saftleven (19 risultati)

Soft cover. Condizione: As New. van Balen, Bramer, Bril, Cuyp, Dandini, De Dreux, de Hooch, Diziani, Fuller, Frye, van Goyen, Grimmer, Lefevre, Mallet, Matteis, Naldini, Saftleven, Tisi, Bayeu, Subias, Vallin, Verbeek, Vernet, et al. (illustratore). 1st Edition. New York: Sotheby's, 2006. An Unread copy. Pdf Sales Results included. Many top Auction House catalogs available, please contact with wants. First Edition, First Printing. Soft Cover. As New. Illus. by van Balen, Bramer, Bril, Cuyp, Dandini, de Dreux, de Hooch, Diziani, Fuller, Frye, van Goyen, Grimmer, Lefevre, Mallet, Matteis, Naldini, Saftleven, Tisi, Bayeu, Subias, Vallin, Verbeek, Vernet, et al. 4to - over 9¾" - 12" tall. Oversized Safely, Securely Packed.

Condizione: Good. 12 z/w foto's (ansichtkaarten, echte foto's) in bijbehorend mapje. Mapje verbruind.

Soft Cover. Condizione: Very Good. No Jacket. Paperback. Text in Dutch. 92pp. Illus. Covers a little grubby. A sound copy. (bs117).

Bild-Maße: ca. 18 x 21,5 cm. Blatt-Maße: ca. 27 x 41 cm. -- Original Kupferstich. -- gut erhalten. || Original copper engraving. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

1. Radierung von Saftleven (in der Platte monogrammiert) mit Plattenton und dekorativ abgesetztem Plattenrand auf rückseitig unbedrucktem dicken Büttenblatt, Faksimile-Reprint mit rückseitig gedrucktem Rundstempel "Facsimile-Reproduction der Reichsdruckerei Berlin", bildliche Darstellung ca. 27,5 x 23,5 cm, Blattgröße ca. 38,5 x 28 cm, am rechten Blattrand etwas lichtrandig, ansonsten sehr gut erhalten, sehr selten und für uns anderenorts antiquarisch nicht nachweisbar - Die in brillanter Druckqualität auf handgeschöpftem Bütten zwischen 1879 und 1921 entstandenen Facsimiles der Reichsdruckerei mussten, um eine Verwechselung mit den Originalen zu vermeiden, mit einem Stempel "Facsimile Reproduction der Reichsdruckerei" versehen werden. 2100 gr.

Condizione: Gut. Format (Bildbereich) / size (image): 155 x 195 mm. Blattgröße / sheet: 410 x 275 mm. *Aus dem wertvollen Galeriewerk der Sammlung des Jean Baptiste Pierre le Brun (1748-1813) "Galerie des Peintres Flamands, Hollandais et Allemands" (Paris, 1792-1796 mit 201 Tafeln). Le Brun stammte aus der bedeutenden französischen Künstlerfamilie der Lebrun, er selbst war vor allem ein großer Kunsthändler und Sammler. Er kaufte das Pariser Hotel Lubert in der Rue de Clery. Dort eröffnete er 1788 seine Galerie, den "Salle Lebrun" mit wertvollen Gemälden der großen alten Meister. Durch den Zusammenbruch des Kunstmarktes in der französischen Revolution mußte er seine komplette Sammlung verkaufen. Zuvor wurden seine Gemälde von den besten französischen Kupferstechern in Kupfer gestochen und in dem o.g. Galeriewerk dokumentiert. Le Brun selbst war den neuen Machthabern in Paris in den Folgejahren unentbehrlich für die Neuausrichtung des Nationalmuseums / Jean Baptiste Pierre le Brun (1748-1813), husband of Vigee Lebrun, besides being a great dealer in paintings. 1788 he opened his art gallery "Salle Lebrun" in Paris with paintings from famous old masters. During the French Revolution the art market lay down and he must sell his complete collection. The paintings has been engraved before from the best French engravers and published in the gallery work "Galerie des Peintres Flamands, Hollandais et Allemands" which appeared 1792-1796 in Paris with 201 engravings. Sprache: Deutsch Gewicht in Gramm: 500.

Berlin & N.Y., Walter de Gruyter, 1982. VI, [2],515 pp. 240 b./w. ills. Orig. hardcover (clothbound), d./j. 8vo. (Beiträge zur Kunstgeschichte, Band 18).Very rare monograph on Herman Saftleven (1609 - 1685), a Dutch painter of the Baroque period. He was known for his landscapes of river scenes as well as of persons traveling through woods. - Contains a catalogue raisonné.

Herman Saftleven (illustratore). 'HL INVENTOR / JAN VAN AKEN FECIT / NICOLAUS VISSCHER EXCUDIT'Panoramic view of the River Rhine with travelers on two winding paths. Four figures in the right foreground, one on horseback; lower left path shows figures with mules. Mountainous terrain with castles and river valley in background.Made by Jan van Aken after Herman Saftleven.Medium: Etching on Hand laid (verge) paper.Sheet size: 27.6 x 21.6 cm (10.87 x 8.5 inch). Image size: 27.6 x 21.6 cm. (10.87 x 8.5 inch).RIVER RHINE, DUTCH LANDSCAPE, HERMAN SAFTLEVEN, JAN VAN AKEN, NICOLAES VISSCHER, RHINE VIEW, 17TH-CENTURY ETCHING, MOUNTAINOUS LANDSCAPE, CASTLES, DUTCH PRINTMAKING | PCO-E23-28BACKGROUND INFORMATIONPublished by Nicolaes Visscher, Amsterdam.Reference: Hollstein 20, fifth state (6).Provenance: Ex collection Laurentius.Biography engraver: Jan van Aken (1614-1661) was a Dutch printmaker and draughtsman known for his finely detailed etchings of landscapes and religious subjects. He was active in Amsterdam and collaborated with several major artists of his time.Biography artist: Herman Saftleven (1609-1685) was a Dutch painter and draughtsman best known for his landscapes of the Rhine and surrounding regions. His topographical precision and idealized views influenced Dutch landscape tradition well into the 18th century. Condition: good, given age. Trimmed to image. Small pinhole. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condizione: Very Good. Herman Saftleven II (illustratore). Etching on hand laid (vergé) paper. Sheet size: 11,1 x 10 cm. (4,4 x 3,9 inch). Image size: 10,4 x 9,2 cm. (4,1 x 3,6 inch).From a series which can be dated 1668-1707 according to Rijksmuseum. These views also have been depicted in mirror image as the seasons Spring and Winter by Jan van Ameloveen after Saftleven (ref: H.13 and H.16).Made by 'Ascribed to Anthonie de Winter' after 'Herman Saftleven II'. Anthonie de Winter (1652-1707) was a ornamental etcher / engraver He originated from Utrecht and worked in Amsterdam. Herman Saftleven II (1609-1685) was a Dutch painter, engraver and draughtsman from Rotterdam, active in Utrecht from 1632. He was a pupil of Jan van Goyen and the son of the painter Herman Saftleven I.Condition: Very good, given age. Loosely attached to carrier. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LANDSCAPES-FISHER-SKATERSPCO-Expo-225.

Condizione: sehr guter Zustand. Radierung, 1660, auf Bütten. 13,5:11 cm. Bartsch 1; Hollstein 39, IV. Auf die Plattenkante geschnitten, Braunfleck rechts oben. Provenienz: Sammlung B. Keller, Lugt 384.

Condizione: Gut. Format (Platte): 238 x 157 mm. Blattgröße: 375 x 235 mm. *Blatt aus der berühmten "Iconographia" oder Iconographie, einer Sammelausgabe von ca. 100 der gemalten Bildnisse des Anthonis van Dyck (1599-1641) in Kupferstich. - Wibiral 90, IV. - Cornelis Saftleven (geb. um 1607 in Gorkum; gest. 4. oder 5. Juni 1681 in Rotterdam) war ein niederländischer Maler und Radierer. Er bildete sich unter dem Einfluss von Adriaen Brouwer und David Ryckaert. Er hat meist Bauernstuben mit Menschen- und Tierfiguren sowie Landschaften mit Staffage gemalt. - Ränder leicht gebräunt, insgesamt gut erhalten. la Gewicht in Gramm: 100.

Condizione: Gut. Format (Platte): 238 x 157 mm. Blattgröße: 380 x 270 mm. *Blatt aus der berühmten "Icones principum virorum doctorum" einer Sammelausgabe von über 100 der berühmten Gemälde des van Dyck in Radierung und Kupferstich. Vorliegend ein Blatt aus einer frühen Ausgabe um 1660 in einem prägnanten und gratigen Abzug. - Wibiral 90. - Cornelis Saftleven (geb. um 1607 in Gorkum; gest. 4. oder 5. Juni 1681 in Rotterdam) war ein niederländischer Maler und Radierer. Er bildete sich unter dem Einfluss von Adriaen Brouwer und David Ryckaert. Er hat meist Bauernstuben mit Menschen- und Tierfiguren sowie Landschaften mit Staffage gemalt. - Ränder leicht gebräunt, insgesamt gut erhalten. la Gewicht in Gramm: 100.

Swineherd with four pigs in a landscape with rising (or falling) sun. At lower left:'HSL / 1649'. On the verso collector's mark: Pim van Eekelen l Etching on paper, trimmed within platemark; total: 217 x 267 mm; Hollstein copy 33.

Herman Saftleven (illustratore). A small boatyard with timber planks, a beached hull, a small wooden shed and figures; cottages and trees behind.Made by Cornelis Ploos van Amstel after Herman Saftleven.Medium: Vernis mou and line etching on hand laid (verge) paper.Sheet size: 6.4 x 9.3 cm (2.52 x 3.66 inch). Image size: 6.4 x 9.3 cm. (2.52 x 3.66 inch).DUTCH PRINT, CORNELIS PLOOS VAN AMSTEL, HERMAN SAFTLEVEN, SHIPYARD, CHALK MANNER, MARINE, 18TH CENTURY, TIMBER | PCO-E23-44BACKGROUND INFORMATIONPublished 1765 after a 1761 design by Herman Saftleven. With coat of arms of Ploos on the rear (Lugt 2725).State: Only state.Reference: Laurentius et al. 1980, no. 2.Biography engraver: Cornelis Ploos van Amstel (1726-1798) was active as merchant in Amsterdam. He was an avid collector of art and invented a method of making prints after drawings from his own collection.Biography artist: Herman Saftleven (1609-1685) was a Dutch Golden Age artist known for his river landscapes and precise drawings. His works were frequently collected and reproduced in the 18th century. Condition: very good, given age. Cut within platemark. Minor age toning. Ploos van Amstel collection mark on verso. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Herman Saftleven (illustratore). 'SIGNATURE AND DATE REAR: 'H. SAFTLEVEN, DEL. PLOOS V. AMSTEL. FECIT. 1761''Bochtige rivier' (Winding river).Made by Cornelis Ploos van Amstel after Herman Saftleven.Medium: Print drawing on hand laid (verge) paper.Sheet size: 39 x 43 cm (15.35 x 16.93 inch). Image size: 6.5 x 9.1 cm. (2.56 x 3.58 inch).WINDING-RIVER | EXPO-DUTCH/FLEMISHBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Cornelis Ploos van Amstel (1726-1798), was an eighteenth-century Dutch painter and art collector.Biography artist: Herman Saftleven the Younger (1609-1685) was a Dutch painter of the Baroque period. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

View of Jaarsveld from the water. Print from a set of twelve village views of Dutch cities near Utrecht with boats in the foreground. Titled below: "Jaarsveld". Etching on paper with small margins; plate mark: 85 x 55 mm, total: 102 x 76 mm; state I/2; a light brown stain in the sky, some paper cooking due to a previous passepartout all around the plate mark; in good condition. Hollstein 2, Bartsch 2, Wurzbach 2, Dutuit 2.

From a set of four landscapes overlooking the Rhine. River landscape with a man walking down a hill with a backpack. On the right the river streaming from the background.Numbered on the top left: "2"; signed below: "HL inventer / I. v Aken fecit".Dating between 1624 - 1661.On the verso unknown collector's signature.[NL] Rivierlandschap met man met pak op zijn rug. Etching on paper, trimmed close to plate mark; total: 218 x 282 mm; state III(?)/6; some light foxing and some rubbing, especially at the bottom; in very good condition. Hollstein 19.

Complete set of the Rhine landscapes after Herman Saftleven (1609-1635). Travellers on a road above a river valley; in right foreground four figures, one of them on horseback; others walking with mules along the lower path at left; in distance view of castles on the banks of a river winding through a mountainous landscape; from a series of four river landscapes after Herman Saftleven.Numbered on the top left: 1; signed below: HL inventor/ Jan van Aken fecit/ Nicolaus Visscher excudit. A traveller overlooking a river valley from a cliff at left; another climbing down towards the road following the river bank at centre; various small rowing boats on the water at right; from a series of four river landscapes after Herman Saftleven.Numbered on the top left: 2; signed below: HL inventer / I. v Aken fecit. View of a river mouth with three men loading a small rowing boat; next to a cliff in right foreground; others unloading small boats on the far shore at left; from a series of four river landscapes after Herman Saftleven.Numbered on the top left: 3; signed below: HL inventer / I. v Aken fec. Travellers resting on the side of a road leading along a river bank; in foreground, one of them tying his shoelaces, another resting on a staff; in left background a town on the foot of a mountain; from a series of four river landscapes after Herman Saftleven.Numbered on the top left: 4; signed below: HL inventer / I. v Aken fecit. [hardly visible]Dating between 1624 - 1661.[NL] Rivierlandschapen met reizingers. Gezichten op de Rijn. [1] Etching on paper, trimmed within plate mark; total: 216 x 276 mm; state V (or VI)/6; nice impression, some restoration on the margins on the verso; in good condition. Hollstein 18. [2] Etching on paper, trimmed within plate mark; total: 211 x 273 mm; state II/6; nicely contrasted impression, possibly restored, watermark visible; in very good condition. Hollstein 19. [3] Etching on paper, trimmed within plate mark; total: 220 x 279 mm; state II/6; nicely contrasted impression, remargined, some restoration; in good condition. Hollstein 20. [4] Etching on paper, trimmed within plate mark; total: 212 x 274 mm; state II/6; nicely contrasted impression, possibly restored; in very good condition. Hollstein 21.

Complete set of four river landscapes, portraying scenes of daily life along the Rhine.Second states.First plate signed on bottom: HS invent: (HS intertwined) J.Almeloveen fec.The first two plates are numbered, the other two are cut within plate mark.Fourth plate is pasted down on cardboard.The first two plates belonged to Gustav von Franck (1807-1860) [L.1152] and, along with the third, to Frederick Carel Theodoor van Isendoorn à Blois (1784-1865) [L.2610]. Marks are on the verso.[NL] Vier rijnlandschappen: Rivierlandschap met schuit, Riviergezicht met man die een boot kalefatert, Riviergezicht met man die vracht op een boot laadt, Riviergezicht met mannen die vaten op een zeilschip laden. Etching on paper, trimmed within plate, total: 141 x 155 mm. State II/2; Hollstein 17-20. The first plate in particular is browning and the last plate is rather tired; otherwise in outstanding condition. Published around 1662-1683.