Editore: Thames and Hudson New York / London, NY / United Kingdom 1966 / 1988, 1966
Da: Specific Object / David Platzker, New York, NY, U.S.A.
216 pp.; 21 x 15 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Anthology of texts on Pop Art by Lucy Lippard, with contributions by Lawrence Alloway, Nicolas Calas, and Nancy Marmer, first published in 1966. Artists featured in the texts include William Copley, Stuart Dais, Marcel Duchamp, Japser Johns, Wally Hedrick, Billy Apple, Peter Blake, Derek Boshier, Rudolph Burckhardt, Patrick Caulfield, Fernand Léger, Gerald Murphy, Claes Oldenburg, Robert Rauschenberg, Kurt Schwitters, John Wesley, H.C. Westermann, Anthony Donaldson, Richard Hamilton, David Hockney, Allen Jones, Bernie Kemnitz, R.B. Kitaj, Gerald Laing, Eduardo Paolozzi, Richard Artschwager, Verne Blosum, George Brecht, Allan D'Arcangelo, Jim Dine, Peter Phillips, Richard Smith, Jon Thompson, Joe Tilson, Tom Wesselmann, Ray Donarski, Rosalyn Drexler, Jean Dubuffet, Stephen Durkee, Sam Goodman, Red Grooms, Alex Hay, Robert Indiana, Leo Jensen, Jasper Johns, William Kent, William King, Nicholas Krushenick, Yayoi Kusama, Roy Lichtenstein, Richard Lindner, Marisol, Peter Saul, George Segal, Marjorie Strider, Andy Warhol, Billy Al Bengston, Anthony Berlant, Robert Watts, Idelle Weber, Wallace Berman, Jess Collins, Victor Dubreuil, Jim Eller, James Gill, Joe Goode, Phillip Hefferton, Von Dutch Holland, Edward Kienholz, Roger Kuntz, Giorgio de Chirico, Alex Katz, Aaron Kuriloff, Robert O'Dowd, Richard Pettibone, Mel Ramos, Edward Ruscha, Wayne Thiebaud, Larry Rivers, Valerio Adami, H.P. Alvermann, Arman, Enrico Baj, Dennis Burton, CHristo, Greg Curnoe, Öyvind Fahlström, Tano Festa, Armand Flint, Winfred Gaul, Konrad Klapheck, Konrad Leug, Aldo Mondino, Man Ray, Lucio del Pezzo, Michelangelo Pistoletto, Bernard Rancillac, Martial Raysse, Gerd Richter, Mimmo Rotella, Niki de Saint-Phalle, Michael Snow, Daniel Spoerri, Hervé Télémaque, Sunao Urata, and Joyce Wieland. Includes notes, bibliography, list of illustrations, and index. Good. Library hardbound copy. Call number blacked out on half-title, and title pages. Call tag cleanly removed from spine. A very good reading copy. Sold "as-is." Due to size and weight additional shipping charges may be required for international orders.
Softcover, staple-bound, 12 pages, very good condition, light rubbing to covers; no internal marks.
Editore: Siegel Contemporary Art, 1984
Da: Big Reuse, Brooklyn, NY, U.S.A.
Soft cover. Condizione: Very Good. Text by William Zimmer. Slight creasing at spine (staple-bound). Color and black-and-white plates.
Editore: Ruth Siegel, 1987
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 28 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.
Editore: Hollis Taggart Galleries, Chelsea, NY, 2011
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Stapled wraps with bw illustration, red and orange text. 14 unnumbered pages. Chiefly color illustrations. Published as an introduction to the Pop art work of Idelle Weber from the 1960s and 1970s. VG, minor wear at edges of wraps.
Editore: Hollis Taggart, New York, 2021
ISBN 10: 1733330348 ISBN 13: 9781733330343
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. green wraps w/ white printing. 32 pgs w/ primarily color illustrations. Remnant Romance will create a dialogue between the artists, who, despite working in different media and being part of distinct generations, both draw inspiration from trash and seek to find beauty in the remnants of other peoples' lives. Remnant Romance, Environmental Works: Idelle Weber and Aurora Robson will be on view at Hollis Taggart at 521 West 26th Street from January 14 through February 20, 2021.--Hollis Taggart Website. New/Sealed (in publisher's shrinkwrap).
Editore: OK Harris, 1982
Da: ANARTIST, New York, NY, U.S.A.
Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.
Editore: Hundred Acres Gallery, 1975
Da: ANARTIST, New York, NY, U.S.A.
Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.
Editore: Anthony Ralph Gallery, 1991
Da: ANARTIST, New York, NY, U.S.A.
Exhibition invite that unfolds to 5 x 17 inches; very good condition; an unmailed copy.
Editore: Claremont, California: Scripps College, [2008]., 2008
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 8vo. 74 pp. Very Good+. Soft Cover. Illustrated paper wraps. Color plates throughout, including fold out. From different vantage points, each artist meditates on intersections of time and place in nature. Through painting, photography, digital prints, and mixed-media works, these artists envision landscape as a site where the seen and remembered, inner and outer worlds converge.Contents: The Nature Cure: Ciel Bergman's 'Antidote' Series / Mary Davis MacNaughton --Observing the Edge: Laurie Brown's Series 'On the Periphery' / Mary Davis MacNaughton --Nancy Friese and the Avondale Farm Preserve Paintings / Debra Bricker Balken --The Forest for the Trees: Monica Furmanski's 'Day Road' / Mary Davis MacNaughton --A Quest for New Views: Karen Kitchel's Multiple-truth Landscapes / Katherine Plake Hough --Rita Robillard's 'Poetical Cosmology' / Sue Taylor --The Inexhaustible 'Here', The Persistent 'Now': Sandra Mendelsohn Rubin's 'Valley View Series' / Leah Ollman --Idelle Weber's 'Cambridge' Series / Mary Davis MacNaughton --Artist's Biographies.ISBN: 0979009235 9780979009235.From the Collection of the Art Historian Peter Selz.
Soft cover. Condizione: As New. New York: Hollis Taggart Galleries, 2013. Softcover exhibition catalog, bound in glossy french wraps. 48 pages, illustrated on color. Essay by Sid Sachs. Condition: As New, with no marks or flaws. No sign of handling or wear.
Softcover, 48 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: Hollis Taggart Galleries, New York, 2013
Da: Better Read Than Dead, Brooklyn, NY, U.S.A.
Prima edizione
Very Good or better, trace wear from shelving and handling, lightly toned near edges. Softcover quarto, glossy illustrated wraps with french flaps, 58 pp.