Welling robert (51 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Softcover, 134 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Magazine. First edition. Near Fine magazine with a touch of tanning and bumping to the edges. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The August/September 1980 issue of Photographica (Vol. 12, No. 7), the magazine for the members of The Photographic Historical Society of New York, with: Robert Feinstein on an odd early use of the stereopticon; Felice Pike on a symposium on investing in photography; 1954 as a "crossroads year" for the 35mm camera by Burton Rubin; George Gilbert on the graphic design of the back of cabinet cards; exhibition and book reviews; and much more. Edited by William B. Welling. Staple-bound self-wrappers; 16 pages; b&w illustrations throughout; 8.5 x 11 inches.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

120 pp.; 25.5 x 20.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 29 - March 27, 1988. Introduction by David A. Ross. Essays by Fredric Jameson, Eric Michaud, Elisabeth Sussman, David Joselit, Abigail Solomon-Godeau, Alice Jardine. Artists include: Robert Gober, Albert Bierstadt, Richard Prince, Meg Webster, Dorit Cypis, Larry Johnson, Lorna Simpson, Jeff Wall, Oliver Wasow, James Welling. Includes exhibition checklist. Good / Very Good. Light wear to cover edge and top of spine on verso. Contents clean and unmarked.…

Paperback. Condizione: Brand New. 104 pages. 11.00x8.50x0.25 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

First Edition. First edition. Hardcover. 607 pages. Text in English with essays by Anne Rorimer, Tina Rivera Ryan and Marie-Luise Angerer along with conversations between Mullican and Robert Tenconi and another with James Welling. Includes numerous color and black and white images, list of exhibited works. A clean very near fine copy in boards. No dust jacket as issued.…

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by William Eggleston and Andrea Gursky titled "About Painting" and held at Robert Miller Gallery, NYC, June 24 - August 1, 1997. The show was curated by Olivier Renaud-Clement and included works by Gaylen Gerber, Craig Kalpakjian, Robert Palidori, and James Welling. Stiff card, printed both sides; 9.25 x 5.75 inches. Condition: A touch of rubbing to the corners else Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.…

Condizione: New.

Condizione: New.

Magazine. First edition. Very Good+ paperback magazine with light signs of handling including a couple of light pencil notations in the margin and a touch of rubbing to the extremities. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The May 1982 issue of Artforum International magazine (Vol. 20, No. 9) with: a portfolio of photographs by Pedro Meyer; interviews with Joseph Kosuth, Lawrence Weiner, and Kathy Acker with portraits of the artists by Robert Mapplethorpe; features on Man Ray's Early Paintings, Pat Steir, and Max Neuhaus; reviews of exhibitions by William Copley, James Welling, Lothar Lambert, Judy Fiskin, Sandro Chia, and others; writing by Clive Phillpot, Douglas Huebler, Colin Westerbeck, Donald Kuspit, Barbara Kruger, and others; and much more. Edited by Ingrid Sischy. Staple-bound card covers; 100 pages; color and b&w illustrations throughout; 10.5 x 10.5 inches.…

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Taschenbuch. Condizione: Neu. Neuware.

Condizione: New. Print on Demand.

Condizione: Neuf.

Condizione: New.

Condizione: New.

Paperback. Condizione: new. Paperback. "The Lord commanded Joseph Smith to leave for Rocky Mountains aka Manitou Colorado June 22, 1844" if the lords gives an order with extreme emphases. Joseph was not a man who would ignore, or worse argue. He left for Manitou close to that minute. His body guard and body double took his stead and became him; that was who was killed. The Journey from June 1 to 22, is as important a situation as any major sequences of days in the entire history of Monotheism. The events in the life of Joseph Smith are beyond measure important to study. Forget about the Book of Mormon, and the L.D.S. faith. They are good but the life and times of Joseph Smith are what are beyond measure important. Joseph was ordered to leave, and he ordered all present to remain absolutely silent for the rest of their lives of the true events of that night, and everything which followed. He knew what he was asking, but he also knew the Lord had a plan, and his followers had to follow said plan to the letter. God gave an order, Joseph followed without question. He repeated the 40 days and 40 nights of Jesus's wonderings in the desert, in this case Kansas. Making his way to Manitou. Why their, because by legend, Manitou Springs Colorado has an immortal living in the city which was talked about in the Bible. Joseph under a different name and he needed to interact and achieve a goal together. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…