good. Performing Processes: Creating Live Performance This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9781841500102.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Live performance continues to be created every time it is performed. This book explores the dynamic relationship between creative process, presentation and spectator response to provide students and scholars in Drama with new insights on performance from poetry to pantomime. These essays make parallels between areas of performance that are rarely, if ever, compared. They present the basis for an overall theory of how 'conception', 'development', 'presentation' and 'reception' are fused together to make up the overall 'performance'. This study investigates the relationship between the process of creating performance and spectator response, and how this exchange is embedded into the product itself. The authors draw on theoretical approaches from a range of sources, and examine the work of contemporary dramatists, choreographers, poets and performers. Its construction of a new, wide-ranging approach to performance research makes this book a valuable resource for the student as well as the broader academic community. It has application both as a textbook and for supplementary research on drama courses nationwide.

Condizione: New.

Paperback. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Paperback. Condizione: new. Paperback. Live performance continues to be created every time it is performed. This book explores the dynamic relationship between creative process, presentation and spectator response to provide students and scholars in Drama with new insights on performance from poetry to pantomime.These essays make parallels between areas of performance that are rarely, if ever, compared. They present the basis for an overall theory of how 'conception', 'development', 'presentation' and 'reception' are fused together to make up the overall 'performance'. This study investigates the relationship between the process of creating performance and spectator response, and how this exchange is embedded into the product itself.The authors draw on theoretical approaches from a range of sources, and examine the work of contemporary dramatists, choreographers, poets and performers including: Sarah Kane Iain Baxter Yolande Snaith Slobodan Snajder Phylis Nagy Steve Benson David Fielding David Antin Bette Midler Karen Malpede Stephen Daldry Mai LanfangIts construction of a new, wide-ranging approach to performance research makes this book a valuable resource for the student as well as the broader academic community. It has application both as a textbook and for supplementary research on drama courses nationwide. This volume investigates the relationship between the process of creating performance and spectator responses, and how this exchange is embedded into the product itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. This collection charts three projects by performance-makers who generate autobiographical writing by taking walks. It includes performance texts and photographs, as well as essays by the artists that discuss processes of development, writing and performance.The Crab Walks and Crab Steps Aside are performances made by Phil Smith based on an initial exploratory walking of an area of South Devon where he was taken for childhood holidays and then on to Munich, Herm and San Gimignano. Both shows were accompanied by the distribution of maps seeking to provoke the audience to make their own exploratory walks. Mourning Walk is a performance that relates to a walk Carl Lavery made to mark the anniversary of his father's death. Lavery shows how a secret can be both shared and hidden through the act of communication as he explores "an ethics of autobiographical performance". In Tree, the result of a multi-disciplinary collaborative process, Dee Heddon occupies a single square foot of soil, and discovers that by standing stationary and looking closely she can travel across continents and centuries, making unexpected connections through an extroverted autobiographical practice.The work of all three artists, taken together and separately, raises important issues about memory, ritual, life writing, textuality, subjectivity, and site in performance.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9781841501550.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In.

Paperback. Condizione: new. Paperback. This collection charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes. Included in the book are the full texts of The Crab Walks and Crab Steps Aside by Phil Smith, Mourning Walk by Carl Lavery, and Tree by Deirdre Heddon, each accompanied by photographs and contextual essays. Taken together or separately, the work of all three artist-scholars raises important issues about memory, the ethics of autobiographical performance, ritual, life writing, and site-specific performance. Exemplifies the documentation and contextualization of site-based performance and practice-as-research. This book allows for comparisons of three very contemporary performance events and their making, extending the possibilities of published performance texts beyond 'traditional' plays. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

PF. Condizione: New.

Paperback. Condizione: New.

Condizione: New. In.

Condizione: New.

Hardback. Condizione: New. Joshua Sofaer works across boundaries, borders and disciplines to create artworks that engage with all levels of society. In cultural institutions or on the street, for art galleries or personal homes, staged as operas or cast as golden sculptures, Sofaer's work weaves with and through social fabric to consider the ideas that hold us together. Co-published with the Live Art Development Agency, this lavishly illustrated volume is the first in-depth study of the artist's work, featuring discussions with producers and participants, documentary images and a new photographic essay, interviews with the artist himself, and thirteen commissioned essays by scholars, curators and artists from the perspectives of performance studies, archaeology and opera criticism. With a mixture of intellect, humour and striking design, Joshua Sofaer: Performance Objects Participation analyses the artist's oeuvre in the contexts of liveness, visual art and participatory practices. It explores the binding aesthetics of his approach as a model for contemporary practice, and it considers the impact of his work on audiences, institutions and pedagogy, as well as on fine art and performance ecologies as a whole.

Hardcover. Condizione: new. Hardcover. Joshua Sofaer works across boundaries, borders, and disciplines to create artworks that engage with all levels of society. In cultural institutions or on the street, for art galleries or personal homes, staged as operas or cast as golden sculptures, Sofaers work weaves with and through social fabric to consider the ideas that hold us together. Copublished with the Live Art Development Agency, this lavishly illustrated volume is the first in-depth study of the artists work, featuring discussions with producers and participants, documentary images and a new photographic essay, interviews with the artist himself, and thirteen commissioned essays by scholars, curators, and artists from the perspectives of performance studies, archaeology, and opera criticism. With a mixture of intellect, humor, and striking design, Joshua Sofaer: Performance | Objects | Participation analyzes the artists oeuvre in the contexts of liveness, visual art, and participatory practices. It explores the binding aesthetics of his approach as a model for contemporary practice, and it considers the impact of his work on audiences, institutions, and pedagogy, as well as on fine art and performance ecologies as a whole. With a mixture of intellect, humour, and striking design, Joshua Sofaer: Performance | Objects | Participation analyses the artists oeuvre in the contexts of liveness, visual art and participatory practices. Sample Chapter Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. In.