sheldon memorial art gallery (27 risultati)

Soft cover. Condizione: Very Good Minus. 1st Edition. Wraps (PB) in very good minus condition with light soiling, small scuffs, tiny label top right corner of front cover and folds to covers. Inside is all clean and bright with no marks of any kind. An gallery catalog of an exhibition at the University of Nebraska featuring the artists of the San Francisco bay area in the year 1984. In color and black and white. Art by Robert Bechtle, Roy De Forest as well as many others.48 pages with biographical notes and selected bibliography. Tipped in page with sponsors.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.2.

Condizione: Very Good. Condizione sovraccoperta: None. 79 pages. Exhibition catalog. Purple covers with color illustration, perfect binding, foreword by George W. Neubert, preface by John A. Mahey, introduction by William H. Gerdts, essay by Daphne Anderson Deeds, 46 large full-page color plates, exhibition checklist. Mild rubbing to covers, else a very clean, tight copy. Record # 806534.

Paperback. Condizione: Very Good. Lincoln January 1963 Binding: Trade Paperback.

Paperback. Condizione: Very Good. 1st edition. 46pp, staple bound, near square octavo, b/w plates, tight binding, clean throughout, mild wear to the wraps.

Paperback. Condizione: Very Good. 1st. 1 volume (unpaged), illustrations; 28 cm. Published on the occasion of the inauguration of the Sheldon Memorial Art Gallery, May 1963. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Profusely illustrated. Size: 4to. Handbook of the Collection.

Paperback. Condizione: Very Good. 35 pages.

(43)pp., 123 plates (partly color). 4to. Wraps. Ex-library.

Condizione: Good. *Price HAS BEEN REDUCED by 10% until Monday, Mar 2 (SALE item)* Paperback, ex library, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Very Good. Very Good in Wraps: shows a 3/4" x 3" corner clip of the front cover and title page; a small circular sticker shadow at the lower corner of the front panel, which also shows the mildest rubbing; else flawless; the stapled binding is secure; the text is clean. Free of creases to the panels. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. A handsome, if clearly flawed copy, structurally sound and tightly bound, showing no discernible imperfections. Bright and clean. Corners sharp. NOT a Remainder, Book-Club, or Ex-Library. Large 8vo (8.5 x 9 x 0.2 inches). 50 full-page duotone plates, including photograph of the artist by Barbara MacKay. Catalogue of the artist's work. Language: English. Weight: 7.9 ounces. First Edition (1974) ; no statement of printing history. Probable first printing. Paperback: Staple-Bound Pictorial Wraps. Ralston Crawford (19061978) was a Canadian-born American painter, lithographer, photographer, and teacher. He is best known for his abstract representations of urban life and industry. He taught at the Cincinnati Art Academy (now Art Academy of Cincinnati) for many years. He studied art beginning in 1927 in California at the Otis Art Institute. After working at the Walt Disney Studio in Hollywood, California, he relocated to further study art at the Pennsylvania Academy of the Fine Arts, and at the Barnes Foundation in Philadelphia. It was there he was exposed to the art of Picasso and Matisse. After traveling to Paris, Crawford enrolled at the Académie Colarossi in 1932, followed by time spent at the Académie Scandinave a year later. In 1934, he had his first one-man showing at the Maryland Institute College of Art. Crawford is best known for his abstract paintings of urban life and industry. His early work placed him with Precisionist artists like Niles Spencer and Charles Sheeler. Here, the focus was on realistic, sharp portrayals of factories, bridges, and shipyards. Later work was geometrically abstract. In Spain, he observed bullfighting, and the religious procession during Holy Week in Seville. In New Orleans, he painted and photographed cemeteries and jazz musicians (requiring a permit to visit bars normally restricted to blacks). In 1971, the Contemporary Arts Center in Cincinnati held a retrospective of his work. In 1972 Crawford won an award from the National Academy of Design. ; 8vo 8" - 9" tall; 70 pages.

Hard Cover. Condizione: Collectible-Very Good. Condizione sovraccoperta: Collectible-Good. Illustrated (illustratore). 10.5 x 14 hard cover book. Black lettering on the white dust jacket spine with a color illustrated cover. A Sense of Place, walking with several painters through American scenery, sets out on a course entirely and stimulatingly different from the courses taken by the twenty-five Sierra Club and Friends of the Earth Books in this format that have gone before. Implicit here is an insight into what will happen if, through mistaken ideas of progress, we continue to throw the geometric curve of increasing demand at American space and wildness. 160 pages. Inscription and signature of Gussow on first illustrated. Owner's name written on first blank several times. Tight binding. Some soil to jacket. Signed By Author.

212pp. 100 plates, numerous catalogue figs. Oblong 4to. Wraps.

1966, Art, Sheldon Memorial Art Gallery , Arkansas Arts Center, 46 p., 19 black and white plates, good + ex-library.

Softcover. Silver wraps. Unpaginated. 173 color and bw plates. Comprised of introductory essay and works by artists such as Peter Agostini, Stephen Antonakos, Thomas Ball, Leonard Baskin, Varujan Boghosian, Solon Borglum, Louise Bourgeois, John Chamberlain, Paul Manship, Barnett Newman, Isamu Noguchi, Claes Oldenburg, Tony Smith, Louis Sullivan, Harold Tovish, Mahonri Young, and many others. Published to accompany the exhibition held here from September 11 to November 15, 1970. Good+ (wear and bumping wraps and corners).

Softcover. Condizione: VG. Silver wraps. Unpaginated. Profusely illustrated in large plates, come color. Presented as its annual exhibition by the Nebraska Art Association, Sept. 11 through Nov. 15, 1970.

Softcover. Condizione: VG. Stapled bnown illustrated wraps wraps. 56 pp. 15 bw plates. Includes an extensive biographical chronology, a nine-page essay by William Innes Homer, "Robert Henri and the Eight", and an illustrated and annotated catalogue of 15 works.

Softcover. Condizione: VG, label on cover. Wraps. 30 pp. 8 color, 11 bw plates. Includes a selected bibliography and professional information. Nice plates.

Softcover. Condizione: VG, label remnants on cover. Wraps. 53 pp. 6 color, 44 bw plates. Introductory essay by Jeffrey Hogrefe. Listing of the 49 plates at rear, followed by three pages of professional information. The pictures in this exhibit all deal with the human figure in motion. Large plates.

VG .gift quality. Book in excellent condition with no markings. or inscriptions. not price clipped. internally a good crisp clean copy.

VG .gift quality. Book in excellent condition with no markings. or inscriptions. not price clipped. internally a good crisp clean copy.

VG .gift quality. Book in excellent condition with no markings. or inscriptions. not price clipped. internally a good crisp clean copy.

Condizione: Good. EXHIBITION CATALOGUE. 4to., 124 pp., As New. Soft Cover. Photographs. First Edition.

Softcover. Condizione: VG, slight scuffing to cover. Purple wraps. 79 pp. 47 color plates. Includes a long introduction by William H. Gerdts, the essay "Impressionism: The American Response" with 9 notes and short bibliography by Daphne Anderson Deeds, the lovely color plates, and an exhibition checklist of the 46 works.

Condizione: Good. 8vo. 124 pp. Oblong. Very Good. Soft Cover. Illustrated paper wraps. Some shelf wear to wraps, front and verso. Light spots of foxing to title page, else pages fine. B&W plates throughout.From the Collection of the Art Historian Peter Selz.ISBN: 9780803276451 0803276451.

Condizione: Good. 8vo. [ca. 120 pp.], Soft Cover, Very Good, Creasing, Toning slight Foxing, B&W Plates.Provenance: Richard A. Lorenz (1952-2001), author, art conservator,curator and director of the San FranciscoRegional Art Conservation Center. As a trustee of The ImogenCunningham Trust , Mr. Lorenz organized and curatedexhibitions of Cunningham's photographs and authored four major books onthe photographer.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 68. A perfect gift for your loved ones. Reprinted from 1974 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 68.

Leather Bound. Condizione: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1974. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 68, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 68.