tullio lombardo (3 risultati)

Hardcover. Quarto, xi, 148 pages. In Very Good condition with a Very Good minus dust jacket. Spine is sepia with white print. Dust jacket has small vendor label on rear. Boards in white cloth with gold print. Illustrated: color. Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., July 4-Oct. 31, 2009. Inscribed in ink by the author on the title page. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Quarto and Folio Case. 1394453. FP New Rockville Stock.

Soft cover. Condizione: Very Good. 95 pp. ; 22 cm. ; color illustrations, maps ; OCLC: 28734672 ; LC: N3042.F8 ; Dewey: 726.64 ; color photographic paper wrappers ; guidebook for visitors to the Basilica Santa Maria Gloriosa of the Franciscan Friars Minor near Venice, with illustrations of monuments, paintings, sculptures, architecture and maps ; VG. Book.

Hardback VI 463 p., 339 b/w ill., 225 x 300 mm, Languages: English FINE COPY !!!! ISBN 9781909400177. In the first book ever devoted to the sculpture of Venice?s most famous Renaissance marble carver, Markham Schulz integrates all biographical data from primary and secondary sources and criticism of every epoch, with her own first-hand study of Tullio?s work over the course of forty years, to create a comprehensive picture of Tullio?s sculpture - its characteristics and iconography, its sources, development, and influence - within the context of Renaissance Venetian art. At the same time, she explores Tullio?s relations to his father Pietro and his brother Antonio, both renowned sculptors in their own right. The text is accompanied by 339 newly made and largely full-page illustrations, many of sculptures which, on account of their height and inaccessibility, have never been photographed before. Thus, every detail of the author?s meticulous and pellucid analyses is made manifest to the reader by illustrations, which not only meet the most exacting standards for the photography of sculpture, but also provide a treasury of gorgeous images. Educated in the History of Art at Radcliffe College, Harvard University, and the Institute of Fine Arts, NYU, Anne Markham Schulz has taught at the University of Illinois at Chicago Circle, Brown University, and the Universita Federico II at Naples. Table of Contents Acknowledgments Chapter 1-Tullio's Critical Fortune Chapter 2- Inscriptions, Documents, and Sources Chapter 3-The Style of Tullio's Sculpture and His Early Works Chapter 4-The Tomb of Doge Andrea Vendramin Chapter 5-In the Wake of the Vendramin Tomb: Tullio's Sculpture at the End of the Fifteenth and the Beginning of the Sixteenth Century Chapter 6-Tullio's Late Works Chapter 7-Conclusion Bibliography-List of illustrations-Illustrations-Index 0 g.