scribner charles introduction (10 risultati)

Hardback. Condizione: Ex-Library/w Marks. Facsimile of the Originals. A nice facsimile of the original monthlies with a new introduction by Charles Scribner in 1971. The reproductions are clear and distinctive. A very good copy - but it has the ex-library marks.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. 1st Edition. First printing with complete number line intact on the copyright page. Previous owner's name a brief gift inscription on the front endpaper, else a clean, solid hardcover bound in full cloth with unmarked text. The dust jacket is price-clipped with light wear to the panel edges and a closed tear along the front flap fold; still presents well. NOT ex-lib. A clean, solid copy in jacket. xxix, 864pp.

Trade Paperback. Condizione: Brand New. 2nd edition. 197 pages. 9.00x6.00x0.50 inches. In Stock.

Hardcover. 1st. Octavo; xxvii, 205pp. First Edition, INSCRIBED by Charles Scribner III ('. with love from both Charlies') to author Marcia Davenport on ffep (she is mentioned on p. 197). A fine copy in fine dustjacket.

Hardcover. Limited edition, 191/2000. Quarto, xvii, 319 pages. In Very Good condition with a Good slipcase. Slipcase in black paper; surface tear to rear panel. Spine is cream and blue with black print on paper title label. Boards in cellophane wrapper, illustrated cloth. Illustrated: b&w frontispiece, color plates. Signed in ink by the illustrator and by Scribner on the limited edition page. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in column ND-QC. 1402076. FP New Rockville Stock.

Hardcover. Collector's Edition. Octavo, xix, 171 pages. In Near Fine condition. Bound in red genuine leather, with gilt decoration; spine paneled with gilt titling; text block edges gilt, with silk moiré endpapers and bound-in ribbon bookmark. Negligible shelf and edge wear to boards. Text block edges show very light scuffing and wear. Interior clean. Shelved in Room A. 1406097. Special Collections.

Hardcover. Collector's Edition. Octavo, xvii, [1], 319 pages. In Near Fine condition. Bound in blue genuine leather, with red, green, and gilt decoration; spine paneled with gilt titling; text block edges gilt, with silk moiré endpapers and bound-in ribbon bookmark. Negligible shelf and edge wear to boards. Text block edges show very light scuffing and wear. Interior clean. Shelved in Room A. 1407128. Special Collections.

Trade Paperback. Condizione: Brand New. 2nd edition. 197 pages. 9.00x6.00x0.50 inches. In Stock. This item is printed on demand.

Hardcover. Condizione: Fine. Signed by illustrator and author of introduction. Limited edition of 2000 copies, this being copy #869. Floral cloth cover is sunned on spine with some very faint modest dye transfer from the slipcase but in very good+ condition. Boards and spine are straight. Binding is tight. Publisher's notes laid-in. Pages are clean and pristine. Slipcase is sunned with several abrasions and wear to the corners but in good+ condition. ; 0 pages; Artist Signed by Artist.

First Limited Editions Club limited edition of Hemingway's Nobel Prize-winning masterpiece, signed by photographer Alfred Eisenstaedt. Oblong quarto, bound in one quarter morocco over cloth-covered boards, illustrated with five photogravures by Alfred Eisenstaedt printed from the original negatives by Eisenstaedt in 1952 for the Life Magazine featuring the iconic image of Hemingway on the cover. One of only 600 copies signed by Alfred Eisenstaedt on the limitation page. In fine condition. Housed in the original black suede-lined cloth clamshell case. In a career that lasted more than 50 years, German-born American photographer and photojournalist Alfred Eisenstaedt achieved fame as "the quintessential Life photographer", producing more than 90 cover photographs for the iconic magazine (New York Times). An enthusiast for small 35 mm film cameras, Eisenstaedt's style and technique allowed him to create more relaxed atmospheres when shooting famous people where he was able to capture more natural poses and expressions. His success at establishing a relaxed setting for his subjects was not without difficulties, however, during the epic photo shoot of Hemingway in his boat for the Life Magazine story of Hemingway's The Old Man and the Sea, Hemingway was rumored to have ripped off his own shirt and threatened to throw Eisenstaedt overboard. "He was," Eisenstaedt once said of Hemingway, "the most difficult man I ever photographed.".