rocky schenck (38 risultati)

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Binding tight and square, Pages are clean and unmarked.

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

hardcover. Condizione: Good. Good condition hardback. Pages are clean and unmarked. Minor edgewear and rubbing on dust jacket. Tulsa's largest used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.

Paperback. The Winter 1993 issue of Aperture magazine, No. 130, with 10 portfolios of work by Dore Gardner, Teun Hocks, Mary Kocol, Michiko Kon, Annette Messager, Lu Nan, Rocky Schenck, Thomas Tulis, Anne Turyn, and Christian Walker. Also: reviews of lunar maps by Richard B. Woodward, Joel Sternfeld's Campagna Romana, Brett Weston 1911-1993, and much more. Edited by Melissa Harris. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with hints of shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Hardcover. Condizione: Fine. Photographs By: Rocky Schenck (illustratore). First Edition/First Printing. The theft of a Vermeer painting from a Boston museum sends a reluctant FBI detective on parallel journeys through a modern Europe and seventeenth-century Delft. A contemporary mystery, a love story spanning three centuries, and an intimate biography of the great painter Jan Vermeer and his beloved wife Catharina are ingeniously blended in this illustrated novella with photographs by Rocky Schenck and paintings by Vermeer.

Hardcover. Condizione: Used - Very Good. Condizione sovraccoperta: Very Good. 'Each photograph is like a still taken from a movie that exists not on film but rather in one's memory, with all the fuzziness typical of remembered impressions. The viewer, willing or not, fills in the frames that precede and follow it. . . . When confronted by such compelling and seductive images, the viewer can hardly help but respond reflexively, amplifying, expanding, and otherwise making the photograph his own. This compulsion to respond, together with the lovely elegiac mood in all his work, is the real power of Schenck's photographs.' --John Berendt, from the Foreword Remembered movies . . . images from a dream . . . scenes from another world--the photographs of Rocky Schenck are endlessly evocative, though the photographer asserts that 'my approach is rather simple: I record on film what I see and what I feel as I travel through life.' Still, these haunting images are no mere reproductions of everyday reality. By manipulating both the film's negative and the print's surface, Schenck creates images that are 'illustrations of my conscious (and perhaps subconscious) dreams, emotions, and longings. . . . When I shoot these images, they are usually not premeditated or contrived. . . . I simply take my camera with me where I go and try to remain open to whatever life shoves . . . or gently places . . . in front of me.' This volume is the first book-length publication of Rocky Schenck's photography. The images range from human spaces--hotel rooms, store windows, lobbies, living rooms, even information booths--to natural places--oceans, lakes, forests, fields, and roadways--he encountered on trips through North America, Europe, and Mexico. For all their variety, however, Schenck'simages form a coherent whole. Like lost scenes from a silent movie, they suggest bits of a story set in a vaguely threatening landscape in which loneliness and alienation are offset by moments of pure beauty. Refusing easy resolutions, Rocky Schenck never quite closes the story, leaving viewers to navigate their own way back to the daylight world. Accompanying the images is an appreciative foreword by John Berendt, author of Midnight in the Garden of Good and Evil and a collector of Schenck's work. Connie Todd's introduction links Schenck's work with the nineteenth-century pictorial tradition and twentieth-century modernism and also provides a brief biography of the photographer. In the first book-length publication of Rocky Shenck's photography, the images range from human spaces--hotel rooms, store windows, lobbies--to natural places--oceans, lakes, forests, fields--that Shenck encountered on trips through North America, Europe, and Mexico. 84 color photographs. Very nice, clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Minor shelf wear to front cover of dust jacket.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition.

hardcover. Condizione: Very Good. Hardcover with dust jacket. Book is in very nice condition, text is unmarked and pages are tight.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. This is a very good hardcover copy with a very good dust jacket with almost no wear. Completely clean. Rear endpaper corner creased. Stated first edition. Foreword by John Berendt. Introduction by Connie Todd. Illustrated throughout in black & white with Rocky Schenck's photographs. 9" high X 12" wide, 159 pages. This book will be securely wrapped and shipped with tracking.

Hardcover. Condizione: NF. Hardback in Near Fine condition with Near Fine dust jacket. Wittliff Gallery Series. 12.4 X 8.4 X 1.1 inches. 160 pages. Signed by Rocky Schenck.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Book and jacket are both in near fine condition. Inscribed to previous owner by the author. Inscribed by Author(s).

Hardcover. Condizione: f/f. First edition. 159pp A fine copy in a fine dust jacket. Protected in an archival mylar wrapper.

Very good six panel program folded to 4.75x8.5 inches, artist bios, upcoming performances. Solo show by comic actor Magnuson. She has been a major talent in NYC and LA. A force in AIDS activism.

Condizione: New.

Hardback. Condizione: New. Emotionally evocative and painterly in execution, Rocky Schenck's photographs invite viewers to enter an otherworldly realm where reality becomes a dream landscape haunted by paranoia, isolation, longing, beauty, betrayal, fear, humor, and death. The author John Berendt describes Schenck's photographs as stills "taken from a movie that exists not on film but rather in one's memory, with all the fuzziness typical of remembered impressions." Photo District News proclaims, "It is a measure of the curious strength and unity of vision of the photographs that after you've examined all of them, you feel that there is no other way of seeing the world than his, that there is no other photography you'd rather be looking at."The Recurring Dream presents new work by Rocky Schenck. In addition to his signature black-and-white dreamscapes, the book introduces color images that Schenck creates by hand tinting black-and-white prints with color oil paint-a practice dating back to the Victorian era that makes each individual print unique. Schenck explores psychological, metaphysical, and pictorial worlds, ranging from suggestive landscapes to scenes of people dwelling in various "found realities" and the occasional manufactured reality. Inspired by his rich dream life, the images insinuate subtle narratives that entice viewers to create stories in their own imaginations. A foreword by the director William Friedkin, who has used Schenck's photographs as sets for several operas, and an afterword in which Schenck describes his creative process complete the volume.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. Series: Southwestern & Mexican Photography Series, the Wittliff Collections at Texas State University. Num Pages: 160 pages, 141 color photos. BIC Classification: 1KBB; 3JJ; 3JM; AJB. Category: (G) General (US: Trade). Dimension: 5334 x 7824 x 508. Weight in Grams: 1191. . 2016. Hardcover. . . . .

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 160 pages. 8.50x12.25x1.00 inches. In Stock.

Condizione: New. Series: Southwestern & Mexican Photography Series, the Wittliff Collections at Texas State University. Num Pages: 160 pages, 141 color photos. BIC Classification: 1KBB; 3JJ; 3JM; AJB. Category: (G) General (US: Trade). Dimension: 5334 x 7824 x 508. Weight in Grams: 1191. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Very Good. Uncommon. In English & Chinese. Shelfwear to boards, some rubbing/ occasional scratch, corners bumped. No interior marks. Large-format international photo magazine.

Condizione: Fine condition. First edition. Oblong quarto (8-3/4" X 12-1/2"). 159, (1)pp. Photographically illustrated dust jacket, black spine lettered in white & orange, over blind stamped black cloth. Illustrated throughout with full-page black & white photographs. Signed on the half-title by Rocky Schenck. A fine, as new copy. "This volume is the first book-length publication of Rocky Schenck's photography. The images range from human spaces - hotel rooms, store windows, lobbies, living rooms, even information booths - to natural places - oceans, lakes, forests, fields, and roadways - he encountered on trips through North America, Europe, and Mexico. For all their variety, however, Schenck's images form a coherent whole. Like lost scenes from a silent movie, they suggest bits of a story set in a vaguely threatening landscape in which loneliness and alienation are offset by moments of pure beauty. Refusing easy resolutions, Rocky Schenck never quite closes the story, leaving viewers to navigate their own way back to the daylight world." "Accompanying the images is an appreciative foreword by John Berendt, author of Midnight in the Garden of Good and Evil and a collector of Schenck's work. Connie Todd's introduction links Schenck's work with the nineteenth-century pictorial tradition and twentieth-century modernism and also provides a brief biography of the photographer."--Jacket.

Condizione: new.

Hardcover. First edition, first printing. Fine cloth-bound hardcover in a Fine dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs by Rocky Schenck; foreword by John Berendt; introduction by Connie Todd. 160 pages; 84 duo-toned b&w plates; 12.5 x 8.5 inches. List of plates. The first book-length publication of Schenck's moody, evocative images.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Rocky Schenck (illustratore). 1st Edition. 1st. Edition, 1st. Printing 2003 , Black cloth hardcover with the dust jacket, 160 page book. This copy is signed and inscribed by Rocky Schenck on the first illustrated page.Illustrated with black & white toned full page images. Condition : Fine / DJ is Fine with some very light edge rubs. Inscribed by Author(s). Book.

Condizione: as new. vendeur pro, expedition soignee en 24/48h.