Wheat patricia (23 risultati)

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Good. Includes dust jacket. Book & dust jacket show some shelf & handling wear, including minor edge wear and scuffing on the dust jacket. Pages are slightly worn & tanned. Interiors are intact with unmarked text/pictures. Good reading copy.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Clean pages. Near Fine dust jacket in a new, clear, protective mylar wrapper. Ships in sturdy cardboard packaging. [5].

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0838634435.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Oversized hardback book (235 pages) with ovwe 150 illustrations, 85 in color.Light rubbing on dust jacket. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-4-Top-L) rareviewboosk.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0838634435. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 235 pages : illustrations (some color). Publisher's binding sturdy, corners sharp, fading to edges of front and rear boards; contents unmarked and attractive. The dust jacket is very good, with a few minor smudges at foot of spine and at rear hinge. Laid in are several newspaper articles about Mr Lawrence. 1380 grams.…

Paperback. Condizione: Near Fine. 1st. 235 pages, illustrations (some colour), portraits; 29 cm. Exhibition held at the Seattle Art Museum, Seattle, Washington July 10 to September 7, 1986 and visiting other venues in 1987. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Examines the life and art of African-American painter Jacob Lawrence, covering the entire span of his career from the 1930s through the 1980s. Includes over 100 color plates of Lawrence's work." - Publisher. *** CONTENTS: Foreword, by Bruce Guenther; Acknowledgments; Jacob Lawrence's Expressive Cubism, by Patricia Hills; Chapter 1: Introduction; Chapter 2: Origins: 1917-1940; Chapter 3: Early Maturity: 1940-1949; Chapter 4: Mid-Career in New York: 1949-1968; Chapter 5: At Home in the West: 1968-Present; Chapter 6: Conclusion; Notes; Chronology; Checklist of the Exhibition; Exhibition History; Work in Public and Corporate Collections; Bibliography; Index; Photo Credits. Size: 4to. Collectible.…

First edition. 123 pages with index. Cloth. Fine in like dustjacket.

Hardcover. First Edition; First Printing. Fine copy in fine dust jacket. This large and impressive exhibition catalog accompanied a nationally touring exhibition that went from Seattle, to Oakland, Atlanta, Washington, DC, Dallas and Brooklyn. ; 4to 11" - 13" tall; 235 pages.

HARDCOVER. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st edition. Quarto hc w/jacket in mylar 235pp, signed by author Ellen Wheat, gray cloth with gilt titles, clean boards with sharp corners, tight binding, clean throughout, Fine. Jacket is clean, bright, and colorful, Fine. signed by author. Signed.…

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title. Profusely Illustrated (illustratore).

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. DJ shows a touch of shelfwear. Inscribed by Lawrence on title page (near gutter) to "Paul and Patty" and dated 10/4/87. A comprehensive survey of "America's most important black artist." Lawrence died in 2000. 8-7/8 x 11-3/8". 235 pages. Inscribed by Author(s).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Signed by artist Jacob Lawrence on title page. A fine copy of the first edition hardcover in jacket. 235 pages. Issued in conjunction with the traveling exhibition organized by the Seattle Art Museum, at 6 US institutions in all, July 1986 - December 1987. Foreword by Bruce Guenther; additional essay by Patricia Hills; biographical chronology, bibliography and index.190 Color & b/w Illustrations. Signed by Artist.…

Hardcover. Condizione: Near Fine. Near Fine. 1st edition. 1st edition, 1986. INSCRIBED by Lawrence on title page. A Near Fine book in a Near Fine Dust jacket. 4to., 235 pp., bound in publishers brown cloth with illustrated dust jacket. Minor signs of shelf wear only. Dust jacket now protected in mylar sleeve. Jacob Lawrence (illustratore).…

Condizione: New. Satisfaction Guaranteed or your money back.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Jacket lightly rubbed, three dents to rear panel at Lawrence's left shoulder visible faintly on board. A touch of soil to head of text block, circular embossed stamp to foot of title page. Binding firm. Signed by Lawrence and Wheat on title page. Signed by Author(s).…

hardcover. Condizione: new.

Paperback. Condizione: Like New. Flat signed by Jacob Lawrence on title page. From the library of Dr. Ralph Gomes, Howard University. Softcover. Good binding and cover. Minor shelf wear. Light creasing. Clean, unmarked pages. Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement. "Jacob Armstead Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13. There, during his participation in community art workshops, Lawrence quickly discovered his love of art through the encouragement of teachers such as painter Charles Alston. Throughout the 1930s, Lawrence's art was inspired by the cultural visionaries of the Harlem Renaissance. In 1938, Lawrence had his first solo exhibition at the Harlem YMCA and started working for the WPA Federal Art Project. In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series); when the series was exhibited at Edith Halpert's Downtown Gallery the following year, the then 23-year-old artist catapulted to national acclaim. In the ensuing decades, Lawrence continued to create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights. He taught with Josef Albers at Black Mountain College in North Carolina in 1946 and later at the Skowhegan School of Painting and Sculpture in Maine. He moved to Seattle in 1971, teaching at the University of Washington until 1983. During his later years, Lawrence worked in a variety of media, including large-scale murals, silkscreen prints, and book illustrations. Until his death in 2000, Lawrence honed a unique visual language of abstraction that remained steeped in the human condition." - Phillips Collection This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Profusely Illustrated (illustratore). Signed.…

Hardcover. Condizione: Like New. Flat signed in pencil by Jacob Lawrence on front end page. From the library of Dr. Ralph Gomes, Howard University. Hardcover and dust jacket. Dust jacket in protective mylar cover. Good binding and cover. Clean, unmarked pages. *Autographed by artist.* Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement. "Jacob Armstead Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13. There, during his participation in community art workshops, Lawrence quickly discovered his love of art through the encouragement of teachers such as painter Charles Alston. Throughout the 1930s, Lawrence's art was inspired by the cultural visionaries of the Harlem Renaissance. In 1938, Lawrence had his first solo exhibition at the Harlem YMCA and started working for the WPA Federal Art Project. In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series); when the series was exhibited at Edith Halpert's Downtown Gallery the following year, the then 23-year-old artist catapulted to national acclaim. In the ensuing decades, Lawrence continued to create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights. He taught with Josef Albers at Black Mountain College in North Carolina in 1946 and later at the Skowhegan School of Painting and Sculpture in Maine. He moved to Seattle in 1971, teaching at the University of Washington until 1983. During his later years, Lawrence worked in a variety of media, including large-scale murals, silkscreen prints, and book illustrations. Until his death in 2000, Lawrence honed a unique visual language of abstraction that remained steeped in the human condition." - Phillips Collection This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Signed.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. First edition. 235pp. Illustrated. Fine in a fine dust jacket. "This major book celebrates the creative genius of Jacob Lawrence. It is the most comprehensive survey ever made of his work.".

First edition. First edition. Frontispiece portrait of Jacob Lawrence, and numerous reproductions of his paintings in color and black and white. 1 vols. 4to. This copy is inscribed boldy by Lawrence on the title page to his friend and fellow black Harlem artist: "To: - Bob Blackburn - much respect! Jake 1987." At 13 Blackburn began attending classes at the Harlem Arts Community Center operated by the WPA's Federal Art Project, studying with Charles Alston and Augusta Savage, among others. At the Harlem Art Community Center Blackburn met Ronald Joseph, who was his classmate. Here he met Jake Lawrence. Brown polished cloth lettered in gilt. discreet owner's signature on flyleaf, otherwise a mint copy in dust jacket Frontispiece portrait of Jacob Lawrence, and numerous reproductions of his paintings in color and black and white. 1 vols. 4to. Signed. …