Scott mutter (49 risultati)

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardback. Condizione: Good. Photomontage, the combining of two or more negatives, can be traced back to the 1850s. Scott Mutter is a modern master of the art. His subtle images have enthralled viewers in exhibitions and galleries, mainly in the Midwest, for a decade. The response has been overwhelming, curator Martin Krause commented of an exhibition at the Indianapolis Museum of Art. I've had people calling me on the telephone telling me what a great show this is. That happens so rarely. For whatever reason, Scott's work is connecting with people. In the past year his work has attracted attention nationwide, and his posters are now available in galleries from coast to coast. Richly and immediately accessible, yet deeply resonant, Mutter's photomontages provoke strong responses: curiosity, awe, laughter, and then contemplation. They are creative fusions of elements that draw us irresistibly to look again at what first appears unbelievable. Boundaries dissolve miraculously; the impossible becomes seductively tangible. But the logic of his images is exact, reasoned - in his own term, surrational. Although his work shares the recursive wit of Rene Magritte and M. C. Escher, Mutter never relies simply upon ironic effects. With precision and authority his art explores the ideals and mythologies of our culture, history, language, and art, both lamenting and celebrating contemporary civilization. From the very beginning, states Mutter, I tried to make images that people would find accessible and exciting. Art is no idle thing; people want to see something and be held in wonder. In short, he is a master at turning a glance into a gaze. In his foreword Martin Krause reviews the hundred-year history ofphotomontage and examines Mutter's unparalleled influence within that tradition.…

Hardback. Condizione: Very Good. Photomontage, the combining of two or more negatives, can be traced back to the 1850s. Scott Mutter is a modern master of the art. His subtle images have enthralled viewers in exhibitions and galleries, mainly in the Midwest, for a decade. The response has been overwhelming, curator Martin Krause commented of an exhibition at the Indianapolis Museum of Art. I've had people calling me on the telephone telling me what a great show this is. That happens so rarely. For whatever reason, Scott's work is connecting with people. In the past year his work has attracted attention nationwide, and his posters are now available in galleries from coast to coast. Richly and immediately accessible, yet deeply resonant, Mutter's photomontages provoke strong responses: curiosity, awe, laughter, and then contemplation. They are creative fusions of elements that draw us irresistibly to look again at what first appears unbelievable. Boundaries dissolve miraculously; the impossible becomes seductively tangible. But the logic of his images is exact, reasoned - in his own term, surrational. Although his work shares the recursive wit of Rene Magritte and M. C. Escher, Mutter never relies simply upon ironic effects. With precision and authority his art explores the ideals and mythologies of our culture, history, language, and art, both lamenting and celebrating contemporary civilization. From the very beginning, states Mutter, I tried to make images that people would find accessible and exciting. Art is no idle thing; people want to see something and be held in wonder. In short, he is a master at turning a glance into a gaze. In his foreword Martin Krause reviews the hundred-year history ofphotomontage and examines Mutter's unparalleled influence within that tradition.…

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardback. Condizione: Good. Photomontage, the combining of two or more negatives, can be traced back to the 1850s. Scott Mutter is a modern master of the art. His subtle images have enthralled viewers in exhibitions and galleries, mainly in the Midwest, for a decade. The response has been overwhelming, curator Martin Krause commented of an exhibition at the Indianapolis Museum of Art. I've had people calling me on the telephone telling me what a great show this is. That happens so rarely. For whatever reason, Scott's work is connecting with people. In the past year his work has attracted attention nationwide, and his posters are now available in galleries from coast to coast. Richly and immediately accessible, yet deeply resonant, Mutter's photomontages provoke strong responses: curiosity, awe, laughter, and then contemplation. They are creative fusions of elements that draw us irresistibly to look again at what first appears unbelievable. Boundaries dissolve miraculously; the impossible becomes seductively tangible. But the logic of his images is exact, reasoned - in his own term, surrational. Although his work shares the recursive wit of Rene Magritte and M. C. Escher, Mutter never relies simply upon ironic effects. With precision and authority his art explores the ideals and mythologies of our culture, history, language, and art, both lamenting and celebrating contemporary civilization. From the very beginning, states Mutter, I tried to make images that people would find accessible and exciting. Art is no idle thing; people want to see something and be held in wonder. In short, he is a master at turning a glance into a gaze. In his foreword Martin Krause reviews the hundred-year history ofphotomontage and examines Mutter's unparalleled influence within that tradition.…

Hardback. Condizione: Very Good. Photomontage, the combining of two or more negatives, can be traced back to the 1850s. Scott Mutter is a modern master of the art. His subtle images have enthralled viewers in exhibitions and galleries, mainly in the Midwest, for a decade. The response has been overwhelming, curator Martin Krause commented of an exhibition at the Indianapolis Museum of Art. I've had people calling me on the telephone telling me what a great show this is. That happens so rarely. For whatever reason, Scott's work is connecting with people. In the past year his work has attracted attention nationwide, and his posters are now available in galleries from coast to coast. Richly and immediately accessible, yet deeply resonant, Mutter's photomontages provoke strong responses: curiosity, awe, laughter, and then contemplation. They are creative fusions of elements that draw us irresistibly to look again at what first appears unbelievable. Boundaries dissolve miraculously; the impossible becomes seductively tangible. But the logic of his images is exact, reasoned - in his own term, surrational. Although his work shares the recursive wit of Rene Magritte and M. C. Escher, Mutter never relies simply upon ironic effects. With precision and authority his art explores the ideals and mythologies of our culture, history, language, and art, both lamenting and celebrating contemporary civilization. From the very beginning, states Mutter, I tried to make images that people would find accessible and exciting. Art is no idle thing; people want to see something and be held in wonder. In short, he is a master at turning a glance into a gaze. In his foreword Martin Krause reviews the hundred-year history ofphotomontage and examines Mutter's unparalleled influence within that tradition.…

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.…

Hardcover. Condizione: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Condizione: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.…

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. light shelfwear, NICE! Oversized.

Hard cover. Sewn binding. Cloth over boards. 96 p. Contains: Illustrations. Audience: General/trade. clean and tight, unmarked copy. Very good in very good dust jacket.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Large quarto. B&W photographs. Fine in fine DJ.

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Used: Like New.

Hardcover. Condizione: Near Fine. Near Fine. Black and white images throughout. A later printing. Very near fine in like dust jacket.

Paperback. Condizione: Very Good. 1st wraps. Paperback. Articles on designers Ford, Byrne & Associates, Vickers & Benson, Sheila Levrant de Bretteville, illustrator Bill James, photographers William Rivelli and Scott Mutter. 120 pages, color, b&w illustrations. Like new condition.

Hardcover. Condizione: New. New copy.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition; First Printing. Hardcover in dust jacket. First printing of first edition. Book and unclipped dust jacket are in fine condition, crisp and clean, with tight binding and sharp corners. Full page photos throughout. Large 4to. 96pp. In protective Mylar. Heavy--will require additional postage if shipped outside the U. S. ; 4to 11" - 13" tall.…

hardcover. Condizione: As New. First Edition. Publisher: University of Illinois Press, 1992. FINE hardcover book in FINE- mylar-protected dust-jacket. DJ's front inside flap creased. otherwise as new. First Edition, SECOND Printing.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. The author has inscribe and dated this volume on the title page. Given the inscription, it appears the individual to whom this was inscribed may have also been recognized on in the photographer's Preface. The gray cloth boards with white lettering on the spine show some wear at the spine ends and tips. The 35 images in this unpaginated volume are bright and clean, however, there may be some slight soiling to several of the pages margins. At the back of the book the photographer gives a brief description of most of the images presented. Inscribed by Author(s).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine to fine. First Edition. Signed by Author(s).

Hardback. Condizione: Fair. Photomontage, the combining of two or more negatives, can be traced back to the 1850s. Scott Mutter is a modern master of the art. His subtle images have enthralled viewers in exhibitions and galleries, mainly in the Midwest, for a decade. The response has been overwhelming, curator Martin Krause commented of an exhibition at the Indianapolis Museum of Art. I've had people calling me on the telephone telling me what a great show this is. That happens so rarely. For whatever reason, Scott's work is connecting with people. In the past year his work has attracted attention nationwide, and his posters are now available in galleries from coast to coast. Richly and immediately accessible, yet deeply resonant, Mutter's photomontages provoke strong responses: curiosity, awe, laughter, and then contemplation. They are creative fusions of elements that draw us irresistibly to look again at what first appears unbelievable. Boundaries dissolve miraculously; the impossible becomes seductively tangible. But the logic of his images is exact, reasoned - in his own term, surrational. Although his work shares the recursive wit of Rene Magritte and M. C. Escher, Mutter never relies simply upon ironic effects. With precision and authority his art explores the ideals and mythologies of our culture, history, language, and art, both lamenting and celebrating contemporary civilization. From the very beginning, states Mutter, I tried to make images that people would find accessible and exciting. Art is no idle thing; people want to see something and be held in wonder. In short, he is a master at turning a glance into a gaze. In his foreword Martin Krause reviews the hundred-year history ofphotomontage and examines Mutter's unparalleled influence within that tradition.…

Hardback. Condizione: Fair. Photomontage, the combining of two or more negatives, can be traced back to the 1850s. Scott Mutter is a modern master of the art. His subtle images have enthralled viewers in exhibitions and galleries, mainly in the Midwest, for a decade. The response has been overwhelming, curator Martin Krause commented of an exhibition at the Indianapolis Museum of Art. I've had people calling me on the telephone telling me what a great show this is. That happens so rarely. For whatever reason, Scott's work is connecting with people. In the past year his work has attracted attention nationwide, and his posters are now available in galleries from coast to coast. Richly and immediately accessible, yet deeply resonant, Mutter's photomontages provoke strong responses: curiosity, awe, laughter, and then contemplation. They are creative fusions of elements that draw us irresistibly to look again at what first appears unbelievable. Boundaries dissolve miraculously; the impossible becomes seductively tangible. But the logic of his images is exact, reasoned - in his own term, surrational. Although his work shares the recursive wit of Rene Magritte and M. C. Escher, Mutter never relies simply upon ironic effects. With precision and authority his art explores the ideals and mythologies of our culture, history, language, and art, both lamenting and celebrating contemporary civilization. From the very beginning, states Mutter, I tried to make images that people would find accessible and exciting. Art is no idle thing; people want to see something and be held in wonder. In short, he is a master at turning a glance into a gaze. In his foreword Martin Krause reviews the hundred-year history ofphotomontage and examines Mutter's unparalleled influence within that tradition.…