Lingua: Inglese
Editore: Oxford University Press, Incorporated, 1999
ISBN 10: 0195090209 ISBN 13: 9780195090208
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Condizione: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Da: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condizione: Good. Ex- library book with stamps/ stickers.
Lingua: Inglese
Editore: Hanging Loose Press, Brooklyn, New York, 2006
Da: Village Works, New York, NY, U.S.A.
Prima edizione
Soft cover. Condizione: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.
Lingua: Inglese
Editore: The Buffalo Fine Arts Gallery, Albright-Knox Art Gallery, 2000
ISBN 10: 0914782975 ISBN 13: 9780914782971
Da: ANARTIST, New York, NY, U.S.A.
Softcover, unpaginated; poor condition; still bound pages detached from covers; first blank page loose; no internal marks. Foreign shipping may be extra.
Da: Karen Wickliff - Books, Columbus, OH, U.S.A.
Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 290pp. Black hardback glossy white dust jacket, Ex library, flaps glued inside covers, otherwise, in very good condition, name stamped on upper page edges, 'discard' stamped on front end page, no markings in text, chapter notes and references, tables, examples of music, index, piano rollography, Twelve essays,
Editore: Sony Pictures Home Entertainment 2008-12-02 00:00:00, 2008
ISBN 13: 0043396281288
Da: R Bookmark, Youngtown, AZ, U.S.A.
DVD. Condizione: Used - Good.
Lingua: Inglese
Editore: Albright-Knox Art Gallery, Buffalo NY, 2000
ISBN 10: 0914782975 ISBN 13: 9780914782971
Da: The Second Reader Bookshop, Buffalo, NY, U.S.A.
Paperback. Condizione: Near Fine. Like new with light wear to covers and no marks to text. Albright Knox Annex ; 8vo 8" - 9" tall; 96 pages.
Da: WeBuyBooks, Rossendale, LANCS, Regno Unito
EUR 18,92
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
Editore: Hanging Loose Press, Brooklyn, New York, 2006
Da: Village Works, New York, NY, U.S.A.
Prima edizione
Soft cover. Condizione: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.
Editore: Oxford, 1999
Da: THE HERMITAGE BOOKSHOP, Denver, CO, U.S.A.
Hardcover in dust jacket. Later printing. Fine in fine dust jacket, in mylar cover.
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: VG. White wraps. 96 pp. 50 bw & color plates. Accompanied a 2000 exhibition at the Albright-Knox Gallery. Includes a wide variety of works by Joan Miro, Henri Matisse, Rene Magritte, Edouard Manet, Roy Lichtenstein, Jasper Johns, Canaletto, Sir Anthony Van Dyck, Milton Avery, and many others. Text by Kenneth Wayne. Nice illustrations.
Lingua: Inglese
Editore: Redwood County Board of Commissioners, Redwood Falls, Minnesota, 1988
Da: Cambridge Books, Cambridge, MN, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. xviii, 219 p. : ill. ; 24 cm. "Book no. 2." Update of: Redwood : the story of a county / Wayne E. Webb. 1964. Includes index. Quite rare.
Lingua: Inglese
Editore: Xlibris Corp, No Place OF Publication Stated, 2003
ISBN 10: 1401085393 ISBN 13: 9781401085391
Da: Old Army Books, Lexington, KY, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Good. Condizione sovraccoperta: Good. First Edition. Light soil and foxing to page-edges, top corner of front cover bumped, both jacket flaps creased from top to bottom. First few pages have long bends to upper right corners. ; Illus. , inscribed and signed by the author on the half-title page, also a letter laid-in signed by the author, jacket now in a clear protector ; 259 pages; Signed by Author.
Da: Prometei Books, New Rochelle, NY, U.S.A.
Prima edizione
Hardcover. Condizione: New. 1st Edition. New book, never read. Pages clean and crisp, spine unbroken. 0223D.
Lingua: Inglese
Editore: Albright-Knox Art Gallery, Buffalo, New York, 2000
ISBN 10: 0914782975 ISBN 13: 9780914782971
Da: ArteBooks, Madrid, M, Spagna
EUR 17,00
Quantità: 1 disponibili
Aggiungi al carrelloEncuadernación de tapa blanda. Condizione: Buen estado. 2000. Catálogo de la exposición celebrada en Albright-Knox Art Gallery (Buffalo, New York) en Septiembre - Diciembre de 2000. 96 pp. aprox. Buenas reproducciones en color de las 126 obras expuestas. Idioma: Inglés. LIB 1.
Da: Austin Sherlaw-Johnson, Secondhand Music, Oxford, Regno Unito
EUR 23,87
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Slight wear, VG+.
Lingua: Inglese
Editore: Kristen Schneider 2019-06-04, 2019
ISBN 10: 1646064925 ISBN 13: 9781646064922
Da: Chiron Media, Wallingford, Regno Unito
EUR 32,02
Quantità: 10 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Da: Mooney's bookstore, Den Helder, Paesi Bassi
EUR 39,93
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very good.
Editore: Redwood County Board of Commissioners, Redwood Falls, Minnesota, 1988
Da: Cambridge Books, Cambridge, MN, U.S.A.
Hardcover. Condizione: Fine. 2nd Edition. xviii, 219 pages : illustrations ; 24 cm. Includes index. Update of: Redwood, the story of a county, by Wayne E. Webb, originally published: [Minnesota] : Redwood County Board of Commissioners, 1964. A perfect copy.
Lingua: Inglese
Editore: New York, New York, United States of America / Oxford, England, United Kingdom: Oxford University Press, 1999
ISBN 10: 0195090209 ISBN 13: 9780195090208
Da: Andover Books and Antiquities, Andover, MA, U.S.A.
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. very light yellowing on dustjacket.
Lingua: Inglese
Editore: Oxford University Press, New York, New York / Oxford, England, 1999
ISBN 10: 0195090209 ISBN 13: 9780195090208
Da: Andover Books and Antiquities, Andover, MA, U.S.A.
Hardcover. Condizione sovraccoperta: Very good. xiv, 290 pp. LCC: 9750590 Very good condition; touches of wear on bottom edges of covers; on inside surface of cover: a few bands of color leaking from board through to paper.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 160,95
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 149,87
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 149,86
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 169,56
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 170,39
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Oxford University Press Inc, US, 1999
ISBN 10: 0195090209 ISBN 13: 9780195090208
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 196,75
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. George Gershwin is at once one of America's most popular and least appreciated composers. He is loved and revered for his wonderful songs, a few instrumental works, and for the opera Porgy and Bess. Most of his music, however, is virtually unknown--hundreds of songs, show music, and even several large and important instrumental works are gradually fading with the generations that first heard them. This book promises to make a key contribution to American music research, and Schneider has corralled some of the best authors and authorities who have been involved in Gershwin research for years, along with those who come to Gershwin for the first time from interests in American music or popular music generally. Contributors include Wayne Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse, who has transcribed most of Gershwin's piano performances. The issues in this collection touch on such important topics of research as biography, source studies, analysis, and reception, and reflect the diversity of scholarship and thought regarding the Gershwins.
Lingua: Inglese
Editore: Oxford University Press, USA, New York, 1999
ISBN 10: 0195090209 ISBN 13: 9780195090208
Da: CitiRetail, Stevenage, Regno Unito
EUR 164,11
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard them. The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leading authorities of Gershwin's efforts--renowned experts and authors who have researched his music for years if not decades--and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in American music or popular music in general. The notable contributors include Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who has transcribed nearly all of Gershwin's piano performances). No one who surveys the American musical landscape can doubt Gershwin's enduring popularity or profound influence, but his critical standing among today's serious music scholars is much less certain. As Schneider points out in his Introduction, there have been many biographies of Gershwin but comparatively few studies of his music in and of itself. Covering both the "popular" and "classical" extremes of Gershwin's output, as well as the many and subtle points in between, this book reevaluates the music of an American original from several enlightening perspectives. This is a book with much to offer any student or scholar of American music--while some essays explore new methods of measuring Gershwin's abilities as a composer, others draw on hitherto unavailable musical and archival sources to make arguments previously unthinkable. The essays gathered here, most of which were written especially for this volume, thus address a number of important research topics, among them biography, source studies, music analysis, performance practice, and questions of interpretation and reception. The contributions also reflect the wide diversity of contemporary thinking regarding the logic, legacy, and lure of Gershwin's music. Even as orchestras, performers, enthusiasts, and critics across the nation—and across the globe—celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard them. The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leading authorities of Gershwin's efforts—renowned experts and authors who have researched his music for years if not decades—and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in American music or popular music in general. The notable contributors include Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who h Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.