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Condizione: very_good. This book is in excellent condition. There may be minimal writing on the inside cover or cover page. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Very Good.

Condizione: Good. Used book that is in clean, average condition without any missing pages.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: New. In.

Taschenbuch. Condizione: Sehr gut. 1. 416 S. K2166-152 9783404159079 Sprache: Deutsch Gewicht in Gramm: 500.

Condizione: 2. BROCHE.

Paperback. Condizione: Brand New. 9.00x5.75x0.75 inches. In Stock.

Loose Pages. Condizione: Very good. First Edition. ROLLING STONE No 53 March 7, 1970, Ken Kesey on the Farm, The Grateful Dead Bust with works by Robert Altman, Jon Carroll, Lenny Kaye, Terry Link, Michael Goodwin, Milt Shaw, John Burks and others. 54 pages, paper with black and white reproductions. EXTENSIVE Ken KESEY PIECE BY Michael Goodwin. Loose pages, 11" x 17 " Folded to 8 1/2" x 11". Some edge wear to newsprint pages otherwise very good condition.

Softcover. [6], 230, 6 blank for notes, advertising, Offers in-depth knowledge of France beyond travel information: Social Climate, History, Government, Fact Finding, Prime Living Locations, Daily Life - Language, Education, Health, Finance, Employment etc, Resources, - Contacts, Sizes, Phrase Book, Glossary, Index. Glossy photographic card wraps, handy format. Fine, new.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. 1st US edition, 1st printing ; xi, 294 p., [16] p. of plates : ill., maps ; 24 cm. ; LC: F3031; Dewey: 997/.11; OCLC: 8826510 ; ISBN: 0060150823; 9780060150822 LCCN: 82-48612 ; "Portions of this work originally appeared in somewhat different form in the Sunday times" ; black cloth in price-clipped pictorial dustjacket ; bookseller's label on front endpaper ; Contents: Surrender -- The yawning gap -- The rights and wrongs of history -- The long road to war -- Argentina's General Patton -- My job is war -- A most ungentlemanly act -- Task Force South -- The battle for peace -- Enter Al Haig -- The Empire strikes back -- Operation Blackbuck -- Death of the Belgrano -- A final chance for peace -- D-Day -- The blackbird and the falcon -- Bomb alley, Death valley -- The other casualty -- The Battle for Goose Green -- A Bay too far -- Advance on Stanley -- Surrender --Maps: Falklands Islands -- The Battle for Government House -- South Georgia -- Stanley, East Falklands -- Super Etendard, Exocet -- HMS Sheffield -- British Landings at San Carlos -- A4P Skyhawk, Mirage IIIA -- Sea Harrier -- Battle Plan for Goose Green -- Disaster at Bluff Cove -- THe British Advance on Stanley -- South Atlantic. ; G/G. Book.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 260 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

[45] pp.; 21.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 29 - December 20, 1975. Organized and with an essay by Jeffrey Deitch. The pages in the catalogue were prepared by the artists themselves or according to instructions given to Deitch by the artists. Pages of deceased artists designed by Deitch. There is no page for On Kawara. Artists include Vito Acconci, Laurie Anderson, Eleanor Antin, John Jack Baylin, Lynda Benglis, Terry Berkowitz, Joseph Beuys, Christian Boltanski, Jonathan Borofsky, Chris Burden, Scott Burton, Colette, Chris D'Arcangelo, Fernando de Filippi, Agnes Denes, Howard Fried, Gilbert & George, Peter Gordon, Guerrilla Art Action Group, Douglas Huebler, Ray Johnson, On Kawara, Nancy Kitchel, Bruce Kurtz, Les Levine, Anna Link, Marc Miller, Dennis Oppenheim, Adrian Piper, Marcia Resnick, Salvo, Joanne Seltzer, Willoughby Sharp, Alan Sondheim, Alan Sonfist, Eve Sonneman, Andy Warhol, William Wegman, Roger Welch, and Hannah Wilke. "Aside from the John Weber Gallery Invitational, a group show he curated in the summer of 1975, Lives was Jeffrey Deitch's first curatorial project. The theme of Lives was artists who deal with peoples' lives (including their own) as the subject and/or medium of their work. In more simplified terms (the subtitle of the exhibition): artists who use life as their medium. Much of the most exciting new art in the mid-1970s was performative. Lives was one of the first exhibitions to bring together the new generation of artists who fused life and art with artists like Joseph Beuys and Andy Warhol who inspired this new direction. The exhibition took place in an abandoned office building on the corner of Franklin and Hudson Streets in New York City. All of the artists were invited to create pages for the xeroxed catalogue which is now a collectors item. The following excerpt from the catalogue text amplifies the theme of the show: For the "Post-Conceptual" artists in the Lives exhibition, the most fertile area of art activity has become the investigation of the artist and his environment, and as an extension, the study of people in general in their confrontation with the creative decision-making process. The forces in peoples' lives that cause art to be created, and the questions about the relationship between art and life have always been of great importance to artists, but now they have a special meaning in terms of the esthetic progression beyond Formalism and the Formalist bias of the Minimal and Conceptual movements. The most interesting recent work refers not to the object itself, but to the forces that shape creative activity. As Dennis Oppenheim sings in the song that accompanies the spastic dance of his self-portrait marionette in the Lives show, "It ain't what you make, it's what makes you do it!" -- from Jeffrey Deitch Curatorial Projects website. Includes Piper's "Six Conditions on Art Production." Good. Moderate dust soiling and yellow soiling across covers. 12.6 cm. soiling (coffee) to bottom left area of recto. 10 cm. gentle fold to bottom right corner of recto. 1.5 cm. light dust soiling to bottom right corner of bottom right corner of title page. Yellow, green, and black soiling to verso. Soiling of text block edge with light dust soiling to top left corner of verso of pages. Contents otherwise clean and unmarked.