servais jean paul (16 risultati)

Soft cover. Condizione: VG. A VG folded pressbook with no cuts. Size: 12" x 15". Book.

Vintage black-and-white photograph from the set of the 1958 film, "Night Heat," here under the original French title, "Cette nuit la." Featured is actress Mylene Demongeot with costar Maurice Ronet. With over 70 films to her credit, Demongeot (1935-) began acting in the early 1950s, her first film being Leonide Moguy's "Children of Love" (1953). Notable films would follow, including Raymond Rouleau's "The Crucible" (1957), Otto Preminger's "Bonjour Tristesse" (1958), Marc Allegret's "Be Beautiful But Shut Up" (1958), Andre Hunebelle's "Fantomas" (1964), and several Marc Simenon films in the 1970s and 1980s, a director she was married to for over thirty years. 3.25 x 4.25 inches, small white borders, "298H" rubberstamp on versos: 182. Very Good plus, with curling and slight discoloration overall.

Paperback. Condizione: Good. No Jacket. 2 volume set; slight wear around edges; tight binding; clean pages Size: 4to - over 9¾" - 12" tall.

Condizione: New.

Hard Cover. Condizione: Near Fine. No Jacket. Twelve volume set of graphic erotica by numerous artists bound in red leather (possibly leatherette) with embossed strip tease occurring successively on the cover of each book. Gilt lettering and numbered spine. Each book is 9 X 11 3/4 " and 240 pages with color and b&w art: mostly in comic format with some individual plates and occasional photos. Volumes #8 and 12 suffer light damage: # 8 shows a tear at the top of spine, # 12 has a chewed corner at lower back cover, damaged area about 1" . Otherwise all other volumes, all bindings, all pages are Near Fine, showing very little edge wear if at all. The set includes an advertising brochure of 16 pages with color and b&w illustrations in a loose-leaf folder as well as a copy of what appears to be a monthly "Rombaldi Club" newsletter/flyer from January 1988 (#11) that came with the monthly volume a customer subscribed to. This is on newsprint and is Fine. The collection contains more than 50 individual artists. Each volume has a theme that is introduced in a multi-page illustrated format by Jacky Goupil and then proceeds to the individual artists with an intro for each of them with biographical info, etc. Themes include Great Masters, Imagination, Bizarre, & Humor Artists include: Guido Crepax [with the work Hello Anita (1980) & Emmanuelle (1978)] Magnus [ Les 110 pilules] Milo Manara [Le declic] [Glamour book] Lucques [Zone erogne] Claeys [Whisky's dreams] Jean-Claude Servais [Yriacynthe (1980)] Leroi-Levis [Les perles de l'amour] Michel Bridenne [Saison des amours] Belom [ Et que ca saute] Lucques [Encyclopedie aphrodisiaque] Michel Pichon [Trop plein d'amour] Claude Serre [Vice compris] Gerard Lauzier [Les sextraordinaires aventures de Zizi et Peter Panpan] Maurice Sinet -- Sine [Erotissine] Tetsu [Drole de vie] Roger Brunel [Pastiches] Alain Voss [Parodies] Philippe Cavell [Fanny Hill] Alex Varenne [Carre noir sur dames blanches] Rene Giffey [Libertinage] Jean-Claude Forest [Barbarella] From the advertising brochure: Les Chefs-d'Oeuvre de la Bande Dessinee Erotique, c'est une collection aunique au monde, aussi rare que precieuse, totalement inedite. Jamais une telle collection n'a reuni un nombre aussi impressionnant de grands artistes. Veritable piece de collection-neur, elle a sa place dans la bibliotheque de tout amateur passionne et de chaque bibliophile averti. Pour cette grande collection, les Editions Rombaldi ont cree une edition pariculierement raffinee, d'une sobre elegance; reliure en Reluskin rubis jaspe, avec sure le plat, une pin-up dessinee tout specialement pour Rombadi par Milo Manara et gravee au balancier, rehussee de pates de couleurs. A fur et a mesure de la reception des volumes, vous pourrez suivre les etapes successives d'un suggestif strip-tease. Le dos de chaque volume, discret et de bon gout, permet de placer cette collection tout naturellament dans votre bibliotheque. Pages de garde noires -- 12 volumes de format 23 X 30 cm, 240 pages par volume, plus de 10,000 dessins en couleurs ou en noir et blanc, imprimes sur un beau papier. Chaque volume comporte une importante preface exclusive richement documentee, redigee par Jack Goupil, grand specialiste de la Bande Dessinee Erotique. L'ensemble de ces prefaces constituera une veritable encyclopedie de l'erotisme dessine. En outre, chaque auteur es presente en un ou deux pages: vous saurez ainse "a qui vous aves a faire! De tres nombreux artistes de renom figurent dans cette exceptionnelle collection de 12 volumes: Gerard Lauzier, Lucques, Pichon, Belom, Claude Serre, Michel Bridenne, Jean-Claude Forest, G. Levis, Georges Pichard, Milo Manara, magnus, Guido Crepax, Paul Cuvelier, Eric Stanton, Carlo, Philippe Cavell, Jim, Jean-Claude Servais, Philippe Caza, Wojtek Siudmak, Rene Giffey, Vittorio Giardino, Jean-Claude Claeys, Paul Gillon, Varenne, Aslan, Liberatore, etc. Tous les grands dessinateurs de bandes dessinees, du mone entier, y sont representes: Francais, Belges, italiens, Americaains, Espagnols, Japonais, Polonais. Text is in French. Heavy set will require extra shipping charges. Keywords: French language, Erotic, Comics, Graphics, Sexuality, Cartoonists 2.

Condizione: fine. couverture souple, moyen format , très bon état. . 4023946 - Évolutions récentes en droit financier, Berlingin, Maxime, Bruylant, 2015.

[14452].

71 vintage single weight keybook contact sheets, amounting to over 800 numbered images, from the 1958 French film. Much of the film is represented in minute detail, along with test shots, set design shots, and many candid moments from the set. Dramatic high-contrast images of starring actors, Demongeot answering telephones and in heated embraces, with several sheets capturing a formal dinner with the cast and crew, presumably the film's premiere. Most with 12 images per sheet, a few with 6-frame strips of 35mm film, each image with a series number, and all sheets credit at the top the photo laboratory Tele-Photo, film studio Cinedis, film title, and photographer Apoteker. Housed in a red paper 2-ring binder with French titles printed on the front. Several with brief numerical annotations on the verso. Noirish crime thriller based on Michel Lebrun's novel "Un Silence de Mort" (1957), starring Demongeot as Sylvie, married to Jean (Ronet), an executive at a fashion magazine. Jean's boss, André (Servais), obsesses over Sylvie, whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker, whose "Too Late for Love" (1959) is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" (1960), Sautet's romance noir "Classe Tous Risques" (1960), and Woody Allen's "Love and Death" (1975). Demongeot and Ronet are amply represented throughout the collection, including a preliminary mockup of the poster art. Photos 8.25 x 10.25 inches, a few slightly variant sizes, hole-punched, and two with square cuts. Very Good plus overall, with curling and light foxing, creases to the binder.

Collection of 419 vintage black-and-white photographs, with original publicity ephemera, from the set of the 1958 film, "Night Heat," here under the original French title, "Cette nuit la." Featured are over 300 smaller photographs elegantly presented in two "Lavis aquarelle" spiral bound notebooks with maroon faux leather front wrappers and affixed paper title labels, with 3 or 4 photographs to a page. One notebook bears a label on the front wrapper verso noting film lab Tele-Photo, production company Sopro Film (Cinedis), film title, and photographer P. Apoteker. Several larger photographs credit photographer Francois Pages, with his rubber stamp on the versos, featuring images of actress Demongeot as she models in fur coat for onlookers, including costar Maurice Ronet and director Cazeneuve. Several photos feature cast and crew at a release party. Brief annotations in manuscript pencil on the versos, two with rubber-stamped series number. Several photographs with annotations on the verso in manuscript ink and pencil, several with layout annotations on the recto, a few with rubber-stamped series number. Loose photographs, ephemera, and original envelopes are housed in the original French Kodak paper box, with annotations on the box top in manuscript ink, and film title affixed to the side. Noir thriller based on Michel Lebrun's novel "Un Silence de Mort" (1957), starring Demongeot as Sylvie, married to Jean (Ronet), an executive at a fashion magazine. Jean's boss, André (Servais), obsesses over Sylvie, whose demure femininity can be fatal. An early film credit for still photographer Paul Apoteker, whose "Too Late for Love" (1959) is regarded as his first credited film. His dramatic execution would later be seen in Clouzot's "The Truth" (1960), Sautet's romance noir "Classe Tous Risques" (1960), and Woody Allen's "Love and Death" (1975). Demongeot and Ronet are amply represented throughout the collection, including a preliminary mockup of the poster art. Photographs in large quarto notebooks 3.75 x 5 inches, loose photographs range from 3.25 x 4 inches to 8 x 11.75 inches. Photographs Near Fine overall, light curling, a handful with short creases, ephemera and notebooks Very Good plus, box Very Good.

Collection of 343 vintage black-and-white photographs from the set of the 1964 film, "That Man from Rio," here under the original French title, "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio, Les Films Ariane, still photographer Trigo, Brazilian magazine "O Cruzeiro " and French film title, several with annotations in manuscript ink, also on the verso, several with Trigo's name in manuscript ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" (Sunday, August 18, 1963, No. 709), featuring cover and editorial on Belmondo and the film, an original Somarco accordion folder (dated 1963), and original mailing envelope addressed to Maryse Martres, Ariane Films (Champs-Élysées), from Télé-photo (Paris). Martres (Martin) was a prolific French actress who was later involved in press relations at Cinedis, a notable film agency in operation since the Silent Film era. Airman Adrien Dufourquet (Belmondo) is in Paris on shore leave, eager to see his Agnes (Dorléac). When he finally sees her, only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof, in the wake of Belmondo's swashbuckling success, "Cartouche" (1962, opposite Claudia Cardinale), with puzzle solving, murder in Brasilia, art thieves, and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing, Story and Screenplay: Written Directly for the Screen (1965), and winner of a New York Film Critics Circle Award for Best Foreign Language Film (1964). Members of the cast and crew are featured throughout the collection, including director de Brocca (who earlier worked under directors Claude Chabrol and François Truffaut), Belmondo, cameramen, and an extensive look at the scenery of Brazil and Paris. Boats racing, Belmondo dangling from a speeding car, and languid down times as cast and crew break for naps in the shade, photographer Trigo's often provocative angles capture the director in dimly lit, noirish scenarios, and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally, photographer Voinquel's direct approach shows stills from a more casual standpoint, not without generous documentation of the crew behind the camera. Photographs 7 x 9.25 inches, and 3.5 x 5 inches, some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall, moderate curling, several with bruises or insect wear at the edges, several with moderate dampstains. Envelope and folder Good, with short tears and similar dampstains. Magazine Very Good, wavy, brief toning.

Paris : José Corti, 1980 - un volume 16,4x25cm broché sous couverture illustrée en deux tons (Yves Tanguy), 76 pages sur papier couché abondamment illustrées en noir dans et hors texte - fac-similé de la brochure éditée en 1938 à l'occasion de la quatrième exposition internationale du surréalisme. Près de 400 entrées au dictionnaire et 115 reproductions d'oeuvres - couverture insolée sinon bon état - Livres.

souple. Condizione: Bon. Ensemble de plus de 40 pièces, entre 1914 et 1951 dont : Jean Paulhan : L.S. (non datée) : "Merci de votre lettre et des deux manuscrits. La Fille aux diables m'a intéressé, et j'attendrai impatiemment la deuxième version promise. Pour l'homme d'affaires, vous avouerai-je, si les changements de composition me semblent heureux, que je ne suis pas sans regrtetter le ton de la première version". - Jacques Copeau (21 février 1941 : "Je n'ai pas le souvenir d'avoir jamais eu sous les yeux l'ouvrage dont vous me parlez. [ .] ) - Jules Supervielle, 2 L.A.S. (à Pierre puis à son fils : ) "24 janvier 1949 : J'ai gardé un excellent souvenir de votre père qui était en effet un de mes bons amis. Mais je n'ai jamais écrit de préface [ .]) - Achille Joinard, Président de La Rose Blanche, Directeur du Mousquetaire (LAS sur carte de visite, recommandation de Pierre de la Batut au Général Rebillot) - Plusieurs prospectus de pièces de théatre de Pierre de La Batut, un bulletin de déclaration à la SACD - Paul Achard : 2 LAS (. il est convenu que vous me donnez une option d'un an pour céder à une maison de production cinématographique [ .] les droits d'adaptation de votre roman L'homme d'Affaires) - Yvonne Garrick : 2 LAS (On m'offre un rôle dans la pièce qu'on monte de suite à l'Oeuvre mais il n'y a qu'une scène avec Fresnay, croyez(vous que je doive accepter ? Moreno s'est bien rendu célèbre avec 1 scène !" - Courrier de la Société des Gens de Lettres ("Pourriez-vous joindre au portrait un autographe d'Edouard Dentu) - Armand Dayot (2 L.A.S.) - Plusieurs courriers de Journaux et Maisons d'Edition (NRF, Echo de Paris, J. Dupuis et Cie, Art et Connaissance ) - Jean Servais : 3 LAS (il sollicite auprès de Pierre de La Batut puis auprès de son fils leur accord pour une adaptation cinémétographique du roman "Le Consentement" - André Birabeau : 2 L.S. à Francis de La Batut : "Les héritiers de René Boylseve vienne d'autoriser un musicien et un librettiste à tirer une opérette de "La leçon d'Amour dans un Parc". J'ai obtenu que la comédie que votre père et moi avions faite autrefois [ .] soit utilisée pour cette adaptation musicale". (on joint une LAS de Gérard Failly exécuteur testamentaire de René Boylesve) - André Antoine : 1 L.S. (13 juillet 1913 : sur une pièce passant au comité de lecture du Théatre National de l'Odéon) - Pierre de La Batut : Contrat sur papier timbré signé avec le directeur du Théâtre de Verdun du Pré Catelan, 18 avril 1914. - Albert Pestour, rédacteur en chef du "Salut National" : "28 janvier 1930 [.] M. de Choiseul a eu peu d'un procès [ .] j'ai tripoté votre texte au galop, car l'heure pressait [ .] - Armory, L.S. 1941 - Jean Sarment, 1 L.A.S. et 1 L.S. (1939) - Charles Foley, 1 L.A.S. 1925 - Louis Gillet, 1 L.A.S. (16 août 1934) - Charles Maurras, 1 L.S. à en-tête de l'Action Française ( 5 mars 1938) Intéressant lot d'archives familiales réunissant courriers autographes de personnalités littéraires et documents d'intérêt littéraire adressés à Pierre de la Batut (ou relatif à lui et adressés à son fils). On croise dans ces courriers quelques pseudonymes de l'écrivain : Pierre Tantare et Jean Dentu (du nom de sa mère, Jeanne Dentu, fille de l'éditeur Edouard Dentu). Langue: Français. signé par l'auteur.

Vintage borderless reference photograph of Philippe de Broca on the set of the 1964 film. Dufourquet (Jean-Paul Belmondo) is in Paris on shore leave, eager to see his Agnes (Francoise Dorléac). When he finally briefly sees her, she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof, in the wake of Belmondo's swashbuckling success, "Cartouche" (1962, opposite Claudia Cardinale), with puzzle solving, murder in Brasilia, art thieves, and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Screenplay. Shot on location in Rio de Janeiro, Brazil and Paris 8 x 10 inches. Near Fine.

Bruxelles, Emile Bruylant, 1928, 22x15 cm, piel edit. XI+1684+287 págs.

Collection of 83 vintage borderless reference photographs from the set of the 1964 French film. With the stamps of photographer Darcy Trigo, Les Films Ariane, and the film's title in French on the versos. A young woman is kidnapped and held for ransom by a treasure-hungry family friend, forcing her young sailor lover to rescue her during his shore leave. A James Bond spoof, in the wake of Jean-Paul Belmondo's swashbuckling success "Cartouche" (1962). Shot on location in Rio de Janeiro, Brazil and Paris. 8 x 10 inches. Very Good to Good, several photos with light fading, and several with loss and bruising along the top margin.

Vintage program for a 1951 showing of Alain Resnais' 1950 short documentary film at the prestigious Institut des hautes études cinématographiques (IDHEC). Text in French. IDHEC was founded in Paris during World War II in order to offer training for virtually every aspect of film production. It counted a veritable who's who of prominent filmmakers among its graduates, including Louis Malle, Claire Denis, Jean-Jacques Annaud, Volker Schlöndorff, Andrzej u awski, and Costa-Gavras, among many others. Resnais attended IDHEC for one year, from 1943-1944, training as a film editor, before leaving in 1945 for military service. "Gauguin" was part of an early series of documentary short films about artists created by Resnais between 1946 and 1953, preceded by "Van Gogh" (1949, winner of an Academy Award) and followed by "Guernica" (1950, in collaboration with Robert Hessens). 8.25 x 10.75 inches. Bifold. Very Good plus, lightly faded on the edges, with brief wear at the bottom right corner.