sidney tillim (33 risultati)

Hardcover. Condizione: Very good+ condition. First Edition. Approximately 30 un-numbered pages. White hardcover binding with minimal browning to the extremities. Original clear acetate dustjacket with moderate shelfwear including a few tears and chips. Contains one color plate, and 21 black & white illustrations, including 14 full-page plates and a photo-portrait by Evelyn Hofer. Includes a list of exhibitions. No date of publication listed; circa 1960. Lindner won the Foundation award in 1957. Includes a six-page French translation laid-in loose. The text is clean and unmarked. First edition. Size: Oblong octavo (8vo). Book.

Paperback. Condizione: Good. First Edition. 75 pp., bw ill., 4to. Scuffed wraps, creasing to tail fore-edge, embossed ex libris stamp to FFEP. : Well packaged, ships with tracking.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. With CD in back pocket. From an exhibit of fascinating vintage photographs from a portrait of Henry Clay from 1845 to the early 20th century. Newlooking with bright pages and covers. Bronze jacket has mild ruffling at top edge. Printed on thick matte paper. Oversize.

Hardcover. Condizione: Acceptable. reading copy only - Damaged /worn /marked copy. May be ex-libris. Standard-sized.

1. Auflage. 51 Seiten. OBr., Quart 29,5 cm x 21 cm, 51 S.; sehr gut erhaltenes Exemplar.

Condizione: Near Fine. Exhibition catalogue 1992 first edition. Bennington College. square octavo wraps. Works by Artschwager, Ellen Brooks, Nechvatal, Mark Tansey and Andy Warhol. 18p. bw illus. Near Fine.

First edition. Softcover. Exhibition catalog for a show that ran October 11 through November 24, 1968 at Stadtisches Museum Leverkusen and then January 1 through March 9, 1969 at Staatliche Kunsthalle in Baden-Baden. Features text in English and German with contributions by Wieland Schmied, Rolf Gutner Dienst, Sidney Tillim, and Roland Penrose. Includes some color and numerous black and white illustrations, biographical information, checklist, bibliography, and a list of previous exhibitions. A near fine copy in wrappers with some slight sunning to and along the spine.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Oversized hardcover with DJ. Green cloth boards with bronze lettering on front cover. Title and copyright pages dated 1996. Unpaginated. DJ faded with 2 inch closed tear at top edge along spine. Boards clean with no visible damage. Gutter near front attached endpaper has binding slightly exposed. Binding otherwise tight with clean pages. Various color illustrations throughout from the Art Gallery showing at Fairleigh Dickinson University. Very Good condition. Includes 1 CD of the photo catalogue in folder attached to rear endpaper. This is an oversized book, so extra shipping will be necessary for priority or international shipping. Please contact us with questions or if you'd like to see photographs.

Hardcover First Printing. First Edition. Tall hardcover. Sealed cd in rear pocket. Fine in fine dust in mylar cover.

Paperback. White wraps with black lettering; 12 pp; Richly illustrated in color. Essay by Barry Schwabsky; Catalog by Fred Yee. VG(Wraps show shelfwear at edges and corners, and foxing;pages are clean and bright; binding is solid).

hardcover. Condizione: Fine copy in fine dust jacket. Profusely illustrated (illustratore). 1st. 4to, CD-ROM in rear pocket., Catalogue of an Exhibition at the University College Art Gallery.

Paperback. Condizione: Very Good. Trade Paperback. 4to. Milwaukee Art Center, Milwakukee, WI. 1969. 14 pgs. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Sidney Tillim's "Figurative Art 1969: Aspects and Prospect", and William S. Wilson's" Operational Images" were commissioned by the Milwaukee Art Center especially for the exhibition. Mr. Tillim has long been the outstanding spokesman for contemporary figurative painting, and Mr. Wilson is importantly concerned with the photographic image painters. It is our belief that their critical points of view can not he eliminated from any understanding of new realist painting. Although there may be instances where we do not necessarily agree with their appraisals of individual artists' work, the exhibition's value can only be enhanced by these essays which are indeed so important to the subject. Screen reader support enabled. E-068; 4to 11" - 13" tall.

First edition. Hardcover. 36 pages. Features text by Sidney Tillim and with a laid in French translation. Includes 1 color and 20 black and white illustrations, a black and white photograph of Lindner, checklist and brief biography. A near fine copy in white cloth boards that are very slightly soiled. No dust jacket. Uncommon.

First Edition. Good copy in the original title-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains well-preserved overall. Physical description: 21 pages : illustrations (some color) ; 22 cm. Subjects; Lindner, Richard 1901-1978. Painters United States 20th century. United States. William and Noma Copley Foundation. 1 Kg.

TILLIM, Sidney. THE RECEPTION OF PRESIDENT-ELECT WASHINGTON BY THE WOMEN OF TRENTON. Hamilton, NY: The Picker Gallery, 1973. Sm. 8vo., printed wraps. First Edition. Signed presentation by Tillim on the inside front cover: "For Barbara, for old times & the new life, Sidney, July 25/73." Also includes the essay "Notes on Narrative and History Painting" by the artist. Very good (some browning on both covers, moderate soiling). Very scarce, especially signed. $40.00.

Soft Cover. Condizione: Very Good. First Edition; First Printing. Complete in 2 volumes: Vol.1/ 75 pages. Illustrated with 51 full page plates in color and black and white. Texts by Tracy Atkinson and John Lloyd Taylor. ; Vol.2/ 14 pages. Two essays, "Figurative Art: Aspects and Prospect" by Sidney Tillim, and "Operational Images" by William S. Wilson. ; Published in conjuction with the exhibition at Milwaukee Art Center, June 21 through August 10, 1969, at Contemporary Arts Museum, Houston, September 17 through October 19, 1969, and at Akron Art Institute, November 9 through December 14, 1969. ; Both volumes are tight and clean. A touch of light shelf/edge wear to wraps, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. First Edition. MoMA Library copy. Mylar over boards though a tear in the mylar on front board. Signed by Richard Linder with personalized inscription dated February 2nd, 1962 to Alfred H. Barr, presumably the historian and founding director of the Museum of Modern Art. White cloth boards. Photos upon request. International shipping billed at cost.; 8vo 8" - 9" tall; 19 pages; Signed by Artist.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Hard cover catalog of an exhibition held at the University College Art Gallery, Fairleigh Dickinson University, Teaneck, N.J., May 1-29, 1996. Includes an essay by Sidney Tillim entitled, "On reproducing a photograph: photography and illustration." CD-ROM in back cover pocket includes exhibition checklist with illustrations; list of inventors and processes with examples. This is a beautiful oversized book, well illustrated with accurate color reproductions of the photographs. Book.

95 pp.; 27 x 26.6 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1976 issue of Artforum, edited by John Coplans. Contents include: "Chris Burden," by Robert Horvitz; "Carol Andre: Art Versus Talk," by Jeff Perrone; "Carl Andre: Art Versus Talk," by Jeff Perone; "Marcel Broodthaers' Throw of the Dice," by Nicholas Calas; "Frida Kahlo: Her Life, Her Art," by Hayden Herrera; "Non-Theatrical Performance," by Allan Kaprow; "Nancy Spero," by Lawrence Alloway; "Drawing the Line," by Nancy Foote "The Ideal and the Literal Sublime," by Sidney Tillim. Reviews by Phil Patton, Roberta Smith, Steven Simmons, Barbara Baracks, Leo Rubinfien, Sherman Drexler, and Ann-Sargent Wooster. Cover: Chris Burden. Good. 2 cm. dog-ear to top right corner of recto with additional creasing and bumping of covers. Tearing of covers at spine edge adjacent to staples. Scratching of covers. 17.8 cm. crease to verso with embossment to pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condizione: Good. 8vo. Square. 14 pp. Soft Cover. Stapled Wraps. Brochure. Good, minor rubs to the covers, several creases to covers, interior sheet edges lightly toned, but clean and intact.From the Collection of the Art Historian Peter Selz.

Hardcover. Condizione: Fine condition. Condizione sovraccoperta: Fine dust jacket. First Edition. Teaneck, New Jersey: Fairleigh Dickinson University, College Art Gallery, 1996. Appears unread. Fine condition in a Fine dust jacket. NO chips. NO tears. NO creases. NOT a library discard. Bright, shiny, clean, square, and tight. Sharp corners. Hinges are perfect. NO owner's name or bookplate. NOT a remainder. Pages are fresh and crisp, apparently never read. NO underlining. NO highlighting. NO margin notes. First printing. Unpaginated (but 84 pages). This is the catalogue of an exhibition of 49 distinct photo-mechanical processes held at New Jersey's Fairleigh Dickinson University in 1996. There are handsome photographic illustrations throughout, including sepia and full-color reproductions. Complete with CD-ROM, with nearly 100 additional reproductions, stored in a pocket at the end. Bound in the original dark green cloth, stamped in shiny copper on the front cover. Includes the original copper-color dust jacket, printed in bright white. From a review on the web: "PHOTOGRAPHS IN INK document(s) an exhibition on the history of photomechanical processes held at Fairleigh Dickinson University in 1996. This difficult and rarely examined topic involves not only traditional photography and printmaking techniques but complex chemical formulas and intricate mechanical procedures. The authors themselves admit to having trouble distinguishing between processes. Therefore, the benefit of viewing on a CD-ROM almost 100 examples beyond those in the print catalogue adds enormously to the success and lasting value of this publication. The exhibition and catalogue are the work of two curators, David A. Hanson and Sidney Tillim, and the show draws its work primarily from their private collections. Tillim, the catalogue's essayist, has expanded on his exhibition PHOTOGRAPHY REPRODUCTION PRODUCTION (Bennington, Vt.: Bennington College, 1992) with the help of Hanson, author of four useful scholarly studies of the early photomechanical processes PHOTOGRAPHS IN INK exhibited (and the CD-ROM illustrates) 120 entries produced by 119 inventors and/or companies involving 49 distinct photomechanical processes. Illustrating such extensive documentation would not be feasible in a printed catalogue but is easily accommodated through digital technology. At the same time, the print catalogue provides the more aesthetically satisfying paper reproductions of a paper-based process. The exhibition and catalogue are arranged chronologically, from the earliest 1824 heliographic engraving by Joseph Nicéphore Niépce published by Blanquart-Évrard in 1870 to the halftones by Dorthea Lange published by Elizabeth McCausland in 1946. Major printing techniques are divided into four categories: intaglio, planographic, relief, and woodburytype The print catalogue is uniquely designed to highlight its 30 full-color plates. The catalogue essay is inserted on narrow sheets between the plates so as not to obscure more than a small portion of the illustrations Appendices include a glossary to help understand the terminology of the processes, an alphabetical list of inventors and their inventions, and an exhibition checklist. The accompanying CD-ROM begins with a slide show, leading quickly to a homepage which offers six options: checklist, inventors and processes, glossary, credits, help, and quit In addition to the checklist items, the CD-ROM reproduces images of book covers, title pages, and illustrations not included in the exhibition. Many examples allow for magnification to show a detail of the individual process, such as dot or screen patterns. The inventors' section provides portraits of most photographers along with information concerning their photographic discoveries. In this way, content of the catalogue and CD-ROM complement each other without simply duplicating the information. Each utilizes the strengths of the individual medium to help define and illustrate the difficult distinctions between photomechanical processes. Ultimately, PHOTOGRAPHS IN INK provides much needed insight into the history and aesthetic beauty of photomechanical illustration while documenting a worthy exhibition for future generations of art scholars." -- Julie Mellby, Harvard University. Oversize Hardcover. 10" wide by 13.5" tall. This large book will require extra postage for Priority and International shipments, but only the standard charge for media mail. . First Edition. Oversize Hardcover. Fine condition/Fine dust jacket. Unpaginated (but 84 pages). Great Packaging, Fast Shipping.

Ausstellungskatalog Galerie Vorsetzen, Hamburg 1993 u.a. 4°. 51 Seiten. OBroschur. Mit zahlreichen Abbildungen. Mit eigenhändiger längerer Widmung, von Sidney Tillim auf dem Titelblatt,signiert und datiert.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. SPECIAL EFFECTS Carol Squiers on Susan Meiselas's Pictures from a Revolution BACKDROP RoseLee Goldberg on Urban Bush Women BOOKS Michael Archer on Technique Anglaise COMMEDIA DELL'ARTE Will Eisner on A project for Artforum EXITS AND ENTRANCES Maria Nadotti on Two Tempests BELIEVE IT OR NOT J. Hoberman on Theme Parks TOP TEN Greil Marcus' Real Life Rock COLUMNS FEATURES REVIEWS MARTIN PURYEAR IN THE AMERICAN GRAIN Judith Russi Kirshner THIS DESIRE CARRIES ME AWAY: A PROJECT FOR ARTFORUM Michèle Blondel, with Crystal Clear by Miriam Rosen THE DARK SIDE OF DENNIS OPPENHEIM Tobey Crockett PHOTOGRAPHY AND REMEMBRANCE: HELEN LEVITT Sidney Tillim with The Moviegoer by Susan Delson THE MOVIEGOER: HELEN LEVITT Susan Delson RED CHINA: DAVID HOCKNEY'S TURANDOT Kenneth E. Silver THE CHILDREN'S HOUR Thomas Crow NÃO EXOTICO: JAC LEIRNER Michael Corris LAMENTS: NOBUYOSHI ARAKI Kazue Kobata OPENINGS: JACK PIERSON Jan Avgikos COLUMNS FEATURES REVIEWS NEW YORK Lisa Liebmann on Don Van Vliet Matthew Weinstein on Jonathan Lasker Kirby Gookin on Man Ray Donald Kuspit on Al Held Donald Kuspit on Donald Judd Tom Kalin on Barbara Bloom Donald Kuspit on Thierry Kuntzel Rhonda Lieberman on Andreas Gursky Jan Avgikos on Dan Graham Lois Nesbitt on Amy Hauft Jenifer P. Borum on Robert Chambers David Rimanelli on Adam Rolston David Rimanelli on Sarah Seager Justin Spring on Petah Coyne Ronny Cohen on Valentina Dubasky Ronny Cohen on Marlene Tseng Yu John Yau on Nicholas Maffei RoseLee Goldberg on Pina Bausch/Tanztheater Wuppertal BOSTON Francine Koslow Miller on Aida Laleian PHILADELPHIA Eileen Neff on Steven Beyer CLEVELAND Ellen G. Landau on Cruciformed CHICAGO James Yood on Dan Devening James Yood on Bibiana Suárez DALLAS Tom Moody on John Pomara LOS ANGELES Amy Gerstler on Nancy Burson Benjamin Weissman on Lari Pittman Colin Gardner on Shigeo Toya LISBON/PORTO Alexandre Melo on Pedro Portugal MADRID José Luis Brea on Richard Tuttle MILAN Anthony Iannacci on Felix Gonzalez-Torres TURIN Francesca Pasini on Alberto Burri PARIS Olivier Zahm on Allen Ruppersberg Miriam Rosen on Gilbert Boyer MARSEILLES Anne Dagbert on Gérard Traquandi VIENNA Sabine B. Vogel on Gert Rappenecker BUDAPEST Michael Tarantino on SVB VOCE BASEL Anne Krauter on Willi Kopf FRANKFURT Achim Wollscheid on Kirsten Mosher COLOGNE Noemi Smolik on Kirsten Ortwed HAMBURG Wolf Jahn on Walter Dahn MALMÖ Johannes Meinhardt on Trans/Mission OSLO Bojana Pejic on Sissel Tolaas LONDON Michael Archer on Callum Innes Michael Corris on Alan Charlton TOKYO Azby Brown on Atsushi Kitagawara MELBOURNE Charles Green on Terri Bird and Fiona Macdonald.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. Reviews by Jeanne Silverthorne, Charles Hagen, Kate Linker, Ronny H. Cohen, John Howell, Sidney Tillim, Linda Burnham, Donald Kuspit, Richard Armstrong, Thomas McEvilley, Barbara Kruger, Charles Hagen, Judith Russi Kirschner, Suzaan Boettger, Melinda Wortz, Thomas McEvilley, Jeanne Randolph, Stuart Morgan, Annelie Pohlen, Saskia Bos, Kate Linker, Max Wechsler, and Ida Panicelli. Cover: Jannis Kounellis.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction." by Lisa Liebmann. Reviews by Charles Hagen, Lisa Liebmann, Ronny H. Cohen, Jeanne Silverthorne, Richard Armstrong, Donald Kuspit, Kate Linker, Barbara Kruger, Judith Russi Kirshner, Howard Singerman, Richard Armstrong, Susan C. Larsen, Suzaan Boettger, Gérard-Georges Lemaire, Saskia Bos, Jean Fisher, Ronny H. Cohen. Cover: documentation photograph of "Mother Love in Monkeys" research carried out by Harry F. Harlow in 1958.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. Reviews Kate Linker, Thomas McEvilley, Richard Armstrong, Donald Kuspit, Barbara Kruger, Lisa Liebmann, John Howell, Ronny Cohen, Charles Hagen, Glenn O'Brien, Jean Fisher, Thomas Lawson, Kevin Concannon, Judith Russi Kirshner, Michael Bonesteel, Sarah Fox Pitt, Suzaan Boettger, Howard Singerman, Jeff Kelley, Ida Panicelli, Luciana Rogozinsky, Max Wechsler, Denys Zacharopoulos, Annelie Pohlen, Wolfgang Max Faust, and Lars Nittve. Cover: Robin Winters.

Hardcover. Condizione: Good. No jacket; mild shelfwear - but nothing severe. Mild wear to the spine. I note every flaw I find, so buy with confidence.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "Chris Burden," by Robert Horvitz; "Carol Andre: Art Versus Talk," by Jeff Perrone; "Carl Andre: Art Verus Talk," by Jeff Perone; "Marcel Broodthaers' Throw of the Dice," by Nicholas Calas; "Frida Kahlo: Her Life, Her Art," by Hayden Herrera; "Non-Theatrical Performance," by Allan Kaprow; "Nancy Spero," by Lawrence Alloway; "Drawing the Line," by Nancy Foote; "The Ideal and the Literal Sublime," by Sidney Tillim. Reviews by Phil Patton, Roberta Smith, Steven Simmons, Barbara Baracks, Leo Rubinfien, Sherman Drexler, Ann-Sargent Wooster. Cover: Chris Burden.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Minimalism and Critical Response Phyllis Tuchman Clyfford Still: The Ethics of Art Donald B. Kuspit Notes on Narrative and History Painting Sidney Tillim On George Segal s Reliefs Leo Rubinfien Snelson and Structure Deborah Perlberg Garry Kennedy: Painting Painting Itself Eric Cameron Shape and Form in Ron Gorchov s Painting Morris Kearse Ensor in His Milieu Diane Lesko COLUMNS FEATURES REVIEWS NEW YORK Jeff Perrone on Beryl Korot Jeff Perrone on Llyn Foulkes Jeff Perrone on Darryl Hughto Judith Lopes Cardozo on Franco Ciarlo Deborah Perlberg on Mary Frank Deborah Perlberg on Winifred Lutz Deborah Perlberg on Marvin Torffield Leo Rubinfien on Jim Dine Leo Rubinfien on Subject to Change Leo Rubinfien on Tony DeLap Leo Rubinfien on Michael Bishop Leo Rubinfien on Lee Friedlander Shari Baum on Brenda Miller Steven Madoff on Peter Campus Steven Madoff on Lee Krasner Steven Madoff on Carlotta Corpron LOS ANGELES Nancy Marmer on Michael Asher Nancy Marmer on Elyn Zimmerman Nancy Marmer on Karl Benjamin.

Kl.-8°, Broschur, unpag. Nr. 108 von 300 Exemplaren, mit einer Widmung des Autors, Ecken und Kanten etwas berieben, Seiten nachgedunkelt, sonst in einem guten Zustand. Sprache: Deutsch Gewicht in Gramm: 550.