Went johann (3 risultati)

18 x 29 cm Broschiert. Condizione: Sehr gut. 1. Auflage dieser Ausgabe. 4 (Doppel) Seiten broschierter, deckeliilustrierter Band der Reihe ILLUSTRATION 63 (zweiter Sonderdruck); sehr gutes, signiertes Exemplar (von W. Strauchmann) - 1 von 300 signierten Exemplaren Sprache: Deutsch Gewicht in Gramm: 1. …

Manuscript score in two volumes. Oblong folio (ca. 145 × 295 mm). Each volume with separate title page. Manuscript in brown ink, dark and legible throughout. Eight staves per page-one per instrument (2 oboes, 2 clarinets, 2 bassoons, 2 horns)-with six or more bars per line. Contemporary boards covered in brown paste paper, with manuscript title labels to the front covers. ff. 144 (last 3 pages blank); 112 (last 3 pages blank). A Harmoniemusik transcription of Mozart's Così fan tutte, preserved in full score for wind octet. The anonymous arrangement is musically continuous and unusually extensive for its genre-currently the longest known version of the opera arranged for Harmonie. Tentative attributions to Johann Went and Kajetan Vogel-based on structural and titular parallels-remain unconfirmed. Unrecorded in RISM or standard bibliographies at this level of completeness, the manuscript offers valuable insight into late 18th-century Viennese wind performance and Mozart reception. This appears to be the most complete surviving Harmoniemusik transcription of Così fan tutte. Uniquely, it is written in full score format (partitura), with all eight instrumental lines-two oboes, two clarinets, two bassoons, and two horns-notated together. The transcription omits Nos. 5, 8, 9, 11, 16, and 30. Other surviving wind arrangements of the opera are typically limited to overtures, finales, or selected movements, and are preserved only in partbooks-except for an anonymous 12-movement transcription of Act II, attributed to Kajetan Vogel. Like the example mentioned above, this transcription is anonymous. However, a note preserved with the manuscript-dated 2007 and written by Carlos Leresche, the Swiss flutist, conductor, and founder of the Flûte d'Or competition-was addressed to a previous owner who had consulted him, likely due to his expertise in historical wind repertoire. In this note, Leresche attributed the arrangement to Johann Nepomuk Went. The attribution remains unsubstantiated, with no supporting evidence beyond Went's prominence as one of the most prolific and widely known arrangers in this genre. Johann Nepomuk Went (also Wendt, Vent; 1745-1810?) was a Bohemian oboist, composer, and arranger active in Vienna's imperial music scene. As second oboist in Emperor Joseph II's Kaiserlich-Königliche Harmonie from 1782, he performed in the premières of Mozart's Die Entführung aus dem Serail, Le nozze di Figaro, and Così fan tutte. He later replaced Georg Triebensee as leader of the Kaiser's octet and eventually became a minor official in the court musical hierarchy (Whitwell 1969, p. 34). Went arranged all three operas for Harmonie, along with Don Giovanni and Die Zauberflöte, producing some of the earliest known wind transcriptions of Mozart's stage works. His adaptations reflect firsthand familiarity, practical transpositions, and idiomatic scoring for wind ensemble (Hellyer, "Went"). The RISM database lists 32 manuscript wind arrangements of Così fan tutte by composers such as Flögel, Sartorius, and Schneider, but this figure overstates the actual number, as many entries represent individual movements from larger collections, such as those by Legrand (RISM 450062416) or Stumpff (RISM 455002643). A closer analysis suggests ten or fewer distinct arrangements, accounting also for repeated composers (as in RISM 450062416 and 450010142, both by Legrand). Among these, only two bear titles closely resembling that of the present manuscript: one held in Wolfenbüttel (D-W Cod. Guelf. 169 Mus.; RISM 451506525) and another in Brno (CZ-K 41 K I; RISM 550032840), both attributed to Johann Went, which lends some support to the earlier attribution. Both are partial or fragmentary transcriptions. The Wolfenbüttel copy, scored for the same instrumentation as the present manuscript, is titled Opera Cosi fan Tutti a Due Oboe, Due Clarinetti, Due Corni, Due Fagotti. Del Sigre. Mozart. Accomodata di Went-near identical in wording and sequence to the present.…

Offenbach sur le Mein chez J. André et aux adresses ordinaires, s.d. (1790), 4 parts (Violino Primo 15 pp, Violino Secondo 13 pp, Viola 11 pp, Violoncello 11 pp), plate number 410. Each part bound in contemporary marbled boards , each with a titlepage consisting of a small engraved title vignette. Finely preserved complete score ( for the four instruments) of the first opus , in first edition , of Johann Wenth (1745 - 1801). The composer was born in Divice (Middle Bohemia). He fled to Vienna and became a musician in the service of Fürst Schwarzenberg. He is chiefly remembered for his oboe and clarinet compositions and as such inspired Beethoven, who composed his trio, opus 87, after hearing a Wenth composition in 1793 (see Thayer, Beethoven). Very rare, only one copy in Worldcat (July 2009) at Ann Arbor (USA). …