thorneycroft diana (16 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st. First printing, limited to 1,000 copies. 126 pp., illustrated with photos, oversize (tall 4to), hardcover, dust jacket. Text is Fine with no name, no wear, no soiling. Dust jacket is not price-clipped, but modest edge-wear.

Condizione: Very Good. Very Good condition. (exhibition catalog) [ISBN 9780973646177] A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. pp. 129. 4to. Black and white photographs. Boards bowed, light shelfwear; very good- in very good-, rubbed dustjacket with wear to edges.

Paperback. pp. 67. Square 8vo. Colour photographs. Lightest shelfwear; very good+.

Hardcover. Condizione: Very Good. First edition limited to 1000 copies. Full page black-and-white photographs. Texts by Mary Ann Caws, Meeka Walsh, Vicki Goldberg, and Robert Enright and an interview with the artist. Minor wear to dust jacket at corners. No marks to inside pages. Binding is firm. 126 pages. s145.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine Dust Jacket. First Edition Sealed. Clean no highlights or remarks inside. 126 pages no the index. in new condition. still sealed Shrink wrap.books are NOT signed. We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine Dust Jacket. First Edition Sealed. Clean no highlights or remarks inside. 126 pages no the index. in new condition. still sealed Shrink wrap.books are NOT signed. We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.

Paperback. pp. 95. 4to. Black and white photographs and illustrations. Light shelfwear, some creasing to front cover; very good. This issue of a local arts magazine features photography, paintings, and written work from various women as they address the notion of the female grotesque.

[0-88755-650-7] [1998]. (Oblong 4to paperback) Very good. 49pp. Photographs. Edited with introduction by Serena Keshavjee. Includes Martha Langford (The Origins of Diana) & Chris Townsend (Flashes of Light: Diana Thorneycroft's "Impossible" Photographs and the Possibility of History). (Art--Canada, Photography).

Soft cover. Condizione: Good. No Jacket. 58 pp. with B/W illustrations. Saddle-stitched. 1" closed tear at lower front edge of cover, with tinier tear at lower spine. "In the fall of 1999 my installation Monstrance took place at St. Norbert Arts Centre in Winnipeg. The exhibition was about our fascination with and reverence for carnal remains, humankind's compulsion to leave behind physical evidence of our temporary existence, and nature's insistence on returning lifeless bodies to earth. . Re/Monstrance presents twelve charcoal drawings of the rabbits that were once part of Monstrance and makes explicit my reverence towards their carnal remains." - Artist's Statement. Book also has an essay by the editor addressing the controversy surrounding the exhibit, an account of the town hall meeting held in St. Norbert to address the issue, a letter to the editor defending the exhibit, and a radio play inspired by the controversy.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine Dust Jacket. First Edition Sealed. Clean no highlights or remarks inside. 126 pages no the index. in new condition. still sealed Shrink wrap.books are NOT signed. We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st. First printing, limited to 1,000 copies. 126 pp., illustrated with photos, oversize (tall 4to), hardcover, dustjacket. Very Fine/Very Fine. New, unread copy, in publisher's original unopened shrink wrap.

Soft cover. Condizione: Near Fine. Clean solid copy, very light edge-wear, p.o. name on and date of purchase (same as publication date) on title page, else fine.

Soft cover. Condizione: Very Good. 1st Edition. Catalogue of 2009 exhibition at the McMichael Canadian Art Collection. Using iconic Group of Seven paintings as backdrops, Thorneycroft constructs miniature tableaux of typical Canadian leisure activities with a dream-like strangeness. Numerous full page color reproductions. Essays on Canadian myths and the uncanny in art. Faint crease to lower corner of front cover. Inside pages are clear and bright without marks, inscriptions or fading. 59 pages. Not ex-library. s1/c5.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. First printing. 59 pp., colour illustrations, biography, list of works, over-sized softcover. Very light wear to extremities. Nearly a Fine copy. INSCRIBED by the author on the title page, to patrons of the McMichael Gallery. Inscribed by Author(s).

Card Covers. First Edition, First Printing. pp. 60. Square 8vo., measuring 6.75" x 8.5". Illustrated, twice-stapled, card covers. Black-and-white illustrations, drawings, etc. Bright, clean, and unmarked with firm stapled binding; fine. Corresponds to OCLC #65398554. "Essays and editorials commenting on the media response to the exhibition by Winnipeg artist Diana Thorneycroft held at the St. Norbert Arts Centre in 1999". In the fall of 1999 my installation Monstrance took place at St. Norbert Arts Centre in Winnipeg. The exhibition was about our fascination with and reverence for carnal remains, humankind's compulsion to leave behind physical evidence of our temporary existence, and nature's insistence on returning lifeless bodies to earth. Re/Monstrance presents twelve charcoal drawings of the rabbits that were once part of Monstrance and makes explicit my reverence towards their carnal remains.