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vacche angela (159 risultati)
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Cinema and Painting: How Art Is Used in Film
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Cinema and Painting : How Art Is Used in Film
Da: Better World Books, Mishawaka, IN, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Cinema and Painting : How Art Is Used in Film
Da: Better World Books, Mishawaka, IN, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Condizione: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
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Cinema and Painting: How Art Is Used in Film
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
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Cinema and Painting: How Art Is Used in Film
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Cinema and Painting: How Art Is Used in Film
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Cinema and Painting: How Art Is Used in Film
Da: Books From California, Simi Valley, CA, U.S.A.
Valutazione del venditore 4 su 5 stelle
Paperback. Condizione: Very Good.
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The Body in the Mirror: Shapes of History in Italian Cinema (Princeton Legacy Library)
Lingua: Inglese
Editore: Princeton University Press, 1992
ISBN 10: 0691008728 ISBN 13: 9780691008721
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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The Body in the Mirror (Princeton Legacy Library)
Lingua: Inglese
Editore: Princeton University Press, 1992
ISBN 10: 0691055661 ISBN 13: 9780691055664
Da: PAPER CAVALIER US, Brooklyn, NY, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: good. A good reading copy. May contain markings or be a withdrawn library copy.
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The Body in the Mirror: Shapes of History in Italian Cinema (Princeton Legacy Library, 179)
Lingua: Inglese
Editore: Princeton University Press, 1992
ISBN 10: 0691008728 ISBN 13: 9780691008721
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Valutazione del venditore 5 su 5 stelle
paperback. Condizione: Acceptable. Acceptable, Reading copy only, with writing/markings, bumps/creasing, and heavy wear. Standard-sized.
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Cinema and Painting: How Art Is Used in Film
Lingua: Inglese
Editore: University of Texas Press, United States, Austin, TX, 1996
ISBN 10: 0292715838 ISBN 13: 9780292715837
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 4,51
Spedizione EUR 6,59
Spedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity.Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (ThErEse).While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Condizione: Good. Good. Gently used with no markings in text. Binding is tight. Shelfwear to covers.
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The Body in the Mirror: Shapes of History in Italian Cinema
Lingua: Inglese
Editore: Princeton University Press, Princeton, 1992
ISBN 10: 0691008728 ISBN 13: 9780691008721
Da: Cat's Cradle Books, Archdale, NC, U.S.A.
Valutazione del venditore 5 su 5 stelle
Softcover. Sound binding. Clean, bright pages. Wraps have light edge rubbing. Explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. 9.0" tall; 330 pages. Very Good in No Dust Jacket dust jacket.
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The Body in the Mirror
Lingua: Inglese
Editore: Princeton University Press, Princeton, NJ, 1992
ISBN 10: 0691055661 ISBN 13: 9780691055664
Da: Old Editions Book Shop, ABAA, ILAB, North Tonawanda, NY, U.S.A.
Membro dell'associazione: ABAA ILAB
Valutazione del venditore 5 su 5 stelle
Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. Cloth covered boards. DJ with light edgewear wrapped in protective plastic sheath. Text clean. Binding sound. No previous owner names, stickers or stamps. ; 9.75 X 6.50 X 1 inches; 330 pages.
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Film, Art, New Media : Museum Without Walls?
Lingua: Inglese
Editore: Palgrave Macmillan Limited, 2012
ISBN 10: 0230272924 ISBN 13: 9780230272927
Da: Better World Books Ltd, Dunfermline, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 12,03
Spedizione EUR 5,88
Spedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloCondizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Film, Art, New Media: Museum Without Walls?: Museum Without Walls?
Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 8,42
Spedizione EUR 12,52
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
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Cinema and Painting: How Art Is Used in Film
Da: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.
Valutazione del venditore 5 su 5 stelle
Prima edizione
Soft cover. Condizione: As New. 1st Edition. Softcover volume is like new. Numerous textual illustrations. Extensive bibliography. 303 pages.
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EUR 11,29
Spedizione EUR 10,00
Spedito da Germania a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCondizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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EUR 6,00
Spedizione EUR 16,00
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780485300796.
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Cinema and Painting: How Art Is Used in Film
Lingua: Inglese
Editore: Univ of Texas Pr, Austin, Texas, U.S.A., 1996
ISBN 10: 0292715838 ISBN 13: 9780292715837
Da: Catron Grant Books, Rio Rancho, NM, U.S.A.
Valutazione del venditore 1 su 5 stelle
Trade Paperback. Condizione: Fine. 303 pp with B&W illustrations in text. Text is clean, tight and unmarked. Covers are clean, bright, undamaged.
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EUR 12,44
Spedizione EUR 16,00
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780292715837.
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Cinema and Painting : How Art Is Used in Film
Da: GreatBookPrices, Columbia, MD, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: As New. Unread book in perfect condition.
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Color, The Film Reader (In Focus: Routledge Film Readers)
Da: Goodwill of Silicon Valley, SAN JOSE, CA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.
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EUR 36,87
Spedizione gratuita
Spedito in U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
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Cinema and Painting - How Art Is Used in Film
Lingua: Inglese
Editore: MU - University of Texas Press, 1996
ISBN 10: 0292715838 ISBN 13: 9780292715837
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 31,32
Spedizione EUR 5,91
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Cinema and Painting : How Art Is Used in Film
Da: GreatBookPrices, Columbia, MD, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: New.
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Cinema and Painting
Lingua: Inglese
Editore: University of Texas Press, US, 1996
ISBN 10: 0292715838 ISBN 13: 9780292715837
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 37,88
Spedizione gratuita
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity.Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse).While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
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The Body in the Mirror: Shapes of History in Italian Cinema
Lingua: Inglese
Editore: Princeton Paperbacks/Published by Princeton University Press, Princeton, NJ, 1992
ISBN 10: 0691008728 ISBN 13: 9780691008721
Prima edizione
Trade Paperback. Condizione: Like New. Giorgio De Chirico, 'The Mystery and Melancholy of A Street, 1914 (Cover Illustration) (illustratore). Copyright © 1992 by Princeton University. 306 + xvii pp. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear.
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Diva
Lingua: Inglese
Editore: University of Texas Press, US, 2008
ISBN 10: 0292717113 ISBN 13: 9780292717114
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 41,89
Spedizione gratuita
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. A CHOICE Outstanding Academic BookAs scientific discoveries and technological advances radically modernized Europe around the turn of the twentieth century, artists of all types began questioning what it means to be human in an increasingly mechanistic world. Animated by a luminous goddess at its center, the diva film provided a forum for denouncing social evils and exploring new models of behavior among the sexes. These melodramas of courtship, seduction, marriage, betrayal, abandonment, child custody, and public reputation, to mention only a few themes, offered women a vision of-if not always a realistic hope for-emancipation and self-discovery.In Diva, Angela Dalle Vacche offers the first authoritative study of this important "film" genre of the cinema that preceded the Great War of 1914-1918. She analyzes some seventy films, as well as the work of actresses such as Francesca Bertini, Lyda Borelli, and Pina Menichelli, to establish what the diva film contributed to the modernist development of the "new woman." Contrasting the Italian diva with the Hollywood vamp Theda Bara and the famous Danish star Asta Nielsen, Dalle Vacche shows how the diva oscillates between articulating Henri Bergson's vibrant life-force (Élan vital) and representing the suffering figure of the Catholic mater dolorosa.Taking readers on a fascinating tour that includes the Ballets Russes, orientalism, art nouveau, Futurism, fashion, prostitution, stunt women in the circus, aviation, anti-Semitism, colonialism, and censorship, Diva sheds important new light on the eccentric implantation of modernity in Italy, as well as on how, before World War I, the filmic image was associated with the powers of the occult and not with the Freudian unconscious, as has been argued until now.Accompanying the book: Diva DolorosaDutch filmmaker Peter Delpeut (Lyrical Nitrate) captures the spirit of the diva in this DVD of clips from early Italian films. Diva Dolorosa presents excerpts of fourteen films from the period 1914-1920, including Malombra, Rapsodia Satanica, and Il Fuoco. It features the work of actresses Lyda Borelli, Pina Menichelli, Francesca Bertini, Soava Gallone, and Elena Makowska.Diva Dolorosa is a Nederlands Filmmuseum production made in coproduction with VPRO television and in collaboration with Cineteca del Comune di Bologna. The DVD was produced by Zeitgeist Films, Ltd.
