Schraivogel ralph (18 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: Very Good. No Dj. 8vo pp. 2 64. book.

Paperback. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Kein Einband. Condizione: Gut bis sehr gut. 1. Auflage. Publisher: Museum für Gestaltung, Zürich, 1984. Printer: Hutter Siebdruck, Wohlen. Technique: Serigraphy. Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: eMuseum M-0495 Condition: An original poster in good condition. With some faint creases and a few small, barely noticeable marginal tears along the edges. Not mounted. Notes: Ralph Schraivogel (*1960) is one of the best-known poster designers in Switzerland. He has received several awards for his work and has been exhibited in various countries. His work is in the permanent collection of many museums, including the Museum of Modern Art in New York. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches.…

Kein Einband. Condizione: Sehr gut. 1. Auflage. Publisher: Museum für Gestaltung, Zürich, 1985. Printer: Vontobel Druck, Wetzikon. Technique: Colour offset. Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: eMuseum M-0505 Condition: An original poster in very good condition. With a small closed tear at right margin. Otherwise, however, no noteworthy damage or at most slight signs of use commensurate with age. Not mounted. Notes: Ralph Schraivogel (*1960) is one of the best-known poster designers in Switzerland. He has received several awards for his work and has been exhibited in various countries. His work is in the permanent collection of many museums, including the Museum of Modern Art in New York. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches.…

Condizione: Gut. Serigrafie. Gut erhaltenes Plakat. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

Kein Einband. Condizione: Sehr gut. 1. Auflage. Publisher: Filmpodium Zürich, 1996. Printer: Serigraphie Uldry, Hinterkappelen. Technique: Serigraphy. Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: eMuseum 00-0069; Studinka 2003; Tön 001253 Condition: An original poster in very fine condition, with no significant or at most slight signs of use commensurate with its age, such as slight folds, tears or bubbles. Not mounted. Notes: Ralph Schraivogel (*1960) is one of the best-known poster designers in Switzerland. He has received several awards for his work and has been exhibited in various countries. His work is in the permanent collection of many museums, including the Museum of Modern Art in New York. From 1983 to 2006 he designed the posters for the Zurich art-house cinema Filmpodium. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches.…

Kein Einband. Condizione: Sehr gut. 1. Auflage. Publisher: Serigraphie Uldry, Hinterkappelen, 1992. Printer: Serigraphie Uldry, Hinterkappelen, 1991. Technique: Serigraphy. Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: eMuseum 66-0090 Condition: An original poster in very fine condition, with no significant or at most slight signs of use commensurate with its age, such as slight folds, tears or bubbles. Not mounted. Notes: B4 (B vier) was the former designation for the poster format commonly used in Switzerland before it was changed to F4. The well-known printer Albin Uldry commissioned these posters from Ralph Schraivogel (*1960) to advertise his print shop. Schraivogel is one of the best-known poster designers in Switzerland. He has received several awards for his work and has been exhibited in various countries. His work is in the permanent collection of many museums, including the Museum of Modern Art in New York. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches. This poster was commissioned by Schraivogel's preferred poster printer and is quite rare to find.…

Kein Einband. Condizione: Sehr gut. 1. Auflage. Publisher: Serigraphie Uldry, Hinterkappelen, 1992. Printer: Serigraphie Uldry, Hinterkappelen, 1991. Technique: Serigraphy. Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: eMuseum 66-0091 Condition: An original poster in very fine condition, with no significant or at most slight signs of use commensurate with its age, such as slight folds, tears or bubbles. Not mounted. Notes: B4 (B vier) was the former designation for the poster format commonly used in Switzerland before it was changed to F4. The well-known printer Albin Uldry commissioned these posters from Ralph Schraivogel (*1960) to advertise his print shop. Schraivogel is one of the best-known poster designers in Switzerland. He has received several awards for his work and has been exhibited in various countries. His work is in the permanent collection of many museums, including the Museum of Modern Art in New York. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches. This poster was commissioned by Schraivogel's preferred poster printer and is quite rare to find.…

Kein Einband. Condizione: Sehr gut. 1. Auflage. Publisher: Filmpodium Zürich, 1996. Printer: Serigraphie Uldry, Hinterkappelen. Technique: Serigraphy. Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: eMuseum 52-0298; KKSP chccsa000000364; Tön apg_000296 Condition: An original poster in very fine condition, with no significant or at most slight signs of use commensurate with its age, such as slight folds, tears or bubbles. Not mounted. Notes: Ralph Schraivogel (*1960) is one of the best-known poster designers in Switzerland. He has received several awards for his work and has been exhibited in various countries. His work is in the permanent collection of many museums, including the Museum of Modern Art in New York. From 1983 to 2006 he designed the posters for the Zurich art-house cinema Filmpodium. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches. Awards: The poster was awarded for outstanding design and print in the "Swiss Poster of the Year" competition.…

Kein Einband. Condizione: Sehr gut. 1. Auflage. Publisher: Museum für Gestaltung, Zürich, 1997. Printer: Serigraphie Uldry, Hinterkappelen. Technique: Serigraphy. Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: eMuseum M-0635; KKSP chccsa000000291; Tön apg_000647 Condition: An original poster in very fine condition, with no significant or at most slight signs of use commensurate with its age, such as slight folds, tears or bubbles. Not mounted. Notes: Ralph Schraivogel (*1960) is one of the best-known poster designers in Switzerland. He has received several awards for his work and has been exhibited in various countries. His work is in the permanent collection of many museums, including the Museum of Modern Art in New York. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches. Awards: The poster was awarded for outstanding design and print in the "Swiss Poster of the Year" competition.…

Kein Einband. Condizione: Gut bis sehr gut. 1. Auflage. Publisher: Filmpodium Zürich, 1989. Printer: Spillmann Siebdruck, Zürich. Technique: Serigraphy. Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: APG 1991, 375; eMuseum 54-0538; Studinka 2003 Condition: An original poster in very fine condition, with no significant or at most slight signs of use commensurate with its age, such as slight folds, tears or bubbles. Not mounted. Notes: Ralph Schraivogel (*1960) is one of the best-known poster designers in Switzerland. He has received several awards for his work and has been exhibited in various countries. His work is in the permanent collection of many museums, including the Museum of Modern Art in New York. From 1983 to 2006 he designed the posters for the Zurich art-house cinema Filmpodium. Especially the posters for the African film festival 'Cinemafrica' have always attracted a lot of attention. Between 1989 and 2006, Ralph Schraivogel designed eight posters for the event. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches. Awards: The poster was awarded for outstanding design and print in the "Swiss Poster of the Year" competition. …

Kein Einband. Condizione: Sehr gut. 1. Auflage. Publisher: Filmpodium Zürich, 1997. Printer: Serigraphie Uldry, Hinterkappelen. Technique: Serigraphy (black and silver-bronze colour). Size: 128 × 90 cm (F4) - 50½ × 35½ in. Ref.: eMuseum 00-0811; KKSP chccsa000042556; Tön apg_000797 Condition: An original poster in very fine condition, with no significant or at most slight signs of use commensurate with its age, such as slight folds, tears or bubbles. Not mounted. Notes: Ralph Schraivogel (*1960) is one of the best-known poster designers in Switzerland. He has won several national and international prizes and his works are represented in many internationally renowned collections. From 1983 to 2006 he designed the posters for the Zurich art-house cinema Filmpodium. Especially the posters for the African film festival 'Cinemafrica' have always attracted a lot of attention. Between 1989 and 2006, Ralph Schraivogel designed eight posters for the event. The 1997 poster is perhaps the most radical in terms of graphic design. Until the turn of the millennium, his posters were created without the aid of a computer; they were the result of a patient and protracted process, and were based on countless sketches. Awards: The poster was awarded for outstanding design and print in the "Swiss Poster of the Year" competition.…

128 x 90.5 cm, Zustand A. AuftraggeberIn: ZHdK, Museum für Gestaltung Zürich, MfGZ 1100 gr. Schlagworte: Plakate - Ausstellungen.

128 x 90.5 cm, Zustand A. 1100 gr. Schlagworte: Plakate - Oper, Musik.

128 x 90.5 cm, Zustand A. 1100 gr. Schlagworte: Plakate - Film.

128 x 90.5 cm, Zustand A. 1100 gr. Schlagworte: Plakate - Oper, Musik.

128 x 90,5 cm, Zustand: A Kunsthaus Zürich. 1100 gr. Schlagworte: Plakate - Kunst.