Stuart davis lowery stokes sims (12 risultati)

Softcover exhibiton catalog, 334 pages, good condition: two long creases to upper right corner of cover; light edgewear and yellowing to spine, internally fine; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good. book has light wear to corners and ends of spine, light shelf wear/toning to cover, otherwise in solid clean shape.

Softcover, 334 pages, very good condition: owner's blindstamp to first and last page; no other internal marks. Foreign shipping may be extra.

Paperback. Condizione: Near Fine. 333 pages, illustrations (some colour); 31 cm. Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, November 23, 1991 to February. 16, 1992 and at the San Francisco Museum of Modern Art, March 26 to June 7, 1992. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "A volume on Stuart Davis, an American artist of the 20th century. He forged a personal and varied iconography inspired by the upheaval of the city, the tranquility of the seaside, industry and the automobile, cafe society, sports, jazz music and his year-long stay in Paris." - Publisher. *** CONTENTS: Stuart Davis and modernism: an overview, by Diane Kelder; The rewards and disappointments of the Ashcan School: the early career of Stuart Davis, by Robert Hunter; "Becoming a modern artist": the 1920s, by Karen Wilkin; Stuart Davis in the 1930s: a search for social relevance in abstract art, by Lowery Stokes Sims; Stuart Davis in the 1940s, by John R. Lane; Stuart Davis in the 1960s: "the amazing continuity", by William C. Agee; Stuart Davis's word-pictures, by Lewis Kachur. Size: 4to. …

Oversized Paperback. Condizione: Good.

Condizione: Very good. - Quarto, 12 inches high by 9 inches wide. Softcover, bound in color pictorial white wraps. The top front corner of the front cover is bumped and the covers are lightly rubbed. The top edges of the covers and the spine are slightly darkened. 333 pages, profusely illustrated in color and black & white throughout. Very good. First edition.A tri-fold exhibition brochure is laid in at the front.…

Hardcover. Condizione: Fine. Folio in white jacket illus in color; 333 pages: illustrations (some color); 31 cm; bibliographical references (pages 319-326) and index. Weighs 4 lbs 6 ounces. "A volume on Stuart Davis, an American artist of the 20th century. He forged a personal and varied iconography inspired by the upheaval of the city, the tranquility of the seaside, industry and the automobile, cafe society, sports, jazz music and his year-long stay in Paris."?Publisher. "Published in conjunction with the exhibition 'Stuart Davis, American Painter, ' held at the Metropolitan Museum of Art, New York, November 23, 1991-February 16, 1992, and at the San Francisco Museum of Modern Art, March 26-June 7, 1992"--Title page verso. / Contents: Stuart Davis and modernism: an overview / Diane Kelder -- The rewards and disappointments of the Ashcan School: the early career of Stuart Davis / Robert Hunter -- "Becoming a modern artist": the 1920s / Karen Wilkin -- Stuart Davis in the 1930s: a search for social relevance in abstract art / Lowery Stokes Sims -- Stuart Davis in the 1940s / John R. Lane -- Stuart Davis in the 1960s: "the amazing continuity" / William C. Agee -- Stuart Davis's word-pictures / Lewis Kachur. / Ausstellung Schilderijen. New York (NY, 1991); Davis, Stuart, 1892-1964 -- Exhibitions. Davis, Stuart, 1892-1964 -- Criticism and interpretation. Davis, Stuart, 1892-1964. Davis, Stuart, 1892-1964 -- Expositions. Davis, Stuart, 1892-1964 -- Critique et interpr?tation. Davis, Stuart, 1892-1964. Davis, Stuart. / **A large, heavy book. Extra shipping charges may apply for international & expedited orders.Weighs 4 lbs 6 ounces before packing. Please inquire.**. Fine. As new in original shrinkwrap; spine title parlty sunned. Please see photos.…

Hardcover with dustjacket, 334 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. 333 pages. Published in conjunction with an exhibition that ran November 23, 1991 thorugh February 16, 1992 at The Metropolitan Museum of Art and then traveled to the San Francisco Museum of Modern Art for a run o fMarch 26 thorugh June 7, 1992. Features text contributions by William C. Agee, Robert Hunter, Lewis Kachur, Diane Kelder, John R. Lane, Lisa J. Servon and Karen Wilkin. Includes 300 illustrations with 129 in color, a chronology, bibliography and an index. A tight very near fine copy in wrappers. Still one of the better books on Davis.…

Hard Cover in Dust Jacket. Condizione: Near Fine. HARDCOVER IN DUST JACKET. 4to, 333 pp, near fine in pictorial dust jacket. 300 illustrations including 129 in color. Chronology; bibliography. Surprisingly uncommon in hardcover.

Hardback. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. 1991. 333pp. 300 illustrations including 129 in colour. "Stuart Davis (1892-1964) is one of the most important American artists of the twentieth century, whose artistic sensibility was formed early on by his teacher, Robert Henri, leader of "The Eight," and by the revolutionary Armory Show of 1913. That landmark exhibition exposed Davis to the new European modernism, which challenged traditional and academic concepts of art. From 1909 to 1923, the works of van Gogh, Matisse, Mondrian, Léger, and the Cubists were the main sources of inspiration for Davis's artistic experimentation, and he blended their influences with his own unique subject matter, which was rooted in the diversity of American culture. Out of the energy, vibrancy, change, and conflict of contemporary life, Davis forged a personal iconography inspired by the upheaval of the city, the tranquility of the seaside, industry and the automobile, cafe society, sports, consumer packaging, tobacco, appliances, and jazz music and its lingo—and by his year-long stay in Paris in 1928. His political activism led Davis to serve as an illustrator for "The Masses" and as an editor of "Art Front," as a member of the Artists' Union and the American Artists Congress, and as a muralist for the Federal Art Project of the WPA. Yet, what distinguishes Stuart Davis's art is an "amazing continuity"—his unwavering propensity for continually reworking themes and motifs throughout his fifty-five-year-long career. It serves as the underlying theme of this volume, published to coincide with the first retrospective exhibition of the artist's work in over twenty-five years, held at The Metropolitan Museum of Art and the San Francisco Museum of Modern Art. Featured are aspects of Davis's oeuvre that have received scant scholarly attention to date, such as the early landscapes of 1909-20, the Paris paintings of the 1920s, and works of the 1940s through the 1960s—all examined within the context of such concurrent art movements as Abstract Expressionism, Pop Art, and Color Field painting. The ciphering and encoding that were integral to Davis's compositions continue to challenge scholars, but the cooperation of the artist's estate and considerable up-to-date information and recent discoveries have helped to shed new light on the imagery in the paintings, watercolors, gouaches, drawings, and graphic works included here, many of which are reproduced in brilliant color. The seven essayists, all Stuart Davis scholars, trace the evolution of the artist's development: Diane Kelder discusses Davis's relationship to modernism; Robert Hunter, the early works of 1909-20; Karen Wilkin and Lowery Stokes Sims, Davis's art of the 1920s and 1930s, respectively; John R. Lane, Davis in the 1940s; William C. Agee, the thematic recapitulations in the work of the 1960s; and Lewis Kachur, the prominence of the word and image in Davis's compositions. Together with the ninety commentaries on 175 of the artist's works, the essays celebrate the achievements of this protean figure in American painting and the full import of Stuart Davis in the context of the history of twentieth-century art." Book and unclipped dust jacket both in excellent condition with no inscriptions. PLEASE NOTE: Heavy book so extra will be needed for shipping to non-UK customers. Stuart Davis (illustratore).…

Hardcover. Condizione: New. 1.34 x 12.13 x 9.21 Inches.