Vegso roland (75 risultati)

Soft cover. Condizione: Near Fine. 1st Edition. NY: American Literatures Initiative (Fordham University Press), 2013. Softcover, trade paperback. Stated First Edition with complete number line beginning with 1. 8vo, 6 x 9 inches, 245 pp. Bound in pictorial black and green glossy cardstock wrappers. Covers are clean and bright with a sturdy, square binding; light wear to edges and minor corner curling to wrappers. Interior crisp and clean, free of names, remainder marks, inscriptions, or other signs of previous use; not Ex-Library. An attractive, well-preserved copy with clean covers and pages. Condition: Near Fine. The author examines how Cold War anti-communist ideology shaped modernist aesthetics, popular culture, and American literary criticism in the twentieth century. Books are shipped quickly and securely packed in a new box. …

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: Very Good. First Edition. Light shelf wear. Else clean and tight.

Paperback. Condizione: New. Roland Végso opens up a new debate in favour of abandoning the very idea of the world in both philosophy and politics. Opening with a reconsideration of the Heideggerian critique of worldlessness, he goes on to trace the overlooked history of this argument in the works of Hannah Arendt, Sigmund Freud, Jacques Lacan, Jacques Derrida and Alain Badiou. This critical genealogy shows that the post-Heideggerian critique of the phenomenological tradition remained limited by its unquestioning investment in the category of the 'world'. As a way out of this historical predicament, Végsö encourages us to create affirmative definitions of worldlessness.…

Condizione: new.

Paperback. Condizione: Brand New. 1st edition. 150 pages. 9.00x6.00x0.50 inches. In Stock.

Condizione: New.

Paperback. Condizione: Brand New. 264 pages. 9.00x6.25x0.75 inches. In Stock.

Paperback. Condizione: Brand New. 328 pages. 9.00x6.00x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Paperback. Condizione: New. The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the "world" names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation. The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti- Communist "aesthetic ideology." The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program.…

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Condizione: Very Good. 1st Edition. Inscribed by the author. Clean pages. No markings. Inscribed by Author(s).

Paperback. Condizione: Brand New. 1st edition. 256 pages. 8.90x0.90x6.00 inches. In Stock.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New.

Hardcover. Condizione: Fine. No dust cover. Plain black book. Unread and like new.

Taschenbuch. Condizione: Neu. Neuware - Roland Végso opens up a new debate in favour of abandoning the very idea of the world in both philosophy and politics. Opening with a reconsideration of the Heideggerian critique of worldlessness, he goes on to trace the overlooked history of this argument in the works of Hannah Arendt, Sigmund Freud, Jacques Lacan, Jacques Derrida and Alain Badiou. This critical genealogy shows that the post-Heideggerian critique of the phenomenological tradition remained limited by its unquestioning investment in the category of the 'world'. As a way out of this historical predicament, Végsö encourages us to create affirmative definitions of worldlessness.…

Condizione: New.

Paperback. Condizione: New. The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the "world" names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation. The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti- Communist "aesthetic ideology." The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program.…

Condizione: New.

Paperback. Condizione: New. Roland Végso opens up a new debate in favour of abandoning the very idea of the world in both philosophy and politics. Opening with a reconsideration of the Heideggerian critique of worldlessness, he goes on to trace the overlooked history of this argument in the works of Hannah Arendt, Sigmund Freud, Jacques Lacan, Jacques Derrida and Alain Badiou. This critical genealogy shows that the post-Heideggerian critique of the phenomenological tradition remained limited by its unquestioning investment in the category of the 'world'. As a way out of this historical predicament, Végsö encourages us to create affirmative definitions of worldlessness.…