Sobrino eds (20 risultati)

Condizione: as new. pbk 114pp text in Spanish an excellent unread copy clean tight unmarked as new.

Condizione: as new. pbk pp 198-290 text in Spanish an excellent unread copy clean tight unmarked as new.

Condizione: as new. pbk 98pp text in Spanish an excellent unread copy clean tight unmarked as new.

Condizione: as new. pbk 101pp text in Spanish an excellent unread copy clean tight unmarked as new.

Condizione: as new. pbk pp 212-318 text in Spanish an excellent unread copy clean tight unmarked as new.

Condizione: as new. pbk 90pp text in Spanish an excellent unread copy clean tight unmarked as new.

Softcover. Condizione: Very Good. First UK Edition. Size: 8vo 7 3/4 - 9 3/4". xvi + 302pp. Text contains occasional pencil markings. Binding firm, spine slightly cocked and faded. Previous owner's signature in ink. Edges slightly marked. Covers slightly marked. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Religion & Theology; Politics & Government. ISBN: 0334026466. ISBN/EAN: 9780334026464. Pictures of this item not already displayed here available upon request. Inventory No: 66207. …

Encuadernación de tapa blanda. Condizione: Muy bien. 1ª Edición. Ejemplar en buen estado, sin anotaciones ni desperfectos.

Tapa blanda. Condizione: Como nuevo. Contiene el cuño del anterior propietario.

Condizione: New. 978-84-9102-007-3. SOBRINO SIMAL, J. / J. L. CHAVEZ MAZA, EDS.: FABRICADO EN MACARENA. HOGAR VIRGEN DE LOS REYES, DEL 24 DE MARZO AL 24 DE JUNIO. 2015 AYUNTº DE SEVILLA -Sº PUBLICACIONES 960 gr.

Tapa blanda. Condizione: New. SUAREZ GARCIA, J. I. / R. SOBRINO / M. ENCINA CORTIZO, EDS.: MUSICA LIRICA Y PRENSA EN ESPAÑA (1868-1936): OPERA, DRAMA LIRICO Y ZARZUELA. 978-84-17445-06-5, UNIV. DE OVIEDO, 2018. Nuevo 855 gr. Libro.

Condizione: New. MARTINEZ, A. / J. BARTOLOME / C. GARCIA / P. REDONDO, EDS. : EN LA SENDA DE ALCIATO. PRACTICA Y TEORIA EMBLEMATICA, 978-84-9133-529-0. VALENCIA, 2022 (Nuevo). 1120 gr. 1120 gr. Libro.

Tapa blanda. Condizione: New. 1ª edición. DAHL, V. / A. SOBRINO, EDS.: ESTUDIOS SOBRE PROGRAMACION LOGICA Y SUS APLICACIONES. SANTIAGO DE COMPOSTELA (A CORUÑA), 1996, 421 p. figuras, 830 gr. Encuadernacion original. Nuevo. (FO-4-4) 830 gr. Libro.

Tapa blanda. Condizione: New. 1ª edición. BARRO, S. / A. BUGARIN / A. SOBRINO, EDS.: ADVANCES IN FUZZY LOGIC. SANTIAGO DE COMPOSTELA (A CORUÑA), 1998, 270 p. , 540 gr. Encuadernacion original. Nuevo. (D-3) 540 gr. Libro.

Papel. Condizione: Bien. Edición para alumnos de Bachillerato con texto latino, notas, vocabulario y mapa de la Galia preparada por Hipólito Escolar Sobrino y Valentín García Yebra. -- 83 p. -- Clásicos Gredos, Textos escolares. -- Texto en latín con notas a pie de página en castellano. -- Anot. mss. a lápiz. …

Condizione: gut. Musical Exoticism. The Mediterranean and Beyond in the Long Nineteenth Century In deutscher Sprache. pages.

Condizione: gut. Symphonism in Nineteenth-Century Europe In deutscher Sprache. pages.

Hardback, xii + 392 pages, Size:210 x 270 mm, Illustrations:39 b/w, 16 tables b/w., 34 musical examples, Language: English. *new ISBN 9782503611778. Summary The sound image of Otherness has been a significant source of inspiration for Western music, especially since the late eighteenth century. Encounters with the racial and geographical Other fomented interest in unfamiliar musical traditions, which informed exotic projections by Western composers. This volume explores aspects of musical exoticism and its staging during the long nineteenth century, with a special focus on the Mediterranean. This diverse and yet historically interconnected region was arguably the heart of the exotic enterprise during this period. The intersection of exoticism, nationalism and empire is considered, with a special focus on the situation of Spain as both source of local colour and purveyor of musical exoticism. The essays in this volume explore elements of exoticism across a range of musical styles: from song to opera and the popular musical stage, and from instrumental to symphonic works. The analysis of this corpus also involves the examination of musical culture in dialogue with literature and figurative arts. While many of the essays focus on constructions of exoticism in individual works, several essays focus on repertories of musical exoticism and their coverage in musicological literature. TABLE OF CONTENTS Michael Christoforidis - Ramón Sobrino, Preface Musical Exoticism and the Mediterranean to the Mid Nineteenth Century Ralph P. Locke, Leaving alla turca behind: The Middle East in Opera and Other Musical Genres, 1800-1850 María Encina Cortizo, Exotic Sounds of Spain: French Musical Imageries Between Spain and the Orient: Musical Exoticism, Nationalism and the Alhambra Ramón Sobrino, Musical Exoticisms in 19th-Century Spain: Imaginary Sounds of Spanish Otherness Francesc Cortès, Oriental and National Elements in the Early Operas of Felip Pedrell: Changes and Transformations of El último Abencerraje (1868) into L'Ultimo Abenzeraggio (1889) Gloria A. Rodríguez-Lorenzo - Francisco J. Giménez-Rodríguez, Granada la bella (1896): Musical Exoticism and Nostalgia at the Turn of the Century Michael Christoforidis - Elizabeth Kertesz, Exoticism and Beyond: The Habanera, Alhambrism and Musical Modernity in Belle-époque Paris Staging Exoticism in Opera Roberto Scoccimarro, Otherness, Self-Affirmation and Self-Denial in Félicien David's Opéras-comiques Lalla-Roukh (1862) and La captive (1864) Valeria Wenderoth, Reynaldo Hahn's L'Île du Rêve (1898) and the Multi-Faceted Representation of Otherness Stanislav Tuksar, Exoticism as a Specific Expression of Otherness in Some Acculturation Phenomena within Nineteenth-Century Croatian Arts Vjera Kataliníc, Staging Exoticisms: Case Studies in the Operatic Iconography of the Late Nineteenth-Century Zagreb National Theatre Exoticism in Song and Popular Musical Theatre Nicolas Boiffin, Exoticism in the German Lied: E. Geibel and P. Heyse's Spanisches Liederbuch and Its Musical Settings Sonja Starkmeth, 'Off to Cairo': Musical Orientalism in Late Victorian Musical Comedy Andrea García Torres, The bayadera on the Spanish Stage: Frivolity and Colonialism in European Cultures via the Orient Paul Krejci, A Case Study of White American Male Othering in Early 20th Century Popular Music: The Exotic Songs of Seattleite Minstrel Harold Taylor Weeks Reflection Jean-Pierre Bartoli, From 1974 to 2022: Some Reflections for a Short History of Studies on Exoticism and Orientalism in Music 0 g. …

Hardback, xiv + 484 pages, Size:210 x 260 mm, Languages: English, Spanish, German. ISBN 9782503586434. Summary This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in which it encompassed not only the creation of musical products and performances, but also significantly affected many compositional approaches, as well as aesthetic factors, such as the opposition between programme and absolute music. The emergence of the great symphony orchestras led to unprecedented types of professional interaction, and new forms of patronage. It also fostered the creation of a specific repertoire, and the construction of the first purpose-built concert halls. These developments originated in Europe at the beginning of the 19th century, in conjunction with the growth of music destined for increasing orchestral formations and the concert as a social phenomenon, available to the common public. About twenty authors discuss in this volume issues about analysis and musical creation, repertoire, musical aesthetics and criticism, orchestras and symphonic ensembles, musical performing venues, production system, consumption, entertainment system and the dissemination and reception of symphonic models in Europe. Through the work of Beethoven, Berlioz, Mendelssohn, Brahms, Mahler, Strauss, among others, the volume addresses these and other aspects across the European geography and in different contexts: Spain, Italy, French, Portugal, United Kingdom, Northern Europe and Eastern Europe. TABLE OF CONTENTS José Ignacio Suárez García - Ramón Sobrino Sánchez Introduction Symphonic Works by Western European Composers Christian Speck Zum Orchester in Beethovens Symphonien R. Larry Todd «Und es soll wahrhaft kein Choral darin vorkommen»: On Mendelssohn's Use of Chorales in His Symphonies Virginia Whealton Transformed Abruzzi: Harold en Italie, the récit de voyage, and French Romantic Visual Culture James L. Zychowicz Gustav Mahler's Adagio Movements and His Evolving Symphonic Structures Vadim Rakochi Dramaturgical Functions of Solos in Richard Strauss's Symphonic Poems Johannes Brahms: A Case Study George S. Bozarth Brahms's Symphonism Jacquelyn Sholes On Meaning in Brahms's Symphonies David Hurwitz Dvo!ák's Fifth Symphony: A Politically Incorrect Inspiration for Brahms's Third? National Approaches to Symphonic Literature Marino Pessina Le 'Sinfonie' giovanili di Antonio Bazzini: una ricognizione Ramón Sobrino Sánchez The Sociedad de Conciertos de Madrid (1866-1903) and the Unión Artístico-Musical (1877-1891): From the Reception to the Creation of a Symphonic Repertoire in Spain Jeremy Dibble The Last Symphonies of Hubert Parry and Charles Villiers Stanford: A Journey towards Structural Compression Pauline Fairclough Legacies of Romanticism in the early Soviet Symphony Musical Performance Venues, Organizations, and Entertainment Systems Francesco Esposito The Concertante Symphony as 'Musical Metaphor': The Role of Orchestral Music in the Concert Practice of Liberal Lisbon (1822-1853) Francesc Cortès La orquesta del G. T. del Liceu de Barcelona: organización y funcionamiento en los conciertos sinfónicos de la segunda mitad del s. xix Andrea García Torres Los conciertos populares en el ámbito madrileño: la búsqueda de nuevos públicos y la urgencia por europeizar el sistema musical Mia Löwengart From a Bourgeois Concern to a Matter of Social Urgency: Legitimization and Institutionalization of Symphonic Music in Stockholm, 1890-1926 Musical Practices, Reception, and Criticism Chloe Valenti Pitched Battles? Vocal Health and the British Pitch Debate in the Late Nineteenth Century José Ignacio Suárez García Wagner en los conciertos sinfónicos: su recepción en Madrid en el siglo xix (1864-1901) Stanislav Tuksar The Issues of Programme and Absolute Music in the Writings of the Leading Croatian 19th-Century Musicologist Franjo Ksaver Kuha" (1834-1911) Abstracts Biographies Index of Names 0 g.…

Hardback, Pages: 464, Size:210 x 270 mm, Illustrations:62 b/w, 48 tables b/w., Language(s):English, Spanish. ISBN 9782503624662. Summary During the 19th century, music thrived in a variety of private and public spaces beyond the confines of theatres and concert halls throughout Europe. This volume decisively examines these unconventional venues, including outdoor locations such as gardens, municipal parks, squares, and fairs, alongside indoor environments such as spas and casinos. With over eighteen chapters, this collection provides a comprehensive overview of musical activities across diverse urban settings and social contexts during the long 19th century. The narratives take place in vibrant cafes, gardens, amusement parks, and seaside resorts, significantly highlighting the festive periods of Carnival. Furthermore, this volume underscores the critical role of music in exhibition spaces, equestrian arenas, the world of the circus, and military parades. By delving into these diverse spaces, we gain valuable insights into the musical landscape, where traditional concert hall and opera house audiences interacted with amateurs, dilettantes, and working-class individuals who often lacked formal education. This exploration encompasses 19th-century Europe, focusing on key Romantic cities such as Paris, Vienna, Amsterdam, Brussels, Lisbon, Madrid, and Barcelona, while also considering other alternative urban contexts like Astorga, Pula, and the Austrian Riviera in Abbazia. Additionally, the outlook is completed by an authoritative study of a circus itinerary in 19th-century England. TABLE OF CONTENTS Francesc Cortés i Mir - Ramón Sobrino Preface Music in Diverse Urban Settings: Socialization and Amusement Emilio Casares Rodicio Un espacio alternativo a la música de salón: el café y sus músicas Julia Mária Martínez-Lombó Testa La Sociedad Recreativa del Casino de Astorga: paradigma de espacio musical de una ciudad burguesa de provincias de la España de la segunda mitad del siglo XIX Amélie Addison Performing with a Monster Menagerie: A Circus Bandsman's Perspective Negotiating Spaces: Music Repertoires from the Theatre to the Equestrian Arena William Osmond « J'peux pas, j'ai kermesse! »: French Opera and comédie-vaudeville in the Amsterdam Kermis (1830-1839) Rachel Becker Unconventionally Conventional: Instrumental Music in the Opera Theatre Noriko Kamiyama 'Music Festival of the Future' at the Equestrian Arena in Ballenstedt Étienne Jardin Concert Venues in 19th-Century France: An Overview of Cuckoo's Nests John D. Wilson - Cheston Humphries - Mary Kirchdorfer A 'City of Music' without a Concert Hall: Concert Life in Vienna around 1800 Military Orchestras and Bands: Promoting Music for Education and Entertainment Gloria A. Rodríguez-Lorenzo Workhouses Bands in 19th-Century Spain: Music, Education and Social Inclusion Lada Durakovi? - Marijana Kokanovi? Markovi? Klänge aus Pola: Open-Air Concerts of the Naval Orchestra under the Baton of Franz Lehár Vjera Katalini? A Military Ensemble as a Spa Entertainer: The Case of the 79th Infantry Regiment Orchestra Outdoor Music Spectacles in the Civic Cultural Agenda Joana Peliz Del Convento de las Capuchinas de París a las fincas y plazas de toros de la Península Ibérica: la música en las exhibiciones fantasmagóricas y aerostáticas de Étienne-Gaspard y Eugène Robertson Clément Noël Extending Berlioz's Utopia? Gustave Charpentier and the Architectural Music of the Couronnement de la Muse Jan Dewilde Markets and Squares as Concert Venues in 19th-Century Flanders: Open-Air Cantatas of Peter Benoit (1834-1901) Musical Repertoires in 19th-Century Gardens across the Iberian Peninsula Francesc Cortès Los conciertos en los Jardines de Euterpe y los Campos Elíseos de Barcelona (1859-1874): tránsito de repertorios entre la ópera y la música popular Rui Magno Pinto An Unprecedented Musical Clash at Lisbon's Gardens: The Promenade Concerts of the Associação Música 24 de Junho and of the Associação de Professores de Música María Encina Cortizo El furor por el baile en el Madrid de mediados del siglo XIX: bailes campestres, sociedades y jardines Ramón Sobrino Conciertos sinfónicos y teatro lírico en los jardines madrileños (1864-1868) Abstracts and Biographies Index of Names 0 g.…