swoboda gudrun (89 risultati)

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Quarto. Hardcover. Illustrated boards. 294 pages : illustrations (chiefly color), facsimiles, plans, portraits ; 28 cm. "Competition is one of the driving forces of our time - everything can suddenly turn into a challenge or a contest. Art, on the other hand - that is outside the art market - can be seen as a free space in which something genuinely unique emerges. That this construct is a historical exception is revealed by a fresh look at the early modern period: Here, the principle of competition was thought to be decisive for artistic work. What is more, the competitive habitus of imitation, competition and surpassing - imitatio, aemulatio and superatio - was supposed to bring about cultural progress as such. Even Leonardo knew that "good envy" spurs high performance. Hence, some of the most famous works of the Renaissance and Baroque periods emerged from the competitive battles that artists in early modern Europe fought among themselves, as well as with long-dead models from antiquity. This splendid catalogue reveals mutual inspiration and cooperation, but also sheds light on the dark side of competition for prestigious commissions - envy, intrigue, and slander." --. VG. Small scratch to rear board. Otherwise clean.

Condizione: as new. Wie neu/Like new.

Condizione: new.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: New.

Condizione: As New. Unread book in perfect condition.

4°, gebundene Ausgabe, 1. Auflage,. 296 Seiten, Das Buch ist in einem sehr guten Zustand. Als Geschenk geeignet. 9783775753982 Sprache: Englisch Gewicht in Gramm: 1574.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. Competition is one of the driving forces of our time - everything can suddenly turn into a challenge or a contest. Art, on the other hand - that is outside the art market-can be seen as a free space in which something genuinely unique emerges. That this construct is a historical exception is revealed by a fresh look at the early modern period: Here, the principle of competition was thought to be decisive for artistic work. What is more, the competitive habitus of imitation, competition and surpassing - imitatio, aemulatio and superatio - was supposed to bring about cultural progress as such. Even Leonardo knew that "good envy" spurs high performance. Hence, some of the most famous works of the Renaissance and Baroque periods emerged from the competitive battles that artists in early modern Europe fought among themselves, as well as with long-dead models from antiquity. This splendid catalogue reveals mutual inspiration and cooperation, but also sheds light on the dark side of competition for prestigious commissions - envy, intrigue, and slander. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. An exceptional paperback copy with French flaps. Particularly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 325 pages : illustrations (chiefly color), portraits ; 29 cm. Notes; "This catalogue is published on the occasion of the exhibition "Caravaggio & Bernini. Entdeckung der Gefühle" at the Kunsthistorisches Museum Vienna, from 15 October 2019 to 19 January 2020, and "Caravaggio & Bernini. Barok in Rome" at the Rijksmuseum in Amsterdam, from 14 February to 7 June 2020"--Colophon. Includes bibliographical references (pages 300-321). Text in English, translated from the German, Dutch, and Italian. Contents; Foreword / Sabine Haag and Taco Dibbits -- Rome. New and old 'navel of the world' / Stefan Weppelmann -- Motion and Emotion. Art in the 'age of the affects' / Gudrun Swoboda -- Painterly Sculpture / Frits Scholten -- Narcissus and the Pathopoeia of the Early Modern Age / Sebastian Schütze -- Bernini and Caravaggio, the 'Body of the Soul' / Giovanni Careri -- Baroque Bodies. Artistic role play in seventeenth-century Rome / Joris van Gastel -- From Affect to Miracle. On the representation of divine grace in the seventeenth-century / Joseph Imorde -- The Classical in Baroque Art. History of a disrupted dialectic / Evonne Levy -- Catalogue -- Meraviglia & Stupore -- Orrore & Terribilità / Andreas Plackinger -- Amore / Victoria von Flemming -- Visione / Joseph Imorde -- Passione & Compassione / Stefan Albl -- Moto & Azione / Arent Boon -- Vivacità / Gudrun Swoboda -- Antichità & La gran maniera greca / Frits Scholten -- Scherzo / Frits Scholten. Subjects; Caravaggio, Michelangelo Merisi da 1573-1610 ; Exhibitions. Caravaggio, Michelangelo Merisi da 1573-1610 Criticism and interpretation. Caravaggio, Michelangelo Merisi da 1573-1610 Themes, motives. Bernini, Gian Lorenzo 1598-1680 ; Exhibitions. Bernini, Gian Lorenzo 1598-1680 Criticism and interpretation. Bernini, Gian Lorenzo 1598-1680 Themes, motives. Art, Baroque Italy Rome ; Exhibitions. Painting, Baroque Italy Rome ; Exhibitions. Figurative painting, Italian Rome 16th century ; Exhibitions. Figurative painting, Italian Rome 17th century ; Exhibitions. Christian art and symbolism. 1 Kg.

Condizione: as new. Wie neu/Like new.

Hardcover. Condizione: As New. Originalverpackt. Die Gemäldegalerie des Kunsthistorischen Museums zählt zu den bedeutendsten und traditionsreichsten Sammlungen ihrer Art. Als kaiserliche Galerie wurde sie bereits im späten 18. Jahrhundert öffentlich zugänglich gemacht, und schon damals waren die ausgestellten Bilder nach verschiedenen Malereischulen geordnet. Hervorgegangen ist die Galerie jedoch aus höfischen Sammlungen, die nach völlig anderen Kriterien angelegt worden waren und auch anderen Zwecken dienten als der Bildung einer bürgerlichen Öffentlichkeit. Woher kamen die Gemälde, die heute noch im Kunsthistorischen Museum betrachtet werden können? Wie wurden sie wann präsentiert? Solche Fragen verweisen auf historische Entwicklungen und Ereignisse, die mit der polyzentrischen Machtausübung des Hauses Habsburg eng verflochten sind. Große Sammlerpersönlichkeiten der frühen Neuzeit wie Kaiser Rudolf II. in Prag, Königin Christina von Schweden, Erzherzog Leopold Wilhelm in Brüssel und Kaiser Karl VI. in Wien spielten in dieser um 1600 ansetzenden Geschichte eine entscheidende Rolle.

Condizione: New.

Hardcover. Condizione: New.

Hardcover. Condizione: New.

Condizione: New. In.

Condizione: new.

Condizione: New.

Hardcover. Condizione: New.

Hardback. Condizione: New. Competition is one of the driving forces of our time - everything can suddenly turn into a challenge or a contest. Art, on the other hand - that is outside the art market-can be seen as a free space in which something genuinely unique emerges. That this construct is a historical exception is revealed by a fresh look at the early modern period: Here, the principle of competition was thought to be decisive for artistic work. What is more, the competitive habitus of imitation, competition and surpassing - imitatio, aemulatio and superatio - was supposed to bring about cultural progress as such. Even Leonardo knew that "good envy" spurs high performance. Hence, some of the most famous works of the Renaissance and Baroque periods emerged from the competitive battles that artists in early modern Europe fought among themselves, as well as with long-dead models from antiquity. This splendid catalogue reveals mutual inspiration and cooperation, but also sheds light on the dark side of competition for prestigious commissions - envy, intrigue, and slander.

First Edition. An exceptional paperback copy with French flaps. Particularly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 325 pages : illustrations (chiefly color), portraits ; 29 cm. Notes; "This catalogue is published on the occasion of the exhibition "Caravaggio & Bernini. Entdeckung der Gefühle" at the Kunsthistorisches Museum Vienna, from 15 October 2019 to 19 January 2020, and "Caravaggio & Bernini. Barok in Rome" at the Rijksmuseum in Amsterdam, from 14 February to 7 June 2020"--Colophon. Includes bibliographical references (pages 300-321). Text in English, translated from the German, Dutch, and Italian. Contents; Foreword / Sabine Haag and Taco Dibbits -- Rome. New and old 'navel of the world' / Stefan Weppelmann -- Motion and Emotion. Art in the 'age of the affects' / Gudrun Swoboda -- Painterly Sculpture / Frits Scholten -- Narcissus and the Pathopoeia of the Early Modern Age / Sebastian Schütze -- Bernini and Caravaggio, the 'Body of the Soul' / Giovanni Careri -- Baroque Bodies. Artistic role play in seventeenth-century Rome / Joris van Gastel -- From Affect to Miracle. On the representation of divine grace in the seventeenth-century / Joseph Imorde -- The Classical in Baroque Art. History of a disrupted dialectic / Evonne Levy -- Catalogue -- Meraviglia & Stupore -- Orrore & Terribilità / Andreas Plackinger -- Amore / Victoria von Flemming -- Visione / Joseph Imorde -- Passione & Compassione / Stefan Albl -- Moto & Azione / Arent Boon -- Vivacità / Gudrun Swoboda -- Antichità & La gran maniera greca / Frits Scholten -- Scherzo / Frits Scholten. Subjects; Caravaggio, Michelangelo Merisi da 1573-1610 ; Exhibitions. Caravaggio, Michelangelo Merisi da 1573-1610 Criticism and interpretation. Caravaggio, Michelangelo Merisi da 1573-1610 Themes, motives. Bernini, Gian Lorenzo 1598-1680 ; Exhibitions. Bernini, Gian Lorenzo 1598-1680 Criticism and interpretation. Bernini, Gian Lorenzo 1598-1680 Themes, motives. Art, Baroque Italy Rome ; Exhibitions. Painting, Baroque Italy Rome ; Exhibitions. Figurative painting, Italian Rome 16th century ; Exhibitions. Figurative painting, Italian Rome 17th century ; Exhibitions. Christian art and symbolism. 1 Kg. Item is Shipped from Ireland or US locations.

Condizione: NEW.