william rough (32 risultati)

Condizione: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condizione: Good. First Printing. Used book that is in clean, average condition without any missing pages.

Condizione: Very Good. First Printing. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: good. This item is in overall good condition. Covers and dust jackets are intact but may have minor wear including slight curls or bends to corners as well as cosmetic blemishes including stickers. Pages are intact but may have minor highlighting writing. Binding is intact; however, spine may have slight wear overall. Digital codes may not be included and have not been tested to be redeemable and or active. Minor shelf wear overall. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!

paperback. Condizione: Good.

Soft cover. Condizione: Very Good. 1st Edition. Slight fading on spine, pages and rear cover starting to yellow, clean copy.

Trade Paperback. Condizione: Good. First Trade Paperback. Good with some creasing to covers. Flat spine with no cracks or creases. No markings. Eight pages of color plates. 272 pages.

Hardcover. Condizione: Very Good with no dust jacket. 272 pages, priority and international shipping will be extra, please inquire. ; 8 3/4 x 11 1/4 ".

Softcover. Condizione: Near Fine. First edition. Oversized in color illustrated softcover. First printing (not issued in hardcover). Near fine, very slight evidence of use at the tips. 272 pp. with bibliography, glossary of circus terms, index. Illustrated with more than 300 photos including a color section. A book for circus lovers by circus lovers in which the authors describe all aspects of the circus--the human and animal performers, the roustabouts, advance agents, "24 hour men". They describe the evolution of every act under the Big Top, from the beginnings to the l;ast decade of the 20th century---ringmasters, aerialists, elephants, clowns, animal trainers, and musicians are highl;ighted or profiled.

Soft cover. Condizione: Good. 1st Edition. This soft bound book is clean and tight. The front cover is lightly scuffed and worn on the edge.

Taschenbuch. Condizione: Gut. 126 Seiten Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 100.

Paperback. Condizione: Brand New. 114 pages. 10.00x0.26x7.00 inches. In Stock.

Stapled Paperback. Condizione: Good. No Jacket. Rough, William H.; Rough, Joan Z. (illustratore). Cover is in good condition, save for rubbing and small stain on back cover. Text is otherwise tight in binding. Author has signed title page. This copy includes the original hooking needle, in pocket on inside of back cover (opposite page suffers some rust soiling, from hook). Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

Single Issue Magazine. Condizione: Good+. Vol. L, No. 1. Pulp magazine. Edited by Donald A. Wollheim. Cover art is uncredited [Norman Saunders] for "Kill the Boys Good-by" (novelet) by G. T. Fleming-Roberts. Includes "Big House Beneficiary" by L. W. Carmichael; "Jailbird on the Wing" by Tom Marvin; "Cop Suey" by Alan Barrister; "Murder Is So Shocking" by William Rough; "Mr. Wright Got a Fright" by Zachary Good; "Sauce for teh Slander ("Dizzy Duo" Yarn)" by Joe Archibald; "The Weak's Wages - Death" by Larry Sternig & William C. Gault; "The Lug and the Luger" by Rex Whitechurch; "Crime Doesn't Repay" (extra story this month) by Verne Chute; "Satan Tears the Dragnet" by Francis K. Allan. Illustrated by WK, Geo. Tukel, Sampson, and others. Roll with heavy creasing; standard wear and tear at edges; tanning; thumb smudging.

Soft cover. Condizione: Very Good. 96 pages. 2 Peter Porter Millenial Rococco Robert MacAulay 4 Linda Leatherbarrow And is there Honey Still for Tea Ken Cox Drawing 9 Michael Daugherty Sweeping Up 10 Peter Redgrove Poems Ann Howeson Michael Foreman 20 P. A. Welsh Rough Ebb Lifeline 22 Jonathan Treitel Spirit of A New India 29 George Butcher Poems 31 Ron Sandford Drawings 36 Ken Smith Poems 41 Clare Jarrett Studies from a Notebook 47 Duncan Forbes Poems 50 David Belbin Love, Time Travel 61 Sibyl Ruth Poems 62 William Park Poems 65 Burns / Lomas Reviews 76 Michael Daugherty Poems Ken Cox Drawings 81 Jim Burns / Judith Kazantzis / Vernon Scannell 84 Michael Donaghy Poems 85 Ken Sequin From a Grecian Balcony 89 James Laughlin Byways 2 96 Carole Satyamurti Poems.

Paperback. Condizione: good+. Oversize paperback. 272pp Gift inscription on title page. Small one inch stain on fore-edges. Fading to spine. Binding tight. No other markings.

Hardcover. Condizione: new. Hardcover. Walter Sickert was one of the most influential artists of the late 19th and early 20th centuries. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day.This book will show how Sickert transformed the representation of everyday life, with his innovative approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to a pioneering use of photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity.Featuring over 200 images from the exhibition and a wide range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow.Tate Britain Exhibition, 28th April - 18th September 2022 To accompany a major exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Single Issue Magazine. Condizione: Good to Very Good-. Vol. XLVIII, No. 4. Pulp magazine. Edited by Donald A. Wollheim. Cover art by Jerome Rozen for "The Case of the Headless Client" (novelet) by Emile C. Tepperman. Includes "Postscript to Mein Kampf" by William Rough; "Death Insurance Payment" by Fredric Brown; "Doubling for a Killer" by Francis K. Allan; "The Tobacco Murder" (extra feature this month) by Mark Wright; "The Corpse Nobody Wanted" (novelet) by David X. Manners; "Out of the Frying Pen" by Greta Bardet; "Hang His Wreath" by H. Q. Masur; "The Corn Is Red" by Robert Turner; "A Nose for Crime" by John Michel; "By Hook - One Crook" ("Dizzy Duo") by Joe Archibald. Uncredited illustrations. Creasing; roll; edge tears; tape at spine heel; small pencil mark and sticker ghost on cover.

Single Issue Magazine. Condizione: Very Good-. Vol. LI, No. 4. Pulp magazine. Edited by Donald A. Wollheim. Cover art by Albert Drake for "Bereave It or Not" (novelet) by Thorne Lee. Includes "Murder in Small Packages" by William Rough; "A Snitch in Time" by E. C. Marshall; "Satan Hogs the Camera" by Emil Petaja; "The Ironclad Alibi" by Gunnison Steele; "The Con Is Green" (Dizzy Duo" series) by Joe Archibald; "Homicide at the 5 & 10" by Stewart Toland; "The Criminal Had Crust" by D. A. Hoover; "Coffin Nail Piracy" by Neil Moran; "Dueces Dealt for Death" by Glenn Low. Illustrations are uncredited. Creasing; tanning; slight roill with stress; minor tear at heel; standard wear and tear; minor stain.

Mass Market Paperback. Condizione: Very Good. First Edition. UK edition. Contains 'Too Many are Dead' by Rough, 'The Corpse Walked Away' by Goller, 'Today's Lesson is Death' by Brister, 'Murder of a Memory' by Benton, 'A Spot of Murder' by Linklater and 'Money Music' by Montanye. The Rough story has a full page illustration, the Montanye story has a half-page illustration and there a few small illustrations. Two inch crease to the bottom right corner of the front cover but otherwise only very slight edge wear. Light browning to the pages with small chips to a number of top corners but the pages are otherwise unmarked. Postage charge will be reduced by £1.50 when the order is processed.

FINE. Large paperback in wraps. high grade-scarce. [B86-58].

Magazine. Condizione: Good. First Edition. The front cover has a four inch closed tear down the left side near the spine. Otherwise the covers have only a little edge rubbing with a little discolouration around the edges and a little chipping to the spine. The pages are browned around the edges with a little spotting at the front and back and to the edges but are otherwise unmarked. Contains 'These Shall Die' by Norton, 'Poison with a Past' by Nitkin, 'Bucket of Gems Case' by Brown, 'Murder Happens at Breakfast' by Berard, 'There are no Better-' by Rogers, 'The Way to Murder' by Stacey and 'The Sixth Shot' by Rough. One uncredited illustration for the Nitkin story. Postage charge will be reduced by £1.50 when the order is processed.

Hardcover. Condizione: new. Hardcover. Walter Sickert was one of the most influential artists of the late 19th and early 20th centuries. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day.This book will show how Sickert transformed the representation of everyday life, with his innovative approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to a pioneering use of photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity.Featuring over 200 images from the exhibition and a wide range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow.Tate Britain Exhibition, 28th April - 18th September 2022 To accompany a major exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: new. Hardcover. Walter Sickert was one of the most influential artists of the late 19th and early 20th centuries. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day.This book will show how Sickert transformed the representation of everyday life, with his innovative approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to a pioneering use of photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity.Featuring over 200 images from the exhibition and a wide range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow.Tate Britain Exhibition, 28th April - 18th September 2022 To accompany a major exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. 1st Edition. FIRST EDITION, FIRST PRINTING (number line 0987654321). Small quarto; cream faux leather boards, bright gilt titles to spine - very clean and bright, with some minimal bumping to spine ends only. 272pp, profusely illus. in monochrome b/w photos, with additional 8pp glossy colour photos between pp 160-161 - photographs predominantly taken by the authors themselves and unique to this work. CONTENTS list: 1. LADIES AND GENTLEMEN, STEP RIGHT UP; 2. TRACES; 3. NEW WORLD ROOTS; 4. RED WAGONS; 5. BACK YARDS AND GETTING THERE; 6. WHAT A BODY CAN DO; 7.MUSIC AND LAUGHTER; 8. ANIMALS AND TRAINERS; 9. ALL OUT-NOT OVER; END NOTES; APPENDIX ( comprising List of Works Consulted, Glossary of Circus Terms and Addresses of Circus Organisations) + INDEX. Contents and edges tight, bright and clean, no additional marks or inscriptions; a small London bookseller's label to front pastedown. (near FINE). Dustwrapper is complete, with repaired closed tear and crease to front bottom edge. (A photo of this very jacket has been commonly used as a stock image in advertising copies of this work, as it is now a scarce item); unclipped - original price to rear panel ($29.95); very bright and clean, a few minor edge nicks; spine a trifle faded and bumped. (VG-) Described as ."wonderfully evocative and comprehensive.will take a prominent place on the bookshelves of all circus devotees" A very scarce copy of a first printing of this work, in lovely condition. Now protected with clear removable wrap. FREE p&p within the U.K.Shipping outside U.K. at standard economy rate, or as agreed with buyer.

Single Issue Magazine. Condizione: Very Good. Best Publications January 1954 Binding: Some slight tearing to edges of covers, otherwise tight and bright.