tae seung lim (5 risultati)

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware -Shin Yun-bok¿s (1758- ) satire, which pointed out the hedonistic social aspect in the capital of Joseon, constituted a blow to the noblemen¿s moral authority. We can see in his paintings that in the late Joseon dynasty, the ruling ideology, Confucianism, became sullied and collapsed in its faculties as both mental principles and basis for social order. Shin¿s genre paintings show by way of ridicule that he rejected the traditional structure of Confucian aesthetics and devalued the fixed relationship between image and text. The two significant characteristics of Shin¿s style of genre paintings are ¿one icon representing two codes¿ and ¿leverage of ideology and mentalité.¿ Shin¿s genre paintings are a meaningful landmark because they showed and established a new order of mentalité. The mentalité established in inverse proportion to that situation, however, was also not sound. Even though Shin disclosed the moral collapse by satirically criticizing the hedonistic life of the yangban class in his paintings, the very depictions expressed in Shin¿s works also captured the social changes and emergences of modernity. This is a significant virtue of Shin¿s paintings.Books on Demand GmbH, Überseering 33, 22297 Hamburg 64 pp. Englisch.

Taschenbuch. Condizione: Neu. Aesthetics of Ridicule | The Anti-Confucian Discourse and Duplex Criticism in Shin Yun-bok's Paintings | Tae-seung Lim | Taschenbuch | 64 S. | Englisch | 2014 | LAP LAMBERT Academic Publishing | EAN 9783659547508 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Shin Yun-bok s (1758- ) satire, which pointed out the hedonistic social aspect in the capital of Joseon, constituted a blow to the noblemen s moral authority. We can see in his paintings that in the late Joseon dynasty, the ruling ideology, Confucianism, became sullied and collapsed in its faculties as both mental principles and basis for social order. Shin s genre paintings show by way of ridicule that he rejected the traditional structure of Confucian aesthetics and devalued the fixed relationship between image and text. The two significant characteristics of Shin s style of genre paintings are one icon representing two codes and leverage of ideology and mentalité. Shin s genre paintings are a meaningful landmark because they showed and established a new order of mentalité. The mentalité established in inverse proportion to that situation, however, was also not sound. Even though Shin disclosed the moral collapse by satirically criticizing the hedonistic life of the yangban class in his paintings, the very depictions expressed in Shin s works also captured the social changes and emergences of modernity. This is a significant virtue of Shin s paintings. 64 pp. Englisch.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Shin Yun-bok s (1758- ) satire, which pointed out the hedonistic social aspect in the capital of Joseon, constituted a blow to the noblemen s moral authority. We can see in his paintings that in the late Joseon dynasty, the ruling ideology, Confucianism, became sullied and collapsed in its faculties as both mental principles and basis for social order. Shin s genre paintings show by way of ridicule that he rejected the traditional structure of Confucian aesthetics and devalued the fixed relationship between image and text. The two significant characteristics of Shin s style of genre paintings are one icon representing two codes and leverage of ideology and mentalité. Shin s genre paintings are a meaningful landmark because they showed and established a new order of mentalité. The mentalité established in inverse proportion to that situation, however, was also not sound. Even though Shin disclosed the moral collapse by satirically criticizing the hedonistic life of the yangban class in his paintings, the very depictions expressed in Shin s works also captured the social changes and emergences of modernity. This is a significant virtue of Shin s paintings.