Worringer (729 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. Wilhelm Worringer's landmark study in the interpretation of modern art, first published in 1908, has seldom been out of print. Its profound impact not only on art historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented. Starting from the notion that beauty derives from our sense of being able to identify with an object, Worringer argues that representational art produces satisfaction from our objectified delight in the self, reflecting a confidence in the world as it is-as in Renaissance art. By contrast, the urge to abstraction, as exemplified by Egyptian, Byzantine, primitive, or modern expressionist art, articulates a totally different response to the world: it expresses man's insecurity. Thus in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. Abstraction and Empathy also has a sociological dimension, in that the urge to create fixed, abstract, and geometric forms is a response to the modern experience of industrialization and the sense that individual identity is threatened by a hostile mass society. Hilton Kramer's introduction considers the influence of Worringer's thesis and places his book in historical context.…

Condizione: New.

Paperback or Softback. Condizione: New. Abstraction and Empathy: A Contribution to the Psychology of Style. Book.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. Contains the original illustrations.

Paperback. Condizione: Good. Wilhelm Worringer's landmark study in the interpretation of modern art, first published in 1908, has seldom been out of print. Its profound impact not only on art historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented. Starting from the notion that beauty derives from our sense of being able to identify with an object, Worringer argues that representational art produces satisfaction from our objectified delight in the self, reflecting a confidence in the world as it is-as in Renaissance art. By contrast, the urge to abstraction, as exemplified by Egyptian, Byzantine, primitive, or modern expressionist art, articulates a totally different response to the world: it expresses man's insecurity. Thus in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. Abstraction and Empathy also has a sociological dimension, in that the urge to create fixed, abstract, and geometric forms is a response to the modern experience of industrialization and the sense that individual identity is threatened by a hostile mass society. Hilton Kramer's introduction considers the influence of Worringer's thesis and places his book in historical context.…

Paperback. Condizione: New.

Soft cover. Condizione: Good. Softcover has shelf wear. Pageaa re clean, no marks, solid binding.

Paperback. Condizione: Very Good. Text and images unmarked. Corners of the text block lightly bumped. Previous owner name written on the inside front cover. The wrapper shows some light handling, corners of the back panel lightly rubbed. 8vo. 144pp.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Wilhelm Worringers landmark study in the interpretation of modern art, first published in 1908, has seldom been out of print. Its profound impact not only on art historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented. Starting from the notion that beauty derives from our sense of being able to identify with an object, Worringer argues that representational art produces satisfaction from our objectified delight in the self, reflecting a confidence in the world as it isas in Renaissance art. By contrast, the urge to abstraction, as exemplified by Egyptian, Byzantine, primitive, or modern expressionist art, articulates a totally different response to the world: it expresses mans insecurity. Thus in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. Abstraction and Empathy also has a sociological dimension, in that the urge to create fixed, abstract, and geometric forms is a response to the modern experience of industrialization and the sense that individual identity is threatened by a hostile mass society. Hilton Kramers introduction considers the influence of Worringers thesis and places his book in historical context. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Softcover, 32 pages; in Spanish; good condition; covers dirty; pages foxed; no internal marks. Foreign shipping may be extra.

Condizione: New.

Paperback or Softback. Condizione: New. Form Problems of the Gothic. Book.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Broschiert. Condizione: Gut. 1. Aufl. 96 S. : zahlr. Ill., graph. Darst. ; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 210.

Condizione: New.

Paperback or Softback. Condizione: New. Abstraction and Empathy: A Contribution to the Psychology of Style. Book.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Good. 1st Edition. Long tear to jacket on spine.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. Wilhelm Worringer's landmark study in the interpretation of modern art, first published in 1908, has seldom been out of print. Its profound impact not only on art historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented. Starting from the notion that beauty derives from our sense of being able to identify with an object, Worringer argues that representational art produces satisfaction from our "objectified delight in the self," reflecting a confidence in the world as it is-as in Renaissance art. By contrast, the urge to abstraction, as exemplified by Egyptian, Byzantine, primitive, or modern expressionist art, articulates a totally different response to the world: it expresses man's insecurity. Thus in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. Abstraction and Empathy also has a sociological dimension, in that the urge to create fixed, abstract, and geometric forms is a response to the modern experience of industrialization and the sense that individual identity is threatened by a hostile mass society. Hilton Kramer's introduction considers the influence of Worringer's thesis and places his book in historical context.…

Softcover, 32 pages; in Spanish; good condition; covers dirty; a couple marks and spots in margins of pages. Foreign shipping may be extra.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Gut. Condizione sovraccoperta: Ohne Schutzumschlag. 1. Auflage. (Schriften der Königsberger gehelhrten Gesellschaft. Geisteswissenschaftliche Klasse, 8. jahr, Heft 1); 16 pages and 15 b/w-plates with many illustrations.

Hardcover. Condizione: Good. No Jacket. 50 plates.

Condizione: New.