Szondi peter (615 risultati)

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

small PAPERBACK, worn but still good used copy, BUT very slightly musty due to storage in basement. previous owner's name. SZONDI, PETER. Theorie des modernen Dramas. Frankfurt am Main: Suhrkamp, 1963, 1.-15. Tausend, 169pp., .

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 246 pp., paperback, a few instances of light highlighting, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Condizione: Acceptable. Used - Acceptable. Sticker on cover. Some water damage / staining. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Szondi, Peter, 1929-1971. Theorie des modernen Dramas, 1880-1950. Frankfurt am Main: Suhrkamp, 1970, 7. Auflage, 51.-60. Tausend, 169pp., small PAPERBACK, very good, lightly used, spine a bit darkened, previous owner's name. edition suhrkamp, 27. First published in 1956, his famous dissertation done under Emil Staiger.…

Paperback. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

pocket_book. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Good. 1964. No Edition Remarks. 169 pages. Yellow paper cover with lettering. Textblock is in German. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Paper cover has mild edge wear with light rubbing and creasing. Some light marking and tanning.…

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. About 10 pages in Chapter 11 with underlining and marginalia. Minor edge-wear to covers and pages. No dj. Lh.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Condizione: New.

Paperback or Softback. Condizione: New. Celan Studies. Book.

Paperback or Softback. Condizione: New. Essay on the Tragic. Book.

Paperback. Condizione: New. Peter Szondis pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle. The first of the books two parts consists of a series of commentaries on philosophical and aesthetic texts from twelve thinkers and poets between 1795 and 1915: Schelling, Hölderlin, Hegel, Solger, Goethe, Schopenhauer, Vischer, Kierkegaard, Hebbel, Nietzsche, Simmel, and Scheler. The various definitions of tragedy are read not so much in terms of their specific philosophies, but rather in the way their views assist in analyzing tragedies with an aim to establish a general concept of the tragic. The second part presents exemplary analyses of eight tragedies: Sophocles'Oedipus Rex, Calderons Life Is a Dream, Shakespeares Othello, Gryphius Leo Armenius, Racines Phaedra, Schillers Demetrius, Kleist's The Schroffenstein Family and Büchner's Danton's Death. The readings neither presuppose a concept of the tragic determined by context (as in Hegel's idea of the conflict between two orders of right), nor do they focus exclusively on the texts explicit contents. Instead, they elaborate the dialectical or aporetic structures at the heart of the tragic. The works analyzed represent the four great epochs of tragic poetry: the age of Greek tragedy; the Baroque era in Spain, England, and Germany; French Classicism; and the age of Goethe.…

Paperback. Condizione: New. Peter Szondi's Celan Studies marked the beginning of critical work on Paul Celan, the most important German poet of the second half of the twentieth century. The book's three studies each concentrate on a different Celan poem. "The Poetry of Constancy: Paul Celan's Translation of Shakespeare's Sonnet 105" investigates a historical turn from a poetry that claims to present its object to a poetry that only promises to do so. "Reading 'Engführung'" follows the movement of poetic language into territory undisclosed to epistemic reason. "Eden" addresses "Du liegst," a poem on the murder of Rosa Luxemburg and Karl Liebknecht; Szondi actually was with Celan when the poem was written. It analyzes the relation between the historical facts to which a poem refers and its composition. The book contains, as appendixes, Szondi's notes for three more projected studies of Celan poems, left unwritten at the time of his death in 1971.…

paperback. Condizione: Very Good. DETAILS: small PAPERBACK, very good small gray book with separate yellow dust-jacket which is soiled and worn. SZONDI, PETER. Theorie des modernen Dramas, 1880-1950. Frankfurt am Main: Suhrkamp Verlag, 1969, 6. Auflage, 43.-50. Tausend, 169pp., . edition suhrkamp, 27. First published in 1956, his famous dissertation done under Emil Staiger. - Includes discussion of Ibsen, Tschechow, Strindberg, Maeterlinck, Hauptmann, Stilwandel, Piscator, Brecht, Bruckner, Pirandello, O'Neill, Thornton Wilder, Arthur Miller. …

Condizione: New.

Paperback. Condizione: New. Theory of the Modern Drama is a brilliant analysis of the emergence and development of modern drama from the Renaissance to the present day. Szondi shows how the rise of modern drama was linked to broader social processes and expressed some of the beliefs characteristic of early modern Europe. This was manifested in the convention that form was ahistorical and it simply required the appropriate subject matter to do justice to the form. But in the late nineteenth century the form of drama began to change, giving rise to the new types of drama characteristic of the twentieth century. Szondi offers a highly original interpretation of this transformation, linking it with the emergence of an epic form which emphasizes the isolation of the individual. This concise but wide-ranging book discusses the work of Ibsen, Chekhov, Strindberg, Sartre, Brecht and Wilder, among others. It will be essential reading for students of drama, modern languages and literature, and contemporary literary theory.…