weekes c p (35 risultati)

Condizione: Very Good. 3rd impression. Boards, VG+. 250pp, spine a little sunned, otherwise a fine copy. Queen's Classics series. An anothology of the works of Pope - the text of the poems is based upon the Twickenham edition edited by Butt & the Correspondence is that edited by Sherburn. 350 grams.

Condizione: Very Good. 3rd impression. Boards, VG+. 250pp, spine a little sunned, otherwise a fine copy. Queen's Classics series. An anothology of the works of Pope - the text of the poems is based upon the Twickenham edition edited by Butt and the Correspondence is that edited by Sherburn. 350 grams.

Hardcover. Condizione: Very Good. 1st edition. VG hbk bound in blue cloth, silver spine lettering. (The Queen's Classics ; certificate books). 21046.

Paperback. Condizione: Fair. 1st VG/G. Book.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.99.

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Library sticker on front cover. Stain on bottom corner of pages, and on cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:

Condizione: Good. DJ may have small chips and tears. Book will have been read but remains clean. Cover may have light wear or slight soiling. Pages may be slightly tanned. May contain inscriptions but text pages will be free from markings.

Condizione: Good. Light wear to boards. Content is clean and bright. Some spotting to page ends, Foxing to rear pages. DJ with some edge wear, tears, tape repairs and creasing.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Green boards. Tight binding. Some wicking evident at bottom of spine. Dust jacket in protective mylar.

Condizione: Good. 1966. Second Impression. 250 pages. No dust jacket. Blue paper covered boards. Book is in better condition than most examples of this age. Neat, clean, well bound pages with very minimal foxing, tanning and thumbing. Small inscriptions and neat labels may be present. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.

244pp, (5.5 x 8 inches), bibliography. Ex-Library, hardcover with dust jacket. Has a pocket and the usual stamping and labels. DJ is in a library protector, taped to the boards. The pages are clean and tight, no markings to text. Appears very little read.

Soft cover. Condizione: Very Good. Very good overall - immediate despatch from the UK 6 days a week.

Octavo hardcover (VG-) in d/w (scruffy); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. B/W Photographs (illustratore). First Edition. Nicks to DJ spine tips and corners. Size: 8vo - over 7¾" - 9¾" tall. Book.

Hard Cover. Condizione: Good. Condizione sovraccoperta: Fair. Dj. has scuffs, shelfwear, a few closed tears, crease on back. Boards have some rubbing, pages have age-toning but are clean and tight. 244 pages.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. hardcover in very good condition with very good - dust jacket.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. Assume first edition, green pictorial mylar covered jacket has faint edge wear underneath, front endpapers ragged at spine, boards and pages clean and binding firm, bio of the Impressionist and his love, Camille.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

Hardcover. Condizione: Fair. Condizione sovraccoperta: Fair. Some cocking to the book. Corners bumped. Front board falling from the hinge. Tears to the top and bottom front dust jacket. Small tear to the back dj at the top corner a the edge. Clean text and a good reading copy.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Good. Book near fine with minimal wear. DJ unclipped with some rubbing and chipping and minor edge crease/tears. Intact overall.

Condizione: Good. Good condition. Good dust jacket. (Literature, Art, biography, Claude Monet) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

HC. B&W ill. (illustratore). 204pp good w/good dustjacket (hardcover).

Hardcover. Condizione: Near FINE. Near FINE tight copy in a VG+ bright dj. , 1st Edition.

hardcover. Illustrated. 8vo, cloth, d.w. London, 1962.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. very good hardcover with dust jacket. 1962. DJ foxed/chipped.

Hard Cover. Condizione: Good. Condizione sovraccoperta: Good. Jacket scuffed with chipped edges. Boards have rubbed edges. Pages are clean, text has no markings, binding is sound. Notation on fep. Size: 8vo - 7¾" - 9¾" Tall.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Good. Monet, Claude (illustratore). Fine green cloth, bright silver on spine, lightly browned on left of first front end paper, b/w illustration of painting as frontispiece, b/w illustrations throughout, very light foxing to final end papers. 204 lightly browned pages. DJ has color-illustration at center front with green border to front and spine, ad for two books of poetry on back. DJ has slight surface wear to front tips, rubbed at bottom front, microtears with slight wear at spine top edge, very slight surface wear to spine bottom edge, back lightly soiled. Near Good DJ/Near Fine book.

Hardcover. First Edition; First Printing. Very Good in a Good dust jacket. Slight lean to spine. Rubbing along panel edges. 1 inch open tear at bottom of front gutter.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. 1st Edition. Near fine condition black cloth boards with silver spine lettering contained in a good condition non price-clipped color illustrated dust jacket. Includes Preface; List of Illustrations; Epilogue; Bibliography; and Index. Illustrated with black-and-white photographic plates and a black-and-white frontispiece plate photo of Camille by Monet, 1866. The upper left jacket edge has a 1 inch chip and rubbing along the lower right front jacket edge (see photographs). All pages are in fine unmarked condition and the binding/spine is very tight and exceedingly square (see photographs). "The ru Le Peletier is unlucky," wrote Wolff (the most influential critic of the day). "Following on the fire at the Opera a new disaster has fallen on the district. An exhibition of so-called painting has just opened at Durand-Ruel's." This is typical of the critical reception accorded to the Impressionists in those early days. In 1879, still under forty, Monet was to realize the full bitterness of the sacrifice which he had made -- Camille died; faithful, devoted, uncomplaining Camille. Camille, who had followed him patiently through starvation, ridicule, and abuse, was eventually, and almost inevitably, claimed by the years of privation. Ironically the turning point was only a few years away. The second half of his life, respectable, prosperous, and full of peace and quiet, is in dramatic contrast to the stormy days which he shared with Camille. From the cocksure by in Le Havre whose slick caricatures brought him considerable local renown to the revered father-figure of French painting at Giverny Monet had travelled a long and painful road. He was cut off by his parents withou a sou. They had, anyway, a bourgeois prejudice against artists, but they could have forgiven him if his art had been academic and profitable. As it was, he was laughed to scorn by the respectable art world, he was constatly penniless, and, as if to confirm their worst suspicions there was Camille. His father's reply to a request for help was "No, not while that woman is with you." They were so poor that sometimes they had to burn the furniture to keep warm in winter, and often they went hungry to buy the precious paints and materials which were his lifeblood. On one occasion they were only kept alive by crusts of bread which Renoir filched from his mother's kitchen and brought to them. But the poverty and the hardships and the struggle are only the raw materials of this story and they serve to point more brilliantly to the warmth and vitality that grew out of them. The world of the Impressionists is a strange world full of contrasts. Men and women from all kinds of backgrounds and of widely different temperaments and characters were drawn together by one thing -- their faith in their way of painting: from the aristocratic Degas with the acid tongue to the wandering, suspicious, lonely Cezanne; from the boisterous, expansive Courbet to Boudin, shy and humble, whose exquisite miniature seascapes were Monet's first accquaintance with painting; from Monet himself, solid, iron-willed, unshakeable, to the nervy, mercurial Renoir who was up in the heights one moment and down in the depths the next. A strange world and a hard one, but, for all that, one full of generosity and gaiety and a great zest for life. And Monet was one of the great rocks which propped up this world. He had the spirit of a giant which nothing could break, and his companions found in his immense cheerfulness and courage a tremendous source of strength and inspiration. He, in his turn, drew much of that strength from Camille." -- from the inner front and rear jacket flaps.