vagn (805 risultati)

Soft cover. Condizione: Very Good. Light wear and rubbing to the wraps. Otherwise a clean, unmarked copy.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Good Plus. Red softcover with white edges and white lettering. 116 pages. Text clean and tight. Front cover has crease to lower right corner. Rear cover has crease to upper left corner. Chips to head and foot of spine. Edgewear.

Softcover. Condizione: Good+. Blue soft cover, black lettering, minor water stain to edge of pages. Art.

Hardcover with dust jacket. Dust jacket browned and worn at corners, edges and both spines. Tear along back upper edge. Foxing on upper edge of text. 183 pp.

Soft cover. Condizione: Good. 8vo - over 7¾ - 9¾" tall. 118pp. Good softcover. Illustrated thoroughly in black and white. Pages clean, binding sound.

Paperback. Condizione: New. Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience.Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music?What do listeners do in listening to music? What, essentially, is the musical experience? Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians . Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Very Good. No Jacket. Secure binding with clean pages & mild cover wear (small ink mark at bottom title page under country & university library stamp inside cover). 8-3/4 x 5-1/2 with 100 pp. Illustrated. Size: 8vo - over 7¾ - 9¾" tall. Book.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Greenwich, Connecticut: New York Graphic Society, 1968. 183 pages; 143 b&w , 26 color illustrations, most are full-page. Illustrations are photographs with good backgrounds and good lighting and reproduced on a good paper: they are shown to good effect. Clean, tight binding; jacket is lightly rubbed. Cloth. Very Good/Very Good. 4to. Language: ENG.

Soft cover. Condizione: Very Good. Softcover in VG condition (slight handling, corner tips a little worn). 16 pages of text in Danish, followed by 62 pages of plates, some in color. Unmarked. [13oz]. Book.

Condizione: Very Good. Very Good condition. Good dust jacket. Cut to Dust Jacket. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good +. Second Printing. Paperback. Previous owner's name written on half title page. Illustrated. 235pp., index. Full refund if not satisfied. (Due, to the large size and/or weight of this book, additional shipping funds may be required.).

100 pages with several B&W illustrations, 5 3/4" x 8 3/4", softcover with some cover wear.

Hardcover. Dust Jacket Included. Hardcover. Very Good/Very Good. No tears in the dj, no marks in the book. A very nice copy.

PB. Condizione: fine, wraps (softcover). B&W illustrations (illustratore). 118pp ISBN 8774520741.

paperback. Condizione: Very Good. Fast Shipping - Safe and Secure 7 days a week!

Pamphlet. Condizione: Very Good. Vol 20, No 3, pp. 146-153, Photos, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, last page in facsimile, else VG.

Paperback. Condizione: new. Paperback. Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music? What do listeners do in listening to music? What, essentially, is the musical experience? Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians . Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'. Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: Near Fine. Softcover book, Die Blauen Bucher, 7" x. 10", covers are very good to very good+ - light signs of use, light bump to bottom backcorner which extends lightly through bottom corner of text pages - otherwise fine - all images and text clear; 88 pgs with 71 pages of plates in black-and-white and color; Parallel texts in 4 languages; 12 oz f. Book.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. First Edition. Blue cloth, corners sl bumped, in edgeworn, DJ. Now protected in a mylar jacket. Two books bound in one volume, b&w and color illustrations. Text in German. ; Small 4to 9" - 11" tall; 228 pages.

Condizione: new.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Light wear and handling to boards. Mylar-covered dust jacket has overall wear, rubbing, and some creasing. Foxing to edges. Multiple dog-eared pages. Binding tight and text clean.

Paperback. Condizione: Very Good. A little wear to edges of uncreased card wrappers. Contents fine.

Hardback. Condizione: New. Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience.Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music?What do listeners do in listening to music? What, essentially, is the musical experience? Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians . Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. new edition. 142 pages. 8.35x5.43x0.47 inches. In Stock.