Lingua: Inglese
Editore: CreateSpace Independent Publishing Platform, 2018
ISBN 10: 1727445341 ISBN 13: 9781727445343
Condizione: Good. Thomas, Norah; Thomas, Savia; Thomas, Mark (illustratore). Good condition. Volume 1 A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Lingua: Inglese
Editore: Getty Conservation Institute, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Getty Conservation Institute, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Getty Conservation Institute, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Lingua: Inglese
Editore: Getty Conservation Institute, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Lingua: Inglese
Editore: J. Paul Getty Trust Publications March 2014, 2014
ISBN 10: 1606063235 ISBN 13: 9781606063231
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condizione: Used - Very Good. Jackson Pollock's (1912-1956) first large-scale painting, 'Mural,' in many ways represents the birth of Pollock, the legend. The controversial artist's creation of this painting has been recounted in dozens of books and dramatized in the Oscar-winning film 'Pollock.' Rumors--such as it was painted in one alcohol-fueled night and at first didn't fit the intended space--abound. But never in doubt was that the creation of the painting was pivotal, not only for Pollock but for the Abstract Expressionists who would follow his radical conception of art --'no limits, just edges.' 'Mural,' painted in 1943, was Pollock's first major commission. It was made for the entrance hall of the Manhattan duplex of Peggy Guggenheim, who donated it to the University of Iowa in the 1950s where it stayed until its 2012 arrival for conservation and study at the Getty Center. This book unveils the findings of that examination, providing a more complete picture of Pollock's process than ever before. It includes an essay by eminent Pollock scholar Ellen Landau and an introduction by comedian Steve Martin. It accompanies an exhibition of the painting on view at the J. Paul Getty Museum from March 11 through June 1, 2014. 'Examines the Abstract Expressionist painter Jackson Pollock's large-scale 1943 painting, Mural, and presents conservation findings made at the Getty Center in Los Angeles along with art-historical research'--Provided by publisher. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Da: Moe's Books, Berkeley, CA, U.S.A.
Hardcover. Condizione: Like new. Like new, in original shrink-wrap. Cover is bright, binding is tight, and inside is clean and unmarked.
Lingua: Inglese
Editore: University of Chicago press, 2014
ISBN 10: 1606063235 ISBN 13: 9781606063231
Da: INDOO, Avenel, NJ, U.S.A.
EUR 23,76
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
Da: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued, 144 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Da: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condizione: Good. No jacket. Corners lightly bumped, some rubbing on covers. Clean and crisp inside.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 21,75
Quantità: 15 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Getty Conservation Institute and the Getty Research Institute, Los Angeles, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. 1st. Pictorial boards, vii, 143 pages, colour illustrations; 27 cm. Published on the occasion of Pacific Standard Time: LA/LA, and accompanies the exhibition held at the J. Paul Getty Museum from 16 September 2017 through 11 February 2018. Near fine. Firm binding, clean inside copy. Superficial ripple to the text block. Richly illustrated with colour plates. *** "In the years after World War II, artists in Argentina and Brazil experimented with geometric abstraction and engaged in lively debates about the role of the artwork in society. Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in painting-proposing that these objects become part of everyday, concrete reality. Combining art historicaland scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Coleccio n Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein.'Making Art Concrete' presents works by Lygia Clark, Willys de Castro, Judith Lauand, Rau l Lozza, Tomas Maldonado, Helio Oiticica, and Rhod Rothfuss, among others with new spectacular photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists' technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists' propositions, making a compelling addition to the field of postwar Latin American art.00Exhibition: The J. Paul Getty Museum, Los Angeles, USA." - Publisher. *** CONTENTS: Foreword, by James Cuno; The material of form: how concrete artists responded to the second industrial revolution in Latin America, by Aleca Le Blanc; Making concrete art, by Pia Gottschaller; Plates; Some remarks on documentation and analysis techniques, by Douglas MacLennan and Pia Gottschaller. Size: 4to. Collectible.
Hardcover with dustjacket, 114 pages; very good condition, dj lightly ruffled along top and bottom edge; no internal marks. Foreign shipping may be extra.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 20,89
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2017. First Edition. Hardcover. . . . . .
Da: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University of Chicago press, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: INDOO, Avenel, NJ, U.S.A.
EUR 32,11
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
Lingua: Inglese
Editore: Getty Trust Publications, US, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 32,44
Quantità: 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. In the years after World War II, artists in Argentinaand Brazil experimented with geo- metric abstractionand engaged in lively debates about the role of theartwork in society. Some of these artists used novelsynthetic materials, creating objects that offered analternative to established traditions in painting-proposing that these objects become part ofeveryday, concrete reality. Combining art historicaland scientific analysis, experts from the GettyConservation Institute and Getty Research Instituteare collaborating with the Coleccio n Patricia Phelpsde Cisneros, a world-renowned collection of LatinAmerican art, to research the formal strategies andmaterial decisions of these artists working in theconcrete and neo-concrete vein.Making Art Concrete presents works by Lygia Clark,Willys de Castro, Judith Lauand, Rau l Lozza, Toma sMaldonado, He lio Oiticica, and Rhod Rothfuss, amongothers with new spectacular photography. Thephotographs, along with information about the now-invisible processes that determine the appearance ofthese works, are key to interpreting the artists' technical choices as well as the objects themselves.Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists' propositions, making a compelling addition to the field of postwar Latin American art.
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 24,83
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2017. First Edition. Hardcover. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Getty Conservation Institute, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 23,24
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Lingua: Inglese
Editore: Getty Trust Publications, Los Angeles, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. In the years after World War II, artists in Argentina and Brazil experimented with geo-metric abstraction and engaged in lively debates about the role of the artwork in society. Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in paintingproposing that these objects become part of everyday, concrete reality. Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Coleccion Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein. Making Art Concrete presents works by Lygia Clark, Willys de Castro, Judith Lauand, Raul Lozza, Helio Oiticica, and Rhod Rothfuss, among others, with spectacu-lar new photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists propositions, making a compelling addition to the field of postwar Latin American art. Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Coleccio n Patricia Phelps de Cisneros, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Getty Publications 2017-09-15, 2017
ISBN 10: 1606065297 ISBN 13: 9781606065297
Da: Chiron Media, Wallingford, Regno Unito
EUR 17,90
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
EUR 34,24
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: Revaluation Books, Exeter, Regno Unito
EUR 21,55
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 143 pages. 10.50x9.75x0.50 inches. In Stock.
EUR 37,52
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Editore: Getty Conservation Institute 2005, 2005
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova Zelanda
Membro dell'associazione: IOBA
EUR 13,03
Quantità: 1 disponibili
Aggiungi al carrelloQuarto, soft cover (VG): all our specials have minimal description to keep listing them viable. They are at least reading copies, com plete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.
EUR 32,39
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 1st edition. 124 pages. 9.50x10.50x0.75 inches. In Stock.
Editore: The Getty Conservation Institute, 2004
Da: Marc J. Bartolucci, Hudson, MA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. Los Angeles: The Getty Conservation Institute, 2004. 8vo, 210 p., original wraps. First edition of this look at modern paint analysis, with sections on chemistry, analytical methods including gas chromatography, temperature resolved mass spectrometry, etc. Lower corner of textblock bumped, else VG+.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 25,21
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Condizione: New. pp. 124.