Editore: P.S. 1 / Institute for Art and Urban Resources, Inc. Long Island City, NY, 1982
Da: Specific Object / David Platzker, New York, NY, U.S.A.
[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked.
Editore: Kobunsha, 1979
Da: Sunny Day Bookstore, SINGAPORE, Singapore
EUR 52,40
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fine. Number of pages: 250 pages Size: A5.
Editore: Odzuchi-sha, 1971
Da: Sunny Day Bookstore, SINGAPORE, Singapore
EUR 52,40
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fine. Number of books: 1.
Editore: Odzuchi-sha, 1971
Da: Sunny Day Bookstore, SINGAPORE, Singapore
EUR 52,40
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fine. Number of pages: 198.
Editore: Not Available, china, 1991
Da: Sunny Day Bookstore, SINGAPORE, Singapore
EUR 107,42
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fine. The book is in fine condition.
Editore: Not Available, china, 1992
Da: Sunny Day Bookstore, SINGAPORE, Singapore
EUR 160,70
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fine. The book is in fine condition.
Lingua: Giapponese
Editore: ToÌkyoÌ : KyoÌritsu Shuppan, 2008., 2008
ISBN 10: 4320122178 ISBN 13: 9784320122178
Da: Revaluation Books, Exeter, Regno Unito
EUR 191,03
Quantità: 1 disponibili
Aggiungi al carrelloTankobon Hardcover. Condizione: Brand New. Japanese language. 10.31x7.17x1.97 inches. In Stock.
Editore: Daitou Shuppansha, [Tokyo], 1975
Da: Rulon-Miller Books (ABAA / ILAB), St. Paul, MN, U.S.A.
Large 8vo, 12 (of 15) vols.; text in Japanese; navy and black cloth, gilt decorated spine; all near fine in original glassine dust jackets and original slipcases, the slipcases spotted and slipcase of vol. 12 starting to split. This is the complete 11 volumes of the revised edition, and the first supplemental volume (A - SO) by Maruyama published a year later. The series continued with a second supplemental volume, a volume of scriptures, and an author index, which are not present here.