steven salzman (9 risultati)

Soft cover. Condizione: Very Good. No Jacket. BBC 03 8½"x11"; 98 pages; Soft Pictorial Cover; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. Due to USPS regulations, this item may require additional postage. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. BBC Music Magazine is a British monthly magazine that focuses primarily on classical music. Each edition comes together with an audio CD, often including BBC recordings of full-length works. The first issue appeared in September 1992. The magazine includes regular columns and reviews of new releases as well as several in depth feature articles by noted music writers. Each issue contains a CD featuring complete works by the greatest composers, performed by world-class artists and ensembles. This issue includes the audio CD "Purcell; Dido & Aeneas the Complete Opera" performed by the Taverner Choir & Players, conducted by Andrew Parrott, featuring Emily Van Evera (Dido) and Ben Parry (Aeneas); This issue contains the following articles: "Counterpoint: Company Profile" (Conifer Classics) by Nick Kimberley; "from an ivory tower: Java's music caught in the act by 'a gentleman at Semarang" by John Milsom; "Music in Art" (St. Cecelia with attendant saints by Raphael and St. Cecelia by Domenichino) by Tom Phillips; "A Lasting Inspiration: Jacqueline du Pre" by Piers du Pre, Hilary du Pre, George Pratt and Steven Isserlis; "Composers of the Year": Henry Purcell by Robert King; John Taverner by Henry Chadwick; Gabriel Faure by Robert Orledge; Bela Bartok by Peter Paul Nash, Anton Webern by Eleonore Buning, Jerome Kern by Eric Salzman, Paul Hindemith by Paul Silverthorns, Carl Orff by David Drew; "Today's Composers look to the year ahead" (Luciano Berio, Giya Kancheli, Priti Paintal, Dave Brubeck, Nicolas Maw, Mark-Anthony Turnage); "Kissin's not telling" (profile of pianist Evgeny Kissin) by Jeremy Siepmann; "Building a Library" (Richard Wagner's Die Meistersinger von Nurnberg) by John Warrack; "Brian Kay's Starter Collection" (essential performances from the classical repertoire) by Brian Kay; "Strange bedfellows" (jazz-rock fusion) by Ian Carr; "Quodlibet; Modes of expression" (composers expression marks) Fritz Spiegl; "Music that changed me" (Robert Lloyd, bass) interview by Margaret Rand.

hardcover. Condizione: As New. Never read, no marks or highlighting in the book. Our copy is hardback with printed covers, showing light shelf-wear. Oversize book, extra shipping charges to locations outside USA.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. As new in the publisher's original shrink wrap. A completely unopened book. International/Priority shipping at cost.

Condizione: Gut. Zustand: Gut | Seiten: 360 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

hardcover. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

gebundene Ausgabe. Condizione: Gut. 322 Seiten Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 720.

Condizione: New. In.

Gebunden. Condizione: New.

Buch. Condizione: Neu. Neuware - The symposium from which this book originates represents a sig nificant watershed in the field of intraoperative neural monitoring, since the participants concluded that electrophysiologic monitoring techniques should be considered a 'standard of care' for surgical pro cedures that place the central nervous system (CNS) at risk for injury. Specifically, it was agreed that the somatosensory-evoked potential (SEP) is a remarkably reliable and sensitive indicator of several aspects of CNS function, and should be routinely employed as an intraopera tive monitor during many neurosurgical and orthopedic procedures. The significance of this conclusion cannot be overstated, for at the time of this writing, intraoperative monitoring methods based on evoked-potential analyses are still considered experimental and are not in routine use. The reasons for this are not clear, given the accu mulation of literature and expertise on this subject over the past five years. Granted, the cost of electrophysiological monitoring equip ment is high, but only initially. The benefits of injury prevention far outweigh these costs, from both medical and economic viewpoints. It is our sincere hope and goal that the medical community be made aware of the value of intraoperative neural monitoring.