woelffer emerson (27 risultati)

Soft cover. Condizione: Fine. No Jacket. Spotless and free of wear or damage inside and out. It will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit.

Soft cover. Condizione: Very Good. 1st Edition. Single sheet folded three times to make an eight page exhibition catalog with 4 color plates. Published on the occasion of the exhibition at Manny Silverman Gallery, Los Angeles, December 10, 1993 - January 15, 1994. ; Tight, clean and crisp. A couple of very minor spots to cover, otherwise in excellent condition. No inscriptions. Not ex-library. ; 8vo 8" - 9" tall.

Condizione: Good. 8vo. 22 pp., Stapled Wraps. Very Good. Color Plates.

Paperback. Condizione: Near Fine. SIGNED BY THE CURATOR/AUTHOR. 4to, 48 pp, near fine in wraps (covers lightly rubbed, else fine). 33 illustrations, including 8 in color. 50 works listed; chronology; bibliography. Uncommon exhibition catalog on this exceptional Chicago, Colorado and California abstract artist. Signed in ink on the title page by curator Gerald Nordland.

Condizione: Good. [Exhibition catalogue]. 4to. 48 pp. Soft black wraps with illustrated, white lettering. Very good with marginal creasing along spine and marginal dampstaining along bottom of interior pages. Color and black and white plates, including black and white photographic frontis. Includes a foreword by Dextra Frankel and an introduction by Gerald Nordland. Includes list of 50 exhibited works and artist chronology. Catalogue created on occasion of exhibition "Emerson Woelffer: Profile of the Artist, 1947-1981" held in Fullerton, CA at California State University, Fullerton from February 5 through March 11, 1982. From the Collection of the Art Historian Peter Selz.

Condizione: Good. 4to. [45 pp]. Folded Pamphlet. Soft Cover. Very Good. Light smudges on covers. 3 Color Plates.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. 4to. 2 pp. Folio. Soft Cover. Good. Smudges on covers. Tear going through the booklet. Some creases. Color Plates. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Soft Cover. Condizione: Near Fine. First Edition; First Printing. Tight, clean and crisp. A hint of rubbing to spine and rear cover, otherwise in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 19 full page color plates. Essay by Anne Ayers. Conversation with the artist by Roy Dowell. Published on the occasion of the exhibition at Otis Gallery, Otis School of Art and Design, September 19 through November 14, 1992.; 4to; 46 pages.

Condizione: Good. 4to. 48 pp. Soft Cover. Very Good. Some smudges on covers. Mostly Color Plates.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. 8vo. 8 page fold-out brochure. 5 color plates. Very Good.

Condizione: Good. 4to. 6 pp. Folded Pamphlet. Soft Cover. 4 color plates. Very Good with minor rubs and light soiling to the lower left cover edge.Provenance: From the collection of UC Berkeley art historian Peter Selz (1919 - 2019).

Condizione: Good. 4to. 2 pp. Folio. Soft Cover. Very Good with minor rubs and light soiling to the lower left cover edge.Provenance: From the collection of UC Berkeley art historian Peter Selz (1919 - 2019).

Condizione: Good. 4to. [10? pp]. Soft Cover. Very Good. Smudges on covers. Mostly Color Plates. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. [Exhibition catalogue]. 8vo. Oblong. [22 pp.]. Soft, stapled beige and color illustrated wraps with black lettering. As new. Color plates. Includes a preface by Emerson Woelffer and additional text by J. Duane Green. Includes brief artist C.V. on verso of back wrap. Catalogue created on occasion of exhibition "John Stewart: Paintings. Geo - Landscapes: Triangles and Horizons. The San Sal Basement Series", held from November of 1988 through January of 1989 in San Jose, CA at the Katia Lacoste Gallery. Scarce. From the Collection of the Art Historian Peter Selz.

Condizione: Good. [Exhibition catalogue]. 4to. 64 pp. Stiff, black, white and blue color illustrated wraps with printed vellum front end paper. As new. Black and white and color plates, including black and white frontis. Includes texts by Steven D. Lavine, Mark Murphy, Eungie Joee, Ed Ruscha and an essay by Gerald Nordland. Also includes exhibition history, list of exhibited work and selected artist biography and chronology. Catalogue created on occasion of exhibition "Emerson Woelffer: A Solo Fight," curated by Ed Ruscha and held at REDCAT / California Institute of the Arts in Los Angeles, CA from November 16 through December 28, 2003. From the Collection of the Art Historian Peter Selz.

Condizione: Good. 7 x 5 inches. Very Good. Single sheet, printed both sides. Light crease. Extremely Scarce.

Condizione: Good. Saddle stitched catalogue. 8pp wiht b and w plates and 18 works described. LAMA BLOGEmerson Woelffer, Postwar Renaissance ManApril 26, 2016A self-described "abstract surrealist," the painter, collagist, and teacher Emerson Woelffer (1914-2003) was in many ways the very ideal of a postwar American artist. His distinctive style of Abstract Expressionism was inflected by his many and varied interests and experiences. He was a student at the Art Institute of Chicago before becoming employed in the WPA artist's program and then as a teacher at László Moholy-Nagy's Institute of Design in Chicago. Woelffer also lived and worked for a period in Mexico and in Italy; played jazz drums; and collected ethnographic art as well as cars. A close friend of Robert Motherwell and Buckminster Fuller, he was invited to teach at the storied Black Mountain College in North Carolina in 1949. Woelffer came to Los Angeles a decade later and, upon taking a position as an instructor at the Chouinard Art Institute, became mentor to an impressive roster of devoted students that included Larry Bell, Ed Ruscha, Joe Goode, and Charles Arnoldi.

wraps. Condizione: fine. First Edition. 24p, small quarto. Illustrated. A fine copy in white staplebound wraps. Inscribed by Emerson to Jargon Society founder Jonathan Williams on acknowledgement page.

Condizione: Good. Original wraps.16pp. with b and w plates and 67 works described. Tear in white space of front cover, repaired.Signed and dedicated by the artist.A self-described "abstract surrealist," the painter, collagist, and teacher Emerson Woelffer (1914-2003) was in many ways the very ideal of a postwar American artist. His distinctive style of Abstract Expressionism was inflected by his many and varied interests and experiences. He was a student at the Art Institute of Chicago before becoming employed in the WPA artist's program and then as a teacher at László Moholy-Nagy's Institute of Design in Chicago. Woelffer also lived and worked for a period in Mexico and in Italy; played jazz drums; and collected ethnographic art as well as cars. A close friend of Robert Motherwell and Buckminster Fuller, he was invited to teach at the storied Black Mountain College in North Carolina in 1949. Woelffer came to Los Angeles a decade later and, upon taking a position as an instructor at the Chouinard Art Institute, became mentor to an impressive roster of devoted students that included Larry Bell, Ed Ruscha, Joe Goode, and Charles Arnoldi.

Condizione: Good. 4to. [40 pp.] Soft Cover. Very Good. Light smudges on back cover. Mostly BW Plates.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. 4to. 64 pp. Soft Cover. Color and black and white illustrations throughout. Very Good. Minor shelf wear. Interior leave edges toned. Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. 4to. 64 pp. Very Good+. Soft Cover. Illustrated stiff paper wraps. Minor rubbing to wraps, else fine. Color and B&W plates throughout. Extremely Scarce.

Los Angeles. Redcat. 2003. 4°. 64 (2) pages, with illustrations. Softcover. Illustrated Wrappers. Artist Monograph. Fine. 64pp, profusely illustrated in color and b&w. Designed by Jerry McMillan. With a bibliography, exhibition checklist and exhibition history. Published in conjunction with an extensive 2003 retrospective curated by Ed Ruscha, this is a loving tribute to the late Los Angeles (by way of Chicago) artist/educator/collector Emerson Woelffer. A fixture on the LA scene for more than forty years, this elegant catalogue combines reproductions of the artist's work along with personal photographs to form the most comprehensive document on Woelffer to date. It includes a section of tributes and remembrances by former Otis/Chouinard students and colleagues including the likes of Joe Goode, Terry Allen, Roy Dowell, Chuck Arnoldi, Llyn Foulkes, Jerry McMillan, George Herms, Allen Ruppersberg, Laddie John Dill, Ed Bereal, Larry Bell, Dennis Hopper, and more. - Near fine copy. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Offsetdruck aus dem " Künstlerkalender '79". - Emerson Woelffer (27. Juli 1914 - 2. Februar 2003) war ein bekannter Künstler und Maler des abstrakten Expressionismus, der in Chicago geboren wurde. Er studierte von 1935 bis 1937 an der School of the Art in Chicago. 1938 trat er dem WPA Arts Program bei. O.u.b. Sprache: Deutsch Gewicht in Gramm: 2000 Blattgröße ca. 58,5 cm. x 41 cm.

Condizione: Good. Emerson Woelffer (1914-2003) American "Abstract Surrealist." Class Schedule on reverse has notation in pencil with likely phone number of Mark Rothko, who was acquainted with the director of the school, James Byrnes. Folded into eight parts. Very good.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. Silkscreen. 25.5 x 19 inches. Stains and repaired tears; mounted on a support sheet.LAMA BLOGEmerson Woelffer, Postwar Renaissance ManApril 26, 2016A self-described "abstract surrealist," the painter, collagist, and teacher Emerson Woelffer (1914-2003) was in many ways the very ideal of a postwar American artist. His distinctive style of Abstract Expressionism was inflected by his many and varied interests and experiences. He was a student at the Art Institute of Chicago before becoming employed in the WPA artist's program and then as a teacher at László Moholy-Nagy's Institute of Design in Chicago. Woelffer also lived and worked for a period in Mexico and in Italy; played jazz drums; and collected ethnographic art as well as cars. A close friend of Robert Motherwell and Buckminster Fuller, he was invited to teach at the storied Black Mountain College in North Carolina in 1949. Woelffer came to Los Angeles a decade later and, upon taking a position as an instructor at the Chouinard Art Institute, became mentor to an impressive roster of devoted students that included Larry Bell, Ed Ruscha, Joe Goode, and Charles Arnoldi.Provenance: Peter Howard, Serendipity Books. Berkeley.

No Binding. Condizione: Good. File of Correspondence with Gruenebaum Gallery between circa 1979-1988, about 18 HOLOGRAPH letters from Woelffer, many plaintively asking 'where's the bread' & others chatty and art related with typed replies from the Gallery, also color polaroids of the art, lists of paintings, price lists, art biz etc. When Gruenebaum's gallery failed in SOHO in the early 1990's as he decided to become an Artist, the entire archive of the gallery was thrown into a dumpster. Incompetence, carlessness, hiding the evidence?.or "Where is the Bread".(VV2/0). Signed by Author(s).